Autobiography of a Fugitive Negro


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Dromore, an Ulster Diocese


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The Eastern Question


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A Description and History of Powerscourt


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Biographical Catalogue of the Portraits at Panshanger, the Seat of Earl Cowper, K.G


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Mary Louisa Boyle's 'Biographical Catalogue of the Portraits at Panshanger, the Seat of Earl Cowper, K.G' is a meticulously researched and comprehensive work that provides detailed descriptions of the portraits housed at the esteemed Panshanger estate. Written in a scholarly and analytical style, Boyle's book delves into the historical and artistic significance of each portrait, offering insight into the lives of the individuals captured in a variety of styles and poses. The book is a valuable resource for art historians and enthusiasts interested in British portraiture of the 18th and 19th centuries. Boyle's attention to detail and expertise in the subject matter shine through in her thorough examination of the portraits, making this book an indispensable reference for scholars of art history. Mary Louisa Boyle's dedication to preserving the legacy of the portraits at Panshanger is evident in her meticulous research and insightful commentary, making this book a must-read for anyone interested in the intersection of art and history.