Fashion Climbing


Book Description

Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Cunningham dreamed of a life dedicated to fashion. When he arrived in New York in 1948, he reveled in people-watching. He became a photographer for The New York Times, and after two style mavens took Cunningham under their wing he made a name for himself as a designer. Taking on the alias William J.-- because designing under his family's name would have been a disgrace to his parents--he became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away until after his death in 2016 -- adapted from jacket.







Historical Theology


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William Cunningham (1805-1861) was an Scottish theologian. He was, in 1843, one of the founders of the Free Church of Scotland, and succeeded the doughty Thomas Chalmers as principal of the New College, Edinburgh, in 1847. His lectures surveying the history of theology, delivered between 1847 and 1861, became the basis for his Historical Theology. It remains a classic in the Reformed and Presbyterian tradition. In his magnum opus Cunningham surveys the following topics: I. The Church II. The Council of Jerusalem III. The Apostles’ Creed IV. The Apostolical Fathers V. The Heresies of the Apostolic Age VI. The Fathers of the Second and Third Centuries VII. The Church of the First Two Centuries VIII. The Constitution of the Church IX. The Doctrine of the Trinity X. The Person Of Christ XI. The Pelagian Controversy XII. The Worship of Saints and Images XIII. Civil and Ecclesiastical Authorities XIV. Scholastic Theology XV. Canon Law XVI. Witnesses for the Truth During The Middle Ages XVII. The Church at the Era of the Reformation XVIII. Council of Trent XIX. The Doctrine of the Fall XX. The Doctrine of the Will XXI. Justification XXII. The Sacramental Principle XXII. The Socinian Controversy XXIV. Doctrine of the Atonement XXV. The Arminian Controversy XXVI. Church Government XXVII. The Erastian Controversy




Bill Cunningham: On the Street


Book Description

NEW YORK TIMES BESTSELLER • The first published collection of photographs by the icon of street style, bringing together favorites published in The New York Times alongside never-before-seen work across five decades. “A dazzling kaleidoscope from the gaze of an artist who saw beauty at every turn.”—André Leon Talley Bill Cunningham’s photography captured the evolution of style, of trends, and of the everyday, both in New York City and in Paris. But his work also shows that street style is not only about fashion; it’s about the people and the changing culture. These photographs—many never before seen, others having originally appeared in The New York Times and elsewhere—move from decade to decade, beginning in the 1970s and continuing until Cunningham’s death in 2016. Here you’ll find Cunningham’s distinctive chronicling of the 1980s transit strike, the rise of 1990s casual Fridays, the sadness that fell over the city following 9/11, Inauguration Day 2009, the onset of selfies, and many other significant moments. This enduring portfolio is enriched by essays that provide a revealing portrait of Cunningham and a few of his many fascinations and influences, contributed by Cathy Horyn, Tiina Loite, Vanessa Friedman, Ruth La Ferla, Guy Trebay, Penelope Green, Jacob Bernstein, and a much favored subject, Anna Wintour. More than anything, On the Street is a timeless representation of Cunningham’s commitment to capturing the here and now. “An absolute delight.”—People




Willie-Radio's Great American


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Life of William Cunningham


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Reprint of the original, first published in 1871.




The Green Corn Rebellion


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Hope for the City


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Bill Cunningham Was There


Book Description

Celebrate Bill Cunningham—the iconic New York Times photographer who chronicled society and fashion—with his images of the vibrant events of spring and summer. Bill Cunningham (1929-2016) embraced the colors, carefree beauty, and escapism of spring outings and summer parties as both a photographer and an astute fashion documentarian. His camera captured the showstopping hats and dresses worn by society ladies at the annual Central Park Conservancy luncheons, the gorgeous gowns sweeping the dance floors of tented galas in Newport and the Hamptons, and the authentic vintage outfits sported by young attendees at summertime jazz and swing-dance festivals. For decades, Cunningham's two weekly columns for the Times remained at the top of every fashionista's go-to list, presenting not only a comprehensive chronicle of the looks of the day but also an insider's view of the glamorous parties and philanthropic events that are part of the social whirl. This celebration of Cunningham's genius for capturing magical moments with extraordinary style provides a heartfelt insiders' tribute to one of photojournalism's greatest legends.