Liminality, Diasporic Melancholia and "Small" Redemption. Chimamanda Ngozi Adichie’s Americanah


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Research Paper (postgraduate) from the year 2018 in the subject American Studies - Literature, grade: 8,5, Aristotle University of Thessaloniki, course: Ethnic Studies, language: English, abstract: In the present paper I embed Ifemelu’s migration to America in the broader diaspora of Africans to the United States which is undertaken in search of more favourable education and career prospects. I suggest that diasporans could potentially comprise the par excellence hybrid identity that Homi Bhabha has championed in the development of his postcolonial theory of identity formation. I argue that Americanah poses a substantial challenge to hybridity and mimicry-based cultural identities by accentuating the very limitations of these models; namely, that they seriously overlook the psychic trauma caused by the loss of cultural authenticity due to the disconnection from the motherland and by the identity reinvention undertaken in the host country. My thesis posits that Ifemelu is affected by diasporic melancholia. Adapting Sigmund Freud’s concept of melancholia in the context of diaspora theory I seek to demonstrate that the inarticulate loss of the motherland and the position inbetween cultures disorients and traumatises the subject. I argue that the feelings of ceaseless restlessness and vague yet constant dissatisfaction that the subject experiences point to the trauma of identity loss, a psychic wound that only the physical return to the motherland can heal.




Americanah


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Americanah by Chimamanda Ngozi Adichie | Summary & Analysis Preview: Americanah by Chimamanda Ngozi Adichie chronicles the lives and relationships of two young Nigerians named Ifemelu and Obinze, and explores the culture of the United States from an African perspective. The novel considers issues of race and the complexities of love, family, friendship, and romantic relationships in the United States. Ifemelu was raised by her parents in Lagos, a city in Nigeria. Her mother is a religious fanatic and her religiously indifferent father has strong opinions about the United States. Ifemelu has a close relationship with her Aunty Uju, her father’s sister, who acted as a big sister or even motherly figure to Ifemelu throughout her younger years. Aunty Uju was the mistress of The General, a military official who impregnated her, but died after their son Dike turned one year old. After The General’s death, Aunty Uju moved to the United States to raise Dike and start a new life… PLEASE NOTE: This is a summary and analysis of the book and NOT the original book. Inside this Instaread Summary & Analysis of Americanah: • Summary of book • Introduction to the Important People in the book • Analysis of the Themes and Author’s Style




Americanah


Book Description

10th ANNIVERSARY EDITION • NATIONAL BESTSELLER • A modern classic about star-crossed lovers that explores questions of race and being Black in America—and the search for what it means to call a place home. • From the award-winning author of We Should All Be Feminists and Half of a Yellow Sun • WITH A NEW INTRODUCTION BY THE AUTHOR "An expansive, epic love story."—O, The Oprah Magazine Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be Black for the first time. Quiet, thoughtful Obinze had hoped to join her, but with post–9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London. At once powerful and tender, Americanah is a remarkable novel that is "dazzling…funny and defiant, and simultaneously so wise." —San Francisco Chronicle




Americanah


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"A young woman from Nigeria leaves behind her home and her first love to start a new life in America, only to find her dreams are not all she expected"--




Imitation


Book Description

A Vintage Shorts “Short Story Month” selection from the award-winning, bestselling author Nkem is living a life of wealth and security in America, until she discovers that her husband is keeping a girlfriend back home in Nigeria. In this high-intensity story of passion and the masks we all wear, Chimamanda Ngozi Adichie, author of the acclaimed novels Half of a Yellow Sun and Americanah and winner of the Orange Prize and the National Book Critics Circle Award, explores the ties that bind men and women, parents and children, Africa and the United States. “Imitation” is a selection from Adichie’s collection The Thing Around Your Neck. An eBook short.




Making Black History


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This study proposes that – rather than trying to discern the normative value of Afropolitanism as an identificatory concept, politics, ethics or aesthetics – Afropolitanism may be best approached as a distinct historical and cultural moment, that is, a certain historical constellation that allows us to glimpse the shifting and multiple silhouettes which Africa, as signifier, as real and imagined locus, embodies in the globalized, yet predominantly Western, cultural landscape of the 21st century. As such, Making Black History looks at contemporary fictions of the African or Black Diaspora that have been written and received in the moment of Afropolitanism. Discursively, this moment is very much part of a diasporic conversation that takes place in the US and is thus informed by various negotiations of blackness, race, class, and cultural identity. Yet rather than interpreting Afropolitan literatures (merely) as a rejection of racial solidarity, as some commentators have, they should be read as ambivalent responses to post-racial discourses dominating the first decade of the 21st century, particularly in the US, which oscillate between moments of intense hope and acute disappointment. Please read our interview with Dominique Haensell here: https://blog.degruyter.com/de-gruyters-10th-open-access-book-anniversary-dominique-haensell-and-her-winning-title-making-black-history/




Race, Racism and Violence in Ann Petry's 'the Witness'


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Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 2,0, course: African American Women Writers, language: English, abstract: To introduce my term paper "Race and Violence in Ann Petry's The Witness" I want to start with the definitions of the three terms race, racism and violence mentioned in the title. Regarding to the expressions I want to say something about the U.S. history, and about the current situation in the United States of America, with reference to the African American people. The Oxford Advanced Learner's Dictionary explains race as follows: "one of the main groups that humans can be divided into according to their physical differences, for example the colour of their skin; a group of people who share the same language, history, culture, etc." Racism means "the unfair treatment of people who belong to a different race; violent behaviour towards them; the belief that some races of people are better than others" The history of racism in the United States of America goes back to 17th century and should have come to an end with the American Civil War (1861-1865) and the abolition of slavery (1865). Unfortunately, the abolition of slavery was not the end of the African American martyrdom. It was the beginning of prejudices, discrimination, violence and struggle. When we think of racism against African American people, we think of a long and torturous way African Americans had to go and still go nowadays.




Identity Politics Reconsidered


Book Description

Based on the ongoing work of the agenda-setting Future of Minority Studies national research project, Identity Politics Reconsidered reconceptualizes the scholarly and political significance of social identity. It focuses on the deployment of 'identity' within ethnic, women's, disability, and gay and lesbian studies in order to stimulate discussion about issues that are simultaneously theoretical and practical, ranging from ethics and epistemology to political theory and pedagogical practice. This collection of powerful essays by both well-known and emerging scholars offers original answers to questions concerning the analytical legitimacy of 'identity' and 'experience', and the relationships among cultural autonomy, moral universalism and progressive politics.




Sounds


Book Description

This is not a book about sound. It is a study of sounds that aims to write the resonance and response they call for. John Mowitt seeks to critique existing models in the expanding field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds, not just readily classified examples such as speech, music, industrial sounds, or codified signals. Mowitt is particularly interested in the fact that beyond hearing and listening we ÒauditÓ sounds and do so by drawing on paradigms of thought not easily accommodated within the concept of "sound studies." To draw attention to the ways in which sounds often are not perceived for the social and political functions they serve, each chapter presents a culturally resonant soundÑincluding a whistle, an echo, a gasp, and silenceÑto show how sounds enable critical social and political concepts such as dialogue, privacy, memory, social order, and art-making. Sounds: The Ambient Humanities significantly engages, provokes, and contributes to the dynamic field and inquiry of sound studies.




For Love of Biafra


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