Literature and Society in Imperial Russia, 1800-1914


Book Description

Ranging in topic from general discussions of literary theory to close readings of well known literary works, these nine papers address nearly every literary movement in nineteenth- and early-twentieth-century Russia, and a number of major writers, including Pushkin, Gogol, Turgenev, and Dostoevsky. Four kinds of issues are addressed: theoretical problems in the relationship of literature and society, the reading public, the rhetoric and ideologies of writers and critics, and the relationship between fictional and social worlds. In confronting some of the ways in which the social and literary aspects of Russian culture have imposed themselves upon each other, this volume seeks an approach to Russian literature that neglects neither the dynamics of social interaction nor the forms and traditions of literature. The contributors are Robert L. Belknap, Jeffrey Brooks, Edward J. Brown, Donald Fanger, Jean Franco, Robert Louis Jackson, Hugh McLean, Victor Ripp, and William Mills Todd III.







Writing History in Late Imperial Russia


Book Description

It is commonly held that a strict divide between literature and history emerged in the 19th century, with the latter evolving into a more serious disciple of rigorous science. Yet, in turning to works of historical writing during late Imperial Russia, Frances Nethercott reveals how this was not so; rather, she argues, fiction, lyric poetry, and sometimes even the lives of artists, consistently and significantly shaped historical enquiry. Grounding its analysis in the works of historians Timofei Granovskii, Vasilii Klyuchevskii, and Ivan Grevs, Writing History in Late Imperial Russia explores how Russian thinkers--being sensitive to the social, cultural, and psychological resonances of creative writing--drew on the literary canon as a valuable resource for understanding the past. The result is a novel and nuanced discussion of the influences of literature on the development of Russian historiography, which shines new light on late Imperial attitudes to historical investigation and considers the legacy of such historical practice on Russia today.




Fiction and Society in the Age of Pushkin


Book Description

Todd describes the ideology of the educated westernized gentry, then charts the possibilities for literary life: first patronage, the salons, popular literature; then rapid emergence of an incipient literary profession. He explores the interactions of literature and society as writers "discovered" their own milieu and were discovered by it.




An Anthology of Russian Literature from Earliest Writings to Modern Fiction


Book Description

Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.




Iran and Russian Imperialism


Book Description

Rather than a centralized state, Iran in the nineteenth century was a delicate balance between tribal groups, urban merchant communities, religious elites, and an autocratic monarchy. While Russia gained an increasingly dominant political role in Iran over the course of this century, Russian influence was often challenged by banditry on the roads, riots in the cities, and the seeming arbitrariness of the Shah. Iran and Russian Imperialism develops a comprehensive picture of Russia’s historical entanglements with one of its most important neighbours in Asia. It recounts how the Russian Empire strived to gain political influence at the Persian court, promote Russian trade, and secure the enormous southern borders of the empire. Using hitherto often neglected documents from archives in Russia and Georgia and reading them against the grain, this book reveals the complex reactions of different groups in Iranian society to Russian imperialism. As it turns out, the Iranians were, in the words of the Russian orientalist Konstantin Smirnov, "ideal anarchists," whose resistance to imperial domination, as well as to centralized state institutions more generally, impacted developments in the region in the century to come. Iran’s troubled relationship with the wider world continues to be a topic of considerable interest to historians, yet little focus has been given to Russia’s historical connections to Iran. This book thus represents a valuable contribution to Iranian and Russian History, as well as International Relations.




Proletarian Imagination


Book Description

In fin-de-siècle and early revolutionary Russia, a group of self-educated workers produced a large body of poetry and prose in which they attempted to comprehend their rapidly changing world. Witnesses to wars and revolution, these men and women grappled on paper with the nature of civilization and the imperatives of ethical truth. In a strikingly original approach to Russian culture, Mark D. Steinberg listens to their words, which are little known today. The results of their literary creativity, he finds, were frequently not what the new Soviet order was expecting from its workers, despite its celebration of the notion of a proletarian art.Through insightful readings of a vast fund of lower-class writings, Steinberg shows that the authors focused above all on the uncertain nature and place of the self, the promise and dangers of modernity, and the qualities of the sacred in both their lives and their imaginations. Like their counterparts in the intelligentsia, these worker writers were ambivalent about Marxist ideology's celebration of the city and the factory and even about modern progress itself. Drawing on vast research, Steinberg demonstrates the texts' significance for an understanding of Russian popular mentalities, indeed for the very meaning, philosophically and morally, of these years of crisis and possibility at the end of the old order and the early years of the Soviet regime.




Culture Front


Book Description

Bringing together contributions by historians and literary scholars, Culture Front explores how Jews and their Slavic neighbors produced and consumed imaginative representations of Jewish life in chronicles, plays, novels, poetry, memoirs, museums, and elsewhere.




Russia in the Age of Modernisation and Revolution 1881 - 1917


Book Description

Hans Rogger's study of Russia under the last two Tsars takes as its starting point what the Russians themselves saw as the central issue confronting their nation: the relationship between state and society, and its effects on politics, economics and class in these critical years.




Nightmare: From Literary Experiments to Cultural Project


Book Description

What is a nightmare as a psychological experience, a literary experiment and a cultural project? Why has experiencing a nightmare under the guise of reading a novel, watching a film or playing a video game become a persistent requirement of contemporary mass culture? By answering these questions, which have not been addressed by literary criticism and cultural studies, we can interpret anew the texts of classic authors. Charles Maturin, Nikolai Gogol, Fyodor Dostoevsky, Thomas Mann, Howard Philips Lovecraft and Victor Pelevin carry out bold experiments on their heroes and readers as they seek to investigate the nature of nightmare in their works. This book examines their prose to reveal the unstudied features of the nightmare as a mental state and traces the mosaic of coincidences leading from literary experiments to today’s culture of nightmare consumption.