Literature and Culture in Northern Ireland Since 1965


Book Description

This study considers writing within the cultural context of Northern Ireland and discusses how writing creates a sense of community, and the different forms this takes when written from loyalist or republican perspectives. The book takes its major theoretical energy from readings of Antonio Gramsci's concept of hegemony and Walter Benjamin's work on historiography. hese are applied to major writers such as Seamus Heaney, Tom Paulin, Paul Muldoon and Edna Longley and to institutions such as the Ulster Folk and Transport Museum.




Twentieth-Century Irish Literature


Book Description

This Guide surveys existing criticism and theory, making clear the key critical debates, themes and issues surrounding a wide variety of Irish poets, playwrights and novelists. It relates Irish literature to debates surrounding issues such as national identity, modernity and the Revival period, armed struggle, gender, sexuality and post colonialism.




Literature, Partition and the Nation-State


Book Description

The history of partition in the 20th-century is one steeped in




The Thriller and Northern Ireland since 1969


Book Description

For the past 30 years, the so-called 'Troubles' thriller has been the dominant fictional mode for representing Northern Ireland, leading to the charge that the crudity of this popular genre appropriately reflects the social degradation of the North. Aaron Kelly challenges both these judgments, showing that the historical questions raised by setting a thriller in Northern Ireland disrupt the conventions of the crime novel and allow for a new understanding of both the genre and the country. Two essays on crime fiction by Walter Benjamin and Berthold Brecht appear here for the first time in English translation. By demonstrating the relevance of these theorists as well as other key European thinkers such as Antonio Gramsci, Louis Althusser, and Slavoj Zizek to his interdisciplinary study of Irish culture and the crime novel, Kelly refutes the idea that Northern Ireland is a stagnate anomaly that has been bypassed by European history and remained impervious to cultural transformation. On the contrary, Kelly's examination of authors such as Jack Higgins, Tom Clancy, Gerald Seymour, Colin Bateman, and Eoin McNamee shows that profound historical change and complexity have characterized both Northern Ireland and the thriller form.




The Oxford History of the Irish Book, Volume V


Book Description

Part of a series providing an authoritative history of the book in Ireland, this volume comprehensively outlines the history of 20th-century Irish book culture. This book embraces all the written and printed traditions and heritages of Ireland and places them in the global context of a worldwide interest in book histories.




Musical Culture and the Spirit of Irish Nationalism, 1848–1972


Book Description

Musical Culture and the Spirit of Irish Nationalism is the first comprehensive history of music’s relationship with Irish nationalist politics. Addressing rebel songs, traditional music and dance, national anthems and protest song, the book draws upon an unprecedented volume of material to explore music’s role in cultural and political nationalism in modern Ireland. From the nineteenth-century Young Irelanders, the Fenians, the Home Rule movement, Sinn Féin and the Anglo-Irish War to establishment politics in independent Ireland and civil rights protests in Northern Ireland, this wide-ranging survey considers music’s importance and its limitations across a variety of political movements.




Trials of Irish History


Book Description

Bringing her original insights into theory and philosophy to bear upon the controversial question of revision in Irish history, Evi Gkotzaridis presents the first historical and theoretical examination of the trailblazer historians who, from 1938, spearheaded an unpoliticized Irish history. Drawing on hitherto unused archives, Trials of Irish History shows how the venture to disenthrall Irish and European history from official propagandas proved stimulating and challenging, but perilous. Providing a new and stimulating conceptual framework for the study of Irish historiography, the book combines a theoretical approach with close analysis of important case studies and includes: * an incisive restaging of the passionate joust that took place between revisionists and traditionalists in the shadow of the Troubles * examination of the cultural contradiction of the first decades of independence, the estrangement of two regimes and the devastation of the Second World War * comparison of the Irish Kulturkampf to similar discussions in German and France in order to identify and examine the arguments propounded on each side. Prising open conflicting intellectual notions about the function of history in a divided society, this will be an informative and stimulating addition to the study of Irish history.




The Routledge Handbook of the Northern Ireland Conflict and Peace


Book Description

The Routledge Handbook of the Northern Ireland Conflict and Peace is the first multi-authored volume to specifically address the many facets of the 30-year Northern Ireland conflict, colloquially known as the Troubles, and its subsequent peace process. This volume is rooted in opening space to address controversial subjects, answer key questions, and move beyond reductive analysis that reproduces a simplistic two community theses. The temporal span of individual chapters can reach back to the formation of the state of Northern Ireland, with many starting in the late 1960s, to include a range of individuals, collectives, organisations, understandings, and events, at least up to the Good Friday/Belfast Agreement in 1998. This volume has forefronted creative approaches in understanding conflict and allows for analysis and reflection on conflict and peace to continue through to the present day. With an extensive introduction, preface, and 45 individual chapters, this volume represents an ambitious, expansive, interdisciplinary engagement with the North of Ireland through society, conflict, and peace from a wide range of disciplinary perspectives, theoretical frameworks, and methodological approaches. While allowing for rich historical explorations of high-level politics rooted in state documents and archives, this volume also allows for the intermingling of different sources that highlight the role of personal papers, memory, space, materials, and experience in understanding the complexities of both Northern Ireland as a people, place, and political entity.




Intervening in Northern Ireland


Book Description

The articles in this special issue, drawn from a workshop hosted by the Institute of Governance, Queen’s University, Belfast, explicitly engage with and challenge conventional academic analyses in order to confront the ways in which the conflict on Northern Ireland has traditionally been represented and understood. Part of the reason for adopting this approach is because it is suggested that to a certain extent, academic analyses have defined the parameters of the conflict which has necessarily had implications for the shape of ensuing solutions. A further claim is that the persistent historical and political search for causes and solutions may be constitutive of the problems that conventional analysts seek to resolve. The articles in the first part introduce and problematize traditional analyses of the conflict. Additionally, these essays explain alternative approaches offering other ways of thinking about how the ‘problem’ of Northern Ireland has been constituted. The second part comprises empirically focused essays, each either engaging with or confronting the issue of the liberal hegemony that defines most analyses of the conflict. The final essay returns to more explicitly re-consider how the ‘problem’ of Northern Ireland has been theorized, represented and understood. This book was previously published as a special issue of Critical Review of International Social and Political Philosophy.




Subaltern Ethics in Contemporary Scottish and Irish Literature


Book Description

This book develops an innovative Irish-Scottish postcolonial approach by galvanizing Emmanuel Levinas' ethics with the socio-cultural category of the 'subaltern'. It sheds new light on contemporary Scottish and Irish fiction, exploring how these writings interact with the recent restructuring of the three state-formations in Ireland and Scotland.