Like I was Sayin'--


Book Description




Just Sayin'


Book Description

Just Sayin’ tells the story of an almost-blended family that almost falls apart before it even begins. 11 year-old Cassie Callahan is staying with her grandmother while her mom, Jennifer, recovers from a difficult breakup from her fiancé, Trent. Cassie, along with Trent’s kids, Nick and Julie, are trying to figure out why their parents’ relationship ended so abruptly and searching for a way to bring them back together. Meanwhile, the kids get caught up in a game show that encourages the “art” of insults, and learn along the way that our words have much more power than they think. In a way that only Dandi can accomplish, this story weaves together, in a contemporary way, an old-time game show, letter writing, outstanding vocabulary, and reminders from God’s word that taming our tongue is both difficult and important!




Southern Cocktails


Book Description

"Here you'll find the favorites, old and new. Don't wait for the Kentucky Derby to enjoy a Classic Mint Julep, or for Mardi Gras in New Orleans to quaff a Hurricane. Shake up a batch of Blueberry Martinis for an elegant cocktail party with a twist, or serve a sparkling bowl of Champagne Punch at your next celebration. And since, after all, tomorrow is another day, go ahead and enjoy another Scarlett O'Hara. Have some nice Devilish Eggs, or one of the other appetizer recipes you'll find here, to go with it"--Page 2 of cover.




{Smile}


Book Description

27 short stories. 27 narrators. 1 terrifying puzzle. There’s something disquieting about a town with too many twins, a killer pie, and a man with two different color eyes. When Cain, a devilish stranger with a candle wax smile, moves into a rural southern town people are brutally murdered with alarming rapidity. It’s up to a band of curious high schoolers, a decrepit hermit, and a grieving mortician to solve the riddle and keep the town from being destroyed. That is if they can survive cannibalistic dentists, body-snatching demons, and oftentimes worst of all, each other. {Smile} is a horror novel made up of 27 short stories narrated by 27 unique voices. Each story is told in alphabetical order by title, but when combined they interweave to tell an intense and twisted tale about one man/demon/thing’s quest to become human through manipulation and murder.




The Rap Year Book


Book Description

A New York Times–bestselling, in-depth exploration of the most pivotal moments in rap music from 1979 to 2014. Here’s what The Rap Year Book does: It takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano hilariously discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music—from artists’ backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players—both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Picked by Billboard as One of the 100 Greatest Music Books of All-Time Pitchfork Book Club’s first selection




Let Me Be Like Water


Book Description

'Intimate, ruthless, tender: this book is like medicine for the soul.' —Nina George, author of The Little Paris Bookshop A beautifully poignant and poetic debut about love, loss, friendship, and ultimately, starting over. Twenty-something Holly has moved to Brighton to escape her grief. But now that she's here, sitting on a bench, listening to the rolling waves, how is she supposed to fill the void her boyfriend left when he died? She had thought she wanted to be on her own. But after a chance encounter with retired, part-time baker and book-club host, Frank, she is soon adopted by a new circle of friends, and the tides begin to shift. Beautifully written, Let Me Be Like Water is a moving and powerful debut about loneliness, friendship, the extraordinariness hiding in everyday life.




Prairie City, Iowa


Book Description

Weary from the journalistic treadmill of "going from one assignment to the next, like an itinerant fieldworker moving to his harvests" and healing from a divorce, Douglas Bauer decided it was time to return to his hometown. Back in Prairie City, he helped on his father's farm, scooped grains at the Co-op, and tended bar at the Cardinal. The resultant memoir is a classic picture of an adult experiencing one's childhood roots as a grown-up and testing whether one can ever truly go home again. Bauer grew up "awkward with soil and with machines" in a small town east of Des Moines, As a teenager, he left the farm for college life twenty miles away and, after graduation, took a job with Better Homes and Gardens in Des Moines, writing in the junk-mail fictional persona of "Barbara Joyce,"asking millions of people to subscribe. After a few years he moved to Chicago to work as an editor and writer for Playboy and eventually as a freelance journalist. In the summer of 1975, he returned home to attend his grandmother's funeral and by autumn he moved back to Prairie City, where he stayed for the next three seasons. Bauer's book is neither a wistful nostalgia about returning to a simpler time and place nor a patronizing look at those who never leave the town in which they were born. What emerges is an unsentimental yet loving account of life in the Midwest. Not just a portrait of Prairie City, Iowa, but of everyone's small town, everywhere.




Contemporary Plays


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Paths To Homelessness


Book Description

The major theme in this book is that people are homeless because of structural arrangements and trends that result in extreme impoverishment and a shortage of affordable housing in U.S. cities. It explains the economic and historical causes of homelessness with accounts of individuals and families.




Plays of Negro Life


Book Description

"The drama of negro life is developing primarily because a native American drama is in process of evolution. Thus, although it heralds the awakening of the dormant dramatic gifts of the Negro folk temperament and has meant the phenomenal rise within a decade's span of a Negro drama and a possible Negro Theatre, the significance is if anything more national than racial. For pioneering genius in the development of the native American drama, such as Eugene O'Neill, Ridgley Torrence and Paul Green, now sees and recognizes the dramatically undeveloped potentialities of Negro life and folkways as a promising province of native idioms and source materials in which a developing national drama can find distinctive new themes, characteristic and typical situations, authentic atmosphere. The growing number of successful and representative plays of this type form a valuable and significant contribution to the theatre of today and open intriguing and fascinating possibilities for the theatre of tomorrow"-- Introduction.