The Sacred Fire of Liberty


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Lance Banning's powerful and persuasive reexamination of Madison's thought at the critical early and central stages of his career now changes that presumption, and provides a new base from which thinking about Madison and the Founding must start.




Liberty's Fire


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Paris, 1871. Four young people will rewrite their destinies. Paris is in revolt. After months of siege at the hands of the Prussians, a wind of change is blowing through the city, bringing with it murmurs of a new revolution. Alone and poverty-stricken, sixteen-year-old Zéphyrine is quickly lured in by the ideals of the city's radical new government, and she finds herself swept away by its promises of freedom, hope, equality and rights for women. But she is about to be seduced for a second time, following a fateful encounter with a young violinist. Anatole's passion for his music is soon swiftly matched only by his passion for this fierce and magnificent girl. He comes to believe in Zéphyrine's new politics - but his friends are not so sure. Opera singer Marie and photographer Jules have desires of their own, and the harsh reality of life under the Commune is not quite as enticing for them as it seems to be for Anatole and Zéphyrine. And when the violent reality of revolution comes crashing down at their feet, can they face the danger together - or will they be forced to choose where their hearts really lie?




New York Burning


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Pulitzer Prize Finalist and Anisfield-Wolf Award Winner In New York Burning, Bancroft Prize-winning historian Jill Lepore recounts these dramatic events of 1741, when ten fires blazed across Manhattan and panicked whites suspecting it to be the work a slave uprising went on a rampage. In the end, thirteen black men were burned at the stake, seventeen were hanged and more than one hundred black men and women were thrown into a dungeon beneath City Hall. Even back in the seventeenth century, the city was a rich mosaic of cultures, communities and colors, with slaves making up a full one-fifth of the population. Exploring the political and social climate of the times, Lepore dramatically shows how, in a city rife with state intrigue and terror, the threat of black rebellion united the white political pluralities in a frenzy of racial fear and violence.




Unlearning Liberty


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For over a generation, shocking cases of censorship at America’s colleges and universities have taught students the wrong lessons about living in a free society. Drawing on a decade of experience battling for freedom of speech on campus, First Amendment lawyer Greg Lukianoff reveals how higher education fails to teach students to become critical thinkers: by stifling open debate, our campuses are supercharging ideological divisions, promoting groupthink, and encouraging an unscholarly certainty about complex issues. Lukianoff walks readers through the life of a modern-day college student, from orientation to the end of freshman year. Through this lens, he describes startling violations of free speech rights: a student in Indiana punished for publicly reading a book, a student in Georgia expelled for a pro-environment collage he posted on Facebook, students at Yale banned from putting an F. Scott Fitzgerald quote on a T shirt, and students across the country corralled into tiny “free speech zones” when they wanted to express their views. But Lukianoff goes further, demonstrating how this culture of censorship is bleeding into the larger society. As he explores public controversies involving Juan Williams, Rush Limbaugh, Bill Maher, Richard Dawkins, Larry Summers—even Dave Barry and Jon Stewart—Lukianoff paints a stark picture of our ability as a nation to discuss important issues rationally. Unlearning Liberty: Campus Censorship and the End of American Debate illuminates how intolerance for dissent and debate on today’s campus threatens the freedom of every citizen and makes us all just a little bit dumber.




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Galveston Burning


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Since 1821, when Jean Lafitte sailed away from a burning Campeche, the history of Galveston has often been wreathed in smoke. Over the next century, one inferno breached the walls of Moro Castle, while another reduced forty-two blocks of the residential district to ash. Recognizing the importance of protecting the city, concerted efforts were made to establish the first paid fire department, create a city waterworks and regulate construction standards. Yet even with all the forethought and planning, rogue fires continued to consume architectural gems like Nicholas Clayton's Electric Pavilion. Author James F. Anderson explores the lessons that Galveston has learned from its fiery past in order to safeguard its future.




Liberty's Torch


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“Turns out that what you thought you knew about Lady Liberty is dead wrong. Learn the truth in this fascinating account.” —O, The Oprah Magazine The Statue of Liberty is one of the most recognizable monuments in the world, a powerful symbol of freedom and the American dream. For decades, the myth has persisted that the statue was a grand gift from France, but now Liberty’s Torch reveals how she was in fact the pet project of one quixotic and visionary French sculptor, Frédéric Auguste Bartholdi. Bartholdi not only forged this 151-foot-tall colossus in a workshop in Paris and transported her across the ocean, but battled to raise money for the statue and make her a reality. A young sculptor inspired by a trip to Egypt where he saw the pyramids and Sphinx, he traveled to America, carrying with him the idea of a colossal statue of a woman. There he enlisted the help of notable people of the age—including Ulysses S. Grant, Joseph Pulitzer, Victor Hugo, Gustave Eiffel, and Thomas Edison—to help his scheme. He also came up with inventive ideas to raise money, including exhibiting the torch at the Philadelphia world’s fair and charging people to climb up inside. While the French and American governments dithered, Bartholdi made the statue a reality by his own entrepreneurship, vision, and determination. “By explaining Liberty’s tortured history and resurrecting Bartholdi’s indomitable spirit, Mitchell has done a great service. This is narrative history, well told. It is history that connects us to our past and—hopefully—to our future.” —Los Angeles Times




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