Literature and Culture in Modern Britain: Volume 1


Book Description

The first in a three-volume sequence, this book covers the period between 1900 and 1929, providing a perceptive and thorough analysis of British literature within its historical, cultural and artistic context. It identifies the crucial, interwoven relationships between literature and the visual arts, modern poetry, popular fiction, journalism, cinema, music and radio. Much factual detail and a literary chronology guide the reader through the text.







Literature and Culture in Modern Britain


Book Description

British culture has changed almost beyond recognition since 1956. Angry young men have been displaced by Yuppies, Elvis by the Spice Girls, and meat and two veg by continental cuisine. What is more, as the death of Diana, Princess of Wales showed, the British are now more famous for a trembling lower lip than a stiff upper one. This volume, the last in the series, examines the transformations in literature and culture over the last forty years. An introductory essay provides a context for the following chapters by arguing that although there have been significant changes in British life, there are also profound continuities. It also discusses the rise of 'theory' and its impact on the humanities. Each essay in the volume concentrates on a facet of British culture over the last half century from painting to poetry, from the seriousness of the novel to the postmodern ironies of the computing age. What we get from this selection is not only an informed history of the relations between literature and culture but also a lively sense of cultural change, not least of which is the new found relationship between literature and other arts which ushers us into the new millennium.




Literature and Culture in Modern Britain


Book Description

British culture has changed almost beyond recognition since 1956. Angry young men have been displaced by Yuppies, Elvis by the Spice Girls, and meat and two veg by continental cuisine. What is more, as the death of Diana, Princess of Wales showed, the British are now more famous for a trembling lower lip than a stiff upper one. This volume, the last in the series, examines the transformations in literature and culture over the last forty years. An introductory essay provides a context for the following chapters by arguing that although there have been significant changes in British life, there are also profound continuities. It also discusses the rise of 'theory' and its impact on the humanities. Each essay in the volume concentrates on a facet of British culture over the last half century from painting to poetry, from the seriousness of the novel to the postmodern ironies of the computing age. What we get from this selection is not only an informed history of the relations between literature and culture but also a lively sense of cultural change, not least of which is the new found relationship between literature and other arts which ushers us into the new millennium.




Literature and Culture in Modern Britain


Book Description

As literary and cultural studies expand into new areas of enquiry, the aim of this three-volume sequence is to provide an intertextual cultural history of modern Britain, one in which literary, cultural and historical processes are intimately connected. It is a survey in which culture is seen neither as a mere reflection of social forces nor as separate from such forces, but rather as a participating and moulding factor in the history of perception in this country throughout the twentieth century. This book covers the period 1930-1955. It began with Britain coming off the gold standard and ended with Harold Macmillan telling the British people that they had never had it so good. These were the years that saw the establishment of an interventionist state, the spread of mass culture, and the replacement of class consciousness by the celebration of consumerism. The essays in this volume consider how different forms of culture both facilitated and resisted these developments. Written in a lively and accessible manner, they provide a wealth of insight and information into the novels, the poetry, the theatre, the popular fiction, the painting, the press, the cinema, the radio, the music and the technology of the period. Not only do they constitute an excellent guide to these diverse cultural forms, they also provide a valuable historical perspective on current debates about the nature and role of culture in society.




Literature and Culture in Modern Britain


Book Description

Gary Day examines the role of culture in key developments in British society during the period 1930 to 1955 and presents a valuable historical perspective on current debates about the nature and role of culture in society.







British Theatre and Performance 1900-1950


Book Description

British theatre from 1900 to 1950 has been subject to radical re-evaluation with plays from the period setting theatres alight and gaining critical acclaim once again; this book explains why, presenting a comprehensive survey of the theatre and how it shaped the work that followed. Rebecca D'Monte examines how the emphasis upon the working class, 'angry' drama from the 1950s has led to the neglect of much of the century's earlier drama, positioning the book as part of the current debate about the relationship between war and culture, the middlebrow, and historiography. In a comprehensive survey of the period, the book considers: - the Edwardian theatre; - the theatre of the First World War, including propaganda and musicals; -the interwar years, the rise of commercial theatre and influence of Modernism; - the theatre of the Second World War and post-war period. Essays from leading scholars Penny Farfan, Steve Nicholson and Claire Cochrane give further critical perspectives on the period's theatre and demonstrate its relevance to the drama of today. For anyone studying 20th-century British Drama this will prove one of the foundational texts.