Literary Communication from Consensus to Rupture


Book Description

This study, the first of its kind in English, sets out to analyse literature as a form of social communication by considering developments in literary theory and practice in the German Democratic Republic in the Honecker era. Attention focuses on the changes in the discourses of literary theory and literary practice in a semi-public sphere controlled by an increasingly ossified political discourse. Key developments in the 1970s, hailed by GDR theorists as the point of departure for a new kind of literary communication in society, are carefully examined. The study then contrasts these idealised views of literature as social communication with practice and theory in the late 1970s and 1980s. In clear trends in practice (and, to a lesser extent, in theory) communication was perceived as being increasingly problematic and conflictual. The development from this sense of destabilisation to the rupturing in communication between literature and society, between literature and political authority and in literature itself became more salient in the 1980s as its forms and themes radically challenged the mounting stagnation of the discourse of political power. These conflicts are illustrated and discussed with the aid of detailed analyses of key literary texts and previously unpublished interviews with leading theorists.




Germany in the 1990s


Book Description

Contents: Introduction. Dennis TATE: Trapped in the past? The identity problems of East German writers since the Wende. Stuart PARKES: Disunity and unity - The inter-German Literaturstreit of the early 1990s. Astrid HERHOFFER: Auf der Suche nach Wahrheit. Helmut PEITSCH: 'Vereinigung': Literarische Debatten über die Funktion der intellektuellen. Ian HUTCHINGS: Reunited Germany: bane or blessing for Europe? John THEOBALD & Gertrud ZUBER: Who wanted unification? Ann KENNARD: Emerging relations between Germany and Poland since German unification. Clive EDWARDS: Trade unions in the new Bundesländer: the shape of things to come? Marilyn FARR: Works councils in the new Bundesländer - the management view. Ulla KITE: Political, economic and social changes and developments since unification: case study Leipzig. Derek LEWIS: The role of language in the fall of the GDR and the aftermath. Hermann KORTE: Zur Lage der Universitäten in Deutschland. Simon GREEN: The European dimension in German schools. Alan BANCE: The impact of the second Gulf War on German political culture and consciousness. David HEAD: 'Made in Germany' in the 1990s. Gisela SHAW: Die Deutschen Rechtsanwälte - eine Profession im Umbruch?




Post-transcendental Communication


Book Description

Compared with other human and social sciences, communication theory appears to be of recent origin. Appearances deceive, however, for the antecedents of this growing field of work can be found in the classic philosophical treatises of western and non-western thinkers including Plato, Sextus Empiricus and Laozi, reaching forward through the theolinguistic tradition of St Augustine, Boethius, Averroës and Ockham before arriving at the modern age. Following Wittgenstein's linguistic turn and Husserl's phenomenology in the early decades of the twentieth century, we arrive at the fertile plains of semiotics, information theory, pragmatics and dialogism out of which communication theory has grown. And yet an unresolved and historically non-coincidental tension remains between the implicit transcendental claims of much of communication theory and our experiences of risk, uncertainty and dissolution in what Zygmunt Bauman has described as our 'liquid age'. As communication theory matures, it is an opportune moment to reflect on what form a detranscendentalised theory of communication might take. In bringing intentions, understandings, meanings and interactions down to earth this book invites its readers to account for the complex communications between communications, actors and social processes without recourse to transcendental theories of understanding.




Encyclopedia of German Literature


Book Description

Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.




Uncertainty and Communication


Book Description

Sharing a commitment to the theory of communication to Habermas' Theory of Communicative Action , Grant here issues a range of challenges to it. He critiques theories of dialogism and intersubjectivity, proposes a rethinking of the communicating subject in society and explores the new contingencies of culture and media in today's world.




Transformation and Education in the Literature of the GDR


Book Description

This book explores how writers adhered to, played with, and subverted the formulaic precepts of educational transformation in the German Democratic Republic.




'Diese merkwürdige Kleinigkeit einer Vision'


Book Description

Christoph Hein is one of the best-known authors of the former GDR, and his works of fiction have been widely interpreted as responses to and critiques of socialist society. In this study, David Clarke undertakes a detailed analysis of all of Christoph Hein’s major works of fiction from Der fremde Freund (1928) to Willenbrock (2000) in order to explore Hein’s critique of the GDR regime, whilst also demonstrating how aspects of that critique provided a starting point for Hein’s rejection of capitalism both before and after German unification. For Hein, socialism had failed to make good its promise to create a community bound together by common values and goals, preferring instead to impose conformity upon its citizens. Capitalism, he believed, was equally unable to meet the need for community, and Hein sought to demonstrate the consequences of this state of affairs in the figure of Wörle in his first post-unification novel, Das Napoleon-Spiel (1993). After this point, Clarke argues, Hein was nevertheless forced to re-examine his criticism of capitalism, a process which ultimately led to the more differentiated and convincing portrayal to be found in Willenbrock.




Beyond Universal Pragmatics


Book Description

This series publishes research in the field of interdisciplinary communication studies. It responds to the communication gaps between a range of disciplines in the human and social sciences and humanities and therefore welcomes proposals which integrate a range of diverse approaches (e.g. in branches of philosophy, communication theory, social psychology, media studies, and social theory). Particular emphasis will be placed on theoretical innovation and new methodological approaches.




The Poet’s Role


Book Description

This study of contemporary German poetry represents the first attempt to examine comprehensively and at some length the lyric response to the unification period. It sets out to investigate, by means of close textual analysis, whether the German ‘Wende’ was also a turning-point for poetry, exploring how GDR poets responded both to the revolutionary events of 1989 and subsequently to the new, united Germany. An introductory chapter considers what is distinct about poetry as a genre, especially under censorship or amid historic change, as well as outlining the post-unification ‘Literaturstreit’. The following chapter offers a survey of the poet’s role in the GDR from 1949 until 1989. Two central chapters then gather the poetry of the ‘Wende’ and unification as a corpus of work and characterize it, through the elucidation of recurring themes, motifs and techniques. The volume strikes a balance between giving a general overview of poetry written in 1989-1996 and focusing on individual poets whose work is particularly compelling. After identifying broad trends across a wide range of individual poems, collections and anthologies, single chapters therefore examine in greater depth the work of Volker Braun and Durs Grünbein. The concluding chapter addresses the issue of a separate GDR literature. Finally, an extensive, structured bibliography is provided, covering the poetry, literary criticism and cultural history of the period.




The Cambridge Companion to the Modern German Novel


Book Description

The Cambridge Companion to the Modern German Novel, first published in 2004, provides a broad ranging introduction to the major trends in the development of the German novel from the 1890s to the present. Written by an international team of experts, it encompasses both modernist and realist traditions, and also includes a look back to the roots of the modern novel in the Bildungsroman of the late eighteenth and nineteenth centuries. The structure is broadly chronological, but thematically-focused chapters examine topics such as gender anxiety, images of the city, war, and women's writing; within each chapter, key works are selected for close attention. Unique in its combination of breadth of coverage and detailed analysis of individual works, and featuring a chronology and guides to further reading, this Companion will be indispensable to students and teachers.