Limits in Perception


Book Description

This book presents an analysis of limits in perception from the vantage point of the physicist, the engineer, the psychophysicist, the psychologist and the theorist. Limits in perception find their causal explanation at many logically and/or physically different levels. Some of the most fundamental bottlenecks are due to the quantum mechanical and atomistic structure of the microworld. Other simple constraints are due to the material constitution of sensory organs. For instance, the fact that the eye is predominantly composed of water limits both the optical quality and the available spectral window. The engineer uses knowledge on such limits to design equipment that optimizes human performance in daily life. Examples include room acoustics and visual displays. Psychophysicists and psychologists deal with limits on a quite different logical level. These limits constrain much of our perceptually guided behaviour. The book includes chapters on such topics as movement perception, binocular vision, illusory phenomena, language and perception, the perception of time. A few concluding chapters on fundamental limits imposed by information theoretical constraints on the coding and representation of sensed structure are included. Limits in Perception will be important reading material for scientists and/or engineers in the following fields: perception, experimental psychology, sensory biology, physics, neuroscience, human engineering, artificial intelligence, robotics, ophthalmology, audiology, psychonomics and ergonomics, remote sensing.







Limits in Perception


Book Description

This book presents an analysis of limits in perception from the vantage point of the physicist, the engineer, the psychophysicist, the psychologist and the theorist. Limits in perception find their causal explanation at many logically and/or physically different levels. Some of the most fundamental bottlenecks are due to the quantum mechanical and atomistic structure of the microworld. Other simple constraints are due to the material constitution of sensory organs. For instance, the fact that the eye is predominantly composed of water limits both the optical quality and the available spectral window. The engineer uses knowledge on such limits to design equipment that optimizes human performance in daily life. Examples include room acoustics and visual displays. Psychophysicists and psychologists deal with limits on a quite different logical level. These limits constrain much of our perceptually guided behaviour. The book includes chapters on such topics as movement perception, binocular vision, illusory phenomena, language and perception, the perception of time. A few concluding chapters on fundamental limits imposed by information theoretical constraints on the coding and representation of sensed structure are included. Limits in Perception will be important reading material for scientists and/or engineers in the following fields: perception, experimental psychology, sensory biology, physics, neuroscience, human engineering, artificial intelligence, robotics, ophthalmology, audiology, psychonomics and ergonomics, remote sensing.




Limits of perception


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Art at the Limits of Perception


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This book traces the significance that the modulations of sensory perception have had for thinking about aesthetics and art in the last two and a half centuries. Beyond a discussion of the philosophical significance of beauty, or of the puzzle of aesthetic representation, aesthetics is conceived broadly as a means of describing our relationship to the world in terms of the habits of perception, and indeed the overturning of these habits, as in the modernist aesthetic of defamiliarisation. In the light of the ideas of the contemporary German aesthetic theorist, Wolfgang Welsch, this book offers the first discussion of the theory and practice of art that operates at the poles of perception: sensory experience that exceeds conceptual organisation, and the imperceptible, or what Welsch calls the 'anaesthetic'. These seemingly opposite poles have many parallels: a comparable indeterminacy of meaning and a similar challenge to representation, but also a shared focus on the habits and modulations of sensory perception and a similar interrogation of the boundary between art and that which surrounds it. The author applies the categories discussed to art practice, in particular to the theatre of Peter Handke, Samuel Beckett and Heiner Müller.




Bubbles of Perception


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Philosophical Problems in Sense Perception: Testing the Limits of Aristotelianism


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This volume focuses on philosophical problems concerning sense perception in the history of philosophy. It consists of thirteen essays that analyse the philosophical tradition originating in Aristotle’s writings. Each essay tackles a particular problem that tests the limits of Aristotle’s theory of perception and develops it in new directions. The problems discussed range from simultaneous perception to causality in perception, from the representational nature of sense-objects to the role of conscious attention, and from the physical/mental divide to perception as quasi-rational judgement. The volume gives an equal footing to Greek, Arabic, and Latin philosophical traditions. It makes a substantial contribution not just to the study of the Aristotelian analysis of sense perception, but to its reception in the commentary tradition and beyond. Thus, the papers address developments in Alexander of Aphrodisias, Themistius, Avicenna, John of Jandun, Nicole Oresme, and Sayf al-Din al-Amidi, among others. The result of this is a coherent collection that attacks a well-defined topic from a wide range of perspectives and across philosophical traditions.




Extended Perception


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Phenomenology of Perception


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Buddhist philosophy of Anicca (impermanence), Dukkha (suffering), and




The Future of Ship Design


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