Liberating Rites


Book Description

This book shows how necessary ritual is to human freedom and to social processes of liberation. It aims to reflect upon the deep human longing for ritual and to interpret it in the light of our physical, social, political, sexual, moral, aesthetic, and religious existence. .




Why O Lord?


Book Description

The book begins by exploring a number of signposts in psalms' scholarship which alert us to the value of psalms as a form of prayer. The particular focus is lament psalms, and their potential as a form of prayer for people engaging with distressing experiences in life. What follows, is a discussion of lament as a process and the areas of potential change for someone who uses these psalms for prayer. The final section of the book includes stories of several people who prayed some of these psalms over a period of time. It explores their responses and reflections in an attempt to evaluate the effectiveness of praying psalms such as these. The book culminates with a chapter which invites the reader to pray some psalms of distress themselves with notes suggesting an appropriate ritual to follow and some ideas for further exploration. 'David J. Cohen's book, Why, O Lord?, provides a wonderful, comprehensive view of the psalms of lament. It is an encouragement to all Christian traditions to look with fresh eyes on the psalms as prayer, and particularly the psalms of lament, as our suffering, and the suffering of many in our world, needs the language to cry out to God in times of darkness. The psalms express every human emotion and use a strong confidence that we can cry out to God, and that God will hear our suffering, and that transformation is possible. Bringing the psalms of lament into ritual, so aptly described by Cohen, brings a new dimension to worship, both personal and communal. This book is an excellent academic and pastoral addition to our knowledge of the psalms.' Angela McCarthy, lecturer in Theology at the University of Notre Dame, Fremantle, Australia: National President of the Australian Academy of Liturgy




Practicing Reverence


Book Description

Every day we hear more about how humans are degrading the environment and causing suffering to themselves and the rest of life. Where will it end? Practicing Reverence shows that it is up to all of us, in community, to live in ways that honour not just our own lives, but all life. Minister, theologian, and environmental ethics teacher Ross Smillie combines his areas of expertise to document our current situation and, even more importantly, to offer hope. Smillie’s science background is evident in his extensive factual reporting of ecological issues. His engagement with theology and ethics balances scientific fact with moral and ethical ponderings. The result is an up-close view of how things “are,” and a glimpse of how things “could be.” Smillie’s hope is that we learn to create “sustainable earth communities,” that we will leave our children, grandchildren, and the generations beyond with a vital and bountiful earth upon which to live. Of course, to reach this goal we must adapt our current actions. And so Smillie examines economics, technology, and religion, and identifies alternatives to our current practices. As a minister and theologian, he also allows for the work of the Spirit, to bring about more just and sustainable ways of living. Practicing Reverence represents both a call and a challenge to those who genuinely desire the best for themselves and future generations, to join their efforts for the good of all.




Creating Rituals


Book Description

Practical advice on creating rituals, a healing and transformative means of helping a person or a group to maneuver with confidence through times of transition.




Where the Spirit Is


Book Description

This dissertation explores the experiential contours of Pentecostalism as a liberative praxis. The connection between Pentecostalism and social change is a burgeoning line of inquiry, particularly in the Global South, but this study focuses on the history of Pentecostalism in the US, beginning with the production and circulation of the African American Spirituals. Bringing theories of affect into conversation with ritual studies, this interdisciplinary work traces personal stories and experiences from the author and examines them in light of Pentecostal traditions that stem from the Azusa Street Revival in Los Angeles, California, the birthplace of the Pentecostal movement. William J. Seymour’s vision at Azusa was egalitarian and transgressed the societal boundaries and norms of race and gender in the early twentieth century. Pentecostalism was and is informed by Black, queer, female, and other voices often silent or rendered invisible. Without this representation, Pentecostalism is simply one tradition among many co-opted and appropriated for the ongoing colonial projects of the modern Western world. Therefore, this book explores Blackpentecostal tradition: specifically, The Fellowship of Affirming Ministries (TFAM), a predominately Black LGBTQ+ movement that integrates Pentecostal worship and theology with an inclusive, liberative theology.




