Life and Letters of John Constable, R. A...


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Delphi Collected Works of John Constable (Illustrated)


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Celebrated for his iconic depictions of the English countryside, particularly his beloved Stour valley, John Constable helped raise the status of landscape painting. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of great artists in comprehensive detail. This volume presents Constable’s collected paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * A comprehensive range of paintings — over 200 artworks, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Constable’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you want to view * Includes Leslie’s seminal biography - spend hours exploring the poet's personal correspondence and intriguing life - first time in digital print * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights DEDHAM VALE PORTRAIT OF MARIA BICKNELL LANDSCAPE: PLOUGHING SCENE IN SUFFOLK BOAT-BUILDING NEAR FLATFORD MILL WEYMOUTH BAY: BOWLEAZE COVE AND JORDON HILL FLATFORD MILL THE OPENING OF WATERLOO BRIDGE SEEN FROM WHITEHALL STAIRS THE WHITE HORSE HAMPSTEAD HEATH THE HAY WAIN CLOUD STUDY, 1822 THE LEAPING HORSE SALISBURY CATHEDRAL FROM THE BISHOP’S GROUNDS THE CORNFIELD MARINE PARADE AND CHAIN PIER, BRIGHTON HADLEIGH CASTLE SALISBURY CATHEDRAL FROM THE MEADOWS The Paintings THE COLLECTED PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Drawings SELECTED DRAWINGS The Biography LIFE AND LETTERS OF JOHN CONSTABLE, R.A. by C. R. Leslie Please visit www.delphiclassics.com to browse through our range of exciting titles







John Constable


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John Constable, R.A.


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John Constable


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Born in 1776 in East Anglia near the river Stour, John Constable was destined for his father's business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship. This is revealed in his letters to John Dunthorne, village handyman and housepainter, and to his best friend and patron, archdeacon John Fisher, to whom he wrote: 'I have a kingdom of my own, both fertile and populous - my landscape and my children'. In recent times, after a period of relative ignominy, Constable's influence on British landscape painting has been re-acknowledged, he has been more widely exhibited and his reputation has been reestablished as one of the masters of his genre. This important and absorbing biography explores his life and work, and highlights the dramatic tension between the two.