Lexington's Lost Architecture


Book Description

"Lexington's Lost Architecture" is a new book featuring many never before published photos of some of Lexington, Kentucky's finest old architecture. All the homes are long gone either by having been torn down or burned. These pages contain the stories of the people that built these magnificent structures and those that inhabited them. There are many interior photos from private collections which will give the reader an idea of the splendor of these lost treasures.




Lexington's Lost Architecture


Book Description

Thank you for viewing our book! If you decide to purchase, the authors humbly ask that you please go to www.createspace.com/6663271 (simply type this address into the address bar at the top of your screen and it will take you straight to the book to place your order). It is as safe and secure as purchasing on Amazon (probably more so) because it is Amazon, just their publishing side. We ask this favor because when our book is ordered through Amazon.com and not CreateSpace.com, Amazon takes out another large fee (not sure why since it is the same company) and by doing so, Amazon ends up making a lot more on the sale than we do. At least through CreateSpace we split the royalties a bit more evenly with Amazon. They still make more than the authors but this way is much fairer. We very much appreciate your extra effort to help and also thank you very, much for your interest in our book. We hope you enjoy it! "Lexington's Lost Architecture" is a new book featuring many never before published photos of some of Lexington, Kentucky's finest old architecture. All the homes are long gone either by having been torn down or burned. These pages contain the stories of the people that built these magnificent structures and those that inhabited them. There are many interior photos from private collections and many full color images which will give the reader an idea of the splendor of these lost treasures.




Lost Lexington, Kentucky


Book Description

Lexington has dozens of well-restored landmarks, but unfortunately so many more are lost forever. The famous Phoenix Hotel, a longtime stop for weary travelers and politicians alike, has risen from its own ashes numerous times over the past centuries. The works of renowned architect John McMurtry were once numerous around town, but some of the finest examples are gone. The Centrepointe block has been made and unmade so many times that its original tenants are unknown to natives now. Join local blogger, attorney and preservationist Peter Brackney as he explores the intriguing back stories of these hidden Bluegrass treasures.




Lexington


Book Description

Situated in the heart of Kentucky's Bluegrass region, Lexington is known as a cultural center throughout the state. The city, with its strong sense of history, education, and commerce, has undergone dramatic change, making way for development and progress with each new decade.







Monuments to the Lost Cause


Book Description

This richly illustrated collection of fourteen essays examines the ways in which Confederate memorials - from Monument Avenue to Stone Mountain - and the public rituals surrounding them testify to the tenets of the Lost Cause, a romanticized narrative of the war. Several essays highlight the creative leading role played by women's groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The authors - who include Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen - trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public - and often emotionally charged - debate about how the South's past should be remembered. The editors: Art Historian Cynthia Mills, a specialist in nineteenth-century public sculpture, is executive editor of American Art, the scholarly journal of the Smithsonian American Art Museum. Pamela H. Simpson is the Ernest Williams II Professor of Art History at Washington and Lee University. She is the coauthor of The Architecture of Historic Lexington.




Clay Lancaster's Kentucky


Book Description

"Clay Lancaster was infected by a love of architecture at an early age, a gentle madness from which he never cared to recover."—From the Foreword, by Roger W. Moss It is easy to take for granted the visual environment that we inhabit. Familiarity with routes of travel and places of work or leisure leads to indifference, and we fail to notice incremental changes. When a dilapidated building is eliminated by new development, it is forgotten as soon as its replacement becomes a part of our daily landscape. When an addition is grafted onto the shell of a house fallen out of fashion or function, onlookers might notice at first, but the memory of its original form is eventually lost. Also forgotten is the use a building once served. From historic homes to livestock barns, each structure holds a place in the community and can tell us as much about its citizens as their portraits and memoirs. Such is the vital yet intangible role that architecture plays in our collective memory. Clay Lancaster (1917-2000) began during the Great Depression to document and to encourage the preservation of America's architectural patrimony. He was a pioneer of American historic preservation before the movement had a name. Although he established himself as an expert on Brooklyn brownstones and California bungalows, the nationally known architectural historian also spent four decades photographing architecture in his native Kentucky. Lancaster did not consider himself a photographer. His equipment consisted of nothing more complex than a handheld camera, and his images were only meant for his own personal use in documenting memorable and endangered structures. He had the eye of an artist, however, and recognized the importance of vernacular architecture. The more than 150 duotone photographs in Clay Lancaster's Kentucky preserve the beauty of commonplace buildings as well as historic mansions and monuments. With insightful commentary by James D. Birchfield about the photographs and about Lancaster's work in Kentucky, the book documents the many buildings and architectural treasures—both existing and long gone—whose images and stories remain a valuable part of the state's heritage.










Lost Baltimore


Book Description

"This record of shortsighted destruction may help save the city's remaining wood, stone, and brick treasures."-- "Baltimore Magazine" They fell victim to fire and time, road builders and city planners, the schemes of short-sighted developers, and their owners' neglect. From the red-brick shops and taverns of colonial times to the monumental banks and theaters of the early twentieth century, the lost buildings of old Baltimore represent an irreplaceable part of the city's heritage. Now, in this revised and beautifully redesigned edition of Carleton Jones's popular retrospective, the vanished structures of Baltimore's past are made accessible to a new generation of readers. Each of the more than one hundred entries includes a photograph, the building's exact location, the years it was built and razed, and a paragraph describing its architectural and historical significance. Also included are lively and informative essays giving an overview of Baltimore's colonial, Federal, antebellum, Victorian, and "golden city" periods of architecture. Churches and saloons, temples and courthouses, public buildings, townhouses, office buildings, and country mansions--the structures of "Lost Baltimore" have lost none of their power to stir the imagination. " "Lost Baltimore" is valuable for its collection and presentation of buildings we can know now only through pictures and text. The book is likely to hold its interest over the long term."-- "Maryland Historical Magazine"