Performing the Gospel


Book Description

What is the difference between good worship and good entertainment? Too often, people disparage some aspect of worship by calling it “just entertainment” or “just a performance.” Others say that they do not need to go to church because they have profound spiritual or even religious experiences at concerts, plays, movies, or dances. How is worship different from these performing arts? How is art different from entertainment? This book looks at the history of the performing arts both in worship and as worship, with particular attention to the attitudes that shape our ideas about both worship and entertainment. Working definitions of words like “art,” “excellence,” “liturgy,” and “play” help to illuminate what different people mean when they use them in conversations about Christian worship. Putting theological, scriptural, and practical writings on worship and the performing arts in conversation with interviews with dancers, musicians, actors, preachers, and liturgical scholars, this volume is intended to help pastors, performers, and everyone who plans, leads, or cares about worship talk with one another in mutually respectful and helpful ways.




Bringing Zen Home


Book Description

Healing lies at the heart of Zen in the home, as Paula Arai discovered in her pioneering research on the ritual lives of Zen Buddhist laywomen. She reveals a vital stream of religious practice that flourishes outside the bounds of formal institutions through sacred rites that women develop and transmit to one another. Everyday objects and common materials are used in inventive ways. For example, polishing cloths, vivified by prayer and mantra recitation, become potent tools. The creation of beauty through the arts of tea ceremony, calligraphy, poetry, and flower arrangement become rites of healing. Bringing Zen Home brings a fresh perspective to Zen scholarship by uncovering a previously unrecognized but nonetheless vibrant strand of lay practice. The creativity of domestic Zen is evident in the ritual activities that women fashion, weaving tradition and innovation, to gain a sense of wholeness and balance in the midst of illness, loss, and anguish. Their rituals include chanting, ingesting elixirs and consecrated substances, and contemplative approaches that elevate cleaning, cooking, child-rearing, and caring for the sick and dying into spiritual disciplines. Creating beauty is central to domestic Zen and figures prominently in Arai’s analyses. She also discovers a novel application of the concept of Buddha nature as the women honor deceased loved ones as “personal Buddhas.” One of the hallmarks of the study is its longitudinal nature, spanning fourteen years of fieldwork. Arai developed a “second-person,” or relational, approach to ethnographic research prompted by recent trends in psychobiology. This allowed her to cultivate relationships of trust and mutual vulnerability over many years to inquire into not only the practices but also their ongoing and changing roles. The women in her study entrusted her with their life stories, personal reflections, and religious insights, yielding an ethnography rich in descriptive and narrative detail as well as nuanced explorations of the experiential dimensions and effects of rituals. In Bringing Zen Home, the first study of the ritual lives of Zen laywomen, Arai applies a cutting-edge ethnographic method to reveal a thriving domain of religious practice. Her work represents an important contribution on a number of fronts—to Zen studies, ritual studies, scholarship on women and religion, and the cross-cultural study of healing.




Singing the Rite to Belong


Book Description

This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.




Rite out of Place


Book Description

Much ritual studies scholarship still focuses on central religious rites. For this reason, Grimes argues, dominant theories, like the data they consider, remain stubbornly conservative. This book issues a challenge to these theories and to popular conceptions of ritual. Rite Out of Place collects 10 revised essays originally published in widely varied sources across the past five years. Grimes has selected for inclusion those essays that track ritual as it haunts the edges of cultural boundaries-ritual converging with theater, ritual on television, ritual at the edge of natural environments and so on. The writing is non-technical, and the implied audience is sufficiently broad than any educated person interested in religion and public life should find it intelligible and engaging.




Ritual


Book Description

Alongside description of a number of specific rites, this volume explores ritual from both theoretical and historical perspectives. Barry Stephenson focuses on the places where ritual touches everyday life: in politics and power; moments of transformation in the life cycle; as performance and embodiment. He also discusses the boundaries of ritual, and how and why certain behaviours have been studied as ritual while others have not.