Literary Patronage in Greece and Rome


Book Description

Focusing on literary evidence, Gold explores patronage in Greece and Rome through the words of the authors, revealing the forces that patronage exerted on genius and talent. The author argues that, although the patron was in important influence in the development of the literature written for and about him, the literary product emerged as a force in itself, independent of the influence of the patron. Gold sees the relationship between patron and literature as an integrator of the public and private realms. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.







Literary and Artistic Patronage in Ancient Rome


Book Description

Virgil, Horace, Catullus, Propertius—these are just a few of the poets whose work we would be without today were it not for the wealthy and powerful patrons upon whose support the Roman cultural establishment so greatly depended. Who were these patrons? What benefits did they give, to whom, and why? What effect did the support of such men as Maecenas and Pompey have on the lives and work of those who looked to them for aid? These questions and others are addressed in this volume, which explores all the important aspects of patronage—a topic crucial to the study of literature and art from Homer to the present day. The subject is approached from various vantage points: literary, artistic, historical. The essayists reach conclusions that dispel the many misconceptions about Roman patronage derived from seventeenth- and eighteenth-century models in England and Europe. An understanding of the workings of patronage is indispensable in helping us see how the Roman cultural establishment functioned in the four centuries of its flourishing and also in helping us read and enjoy specific poems and works of art. A book for all concerned with classical literature, art, and social history, Literary and Artistic Patronage in Ancient Rome not only deepens our understanding of the ancient world but also suggests important avenues for future exploration.




Poetry for Patrons


Book Description

A study of the phenomenon of literary patronage, both non-imperial and imperial, during the reign of the Roman emperor Domitian (81-96 A.D.). The central texts are the Epigrams of Martial and the Silvae of Statius.




The Mask of the Parasite


Book Description

A much-needed cultural study of parasitic people in Roman drama, politics, and society




Beyond the Second Sophistic


Book Description

The “Second Sophistic” traditionally refers to a period at the height of the Roman Empire’s power that witnessed a flourishing of Greek rhetoric and oratory, and since the 19th century it has often been viewed as a defense of Hellenic civilization against the domination of Rome. This book proposes a very different model. Covering popular fiction, poetry and Greco-Jewish material, it argues for a rich, dynamic, and diverse culture, which cannot be reduced to a simple model of continuity. Shining new light on a series of playful, imaginative texts that are left out of the traditional accounts of Greek literature, Whitmarsh models a more adventurous, exploratory approach to later Greek culture. Beyond the Second Sophistic offers not only a new way of looking at Greek literature from 300 BCE onwards, but also a challenge to the Eurocentric, aristocratic constructions placed on the Greek heritage. Accessible and lively, it will appeal to students and scholars of Greek literature and culture, Hellenistic Judaism, world literature, and cultural theory.




The Oxford Handbook of Greek and Roman Art and Architecture


Book Description

This handbook explores key aspects of art and architecture in ancient Greece and Rome. Drawing on the perspectives of scholars of various generations, nationalities, and backgrounds, it discusses Greek and Roman ideas about art and architecture, as expressed in both texts and images, along with the production of art and architecture in the Greek and Roman world.




Literary Patronage in the Middle Ages


Book Description

Excerpt from Literary Patronage in the Middle Ages: A Thesis, in English Patronage, then, arises from this development of individual appreciation of art side by side with public appreciation of it, and is one of the early author's means of remuneration - alas, often the only one. Hence, patronage, as we shall treat it, deals essentially with the economic phase of the literary profession. In conditions of wide distribution of wealth and power, as in an cient Greece, genius is patronized by the public, and Pindar and Herodotus, decreed handsome gifts by the vote of the Athenian citizens, could be independent of individual benefactors, but with such conditions as prevailed under the early Ptolemies at Alexandria, under Augustus at Rome, and notably in Renais sance Italy, patrons of literature were a necessity - and it is only just' to say that leaders of small wealthy cultured groups, willing to gratify their literary tastes by munificent payment for the luxury, have caused literary genius to flourish at least as well as in communities of less concentrated culture. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Roman Patrons of Greek Cities


Book Description

Patronage has long been an important topic of interest to ancient historians. It remains unclear what patronage entailed, however, and how it worked. Is it a universal phenomenon embracing all, or most, relationships between unequals? Or is it an especially Roman practice? In previous discussions of patronage, one crucial body of evidence has been under-exploited: inscriptions from the Greek East that borrow the Latin term 'patron' and use it to honour their Roman officials. The fact that the Greeks borrow the term patron suggests that there was something uniquely Roman about the patron-client relationship. Moreover, this epigraphic evidence implies that patronage was not only a part of Rome's history, but had a history of its own. The rise and fall of city patrons in the Greek East is linked to the fundamental changes that took place during the fall of the Republic and the transition to the Principate. Senatorial patrons appear in the Greek inscriptions of the Roman province of Asia towards the end of the second century BC and are widely attested in the region and elsewhere for the following century. In the early principate, however, they become less common and soon more or less disappear. Eilers's discursive treatment of the origins, nature, and decline of this type of patronage, and its place in Roman practice as a whole, is supplemented by a reference catalogue of Roman patrons of Greek communities.




Reconceptualising Conversion


Book Description

Die Studie nimmt die bisherige Diskussion der Konversion in der Antike neu auf durch eine Verknüpfung von klassischen, epigraphischen und biblischen Quellen mit einer sozialwissenschaftlichen Methodologie. Der Autor hinterfragt dabei die bisher vorausgesetzte psychologische Kontinuität zwischen antiken und modernen Menschen und bietet statt dessen ein Modell, welches an den Denkvoraussetzungen der Antike selbst gebildet wurde. Die griechisch-römischen und mediterranen Religionen und Philosophien - also auch das hellenistische Judentum und das Christentum - orientierten sich an den Modellen von Patronat und Loyalität. Das Verständnis der antiken Konversion muss also hier ansetzen. In diesem Zusammenhang wird auch die "Bekehrung" des Paulus neu gedeutet.