Little Coquette ... Translated by Leander J. McCormick, Etc
Author : Renée de Fontarce MACCORMICK
Publisher :
Page : 280 pages
File Size : 22,39 MB
Release : 1945
Category :
ISBN :
Author : Renée de Fontarce MACCORMICK
Publisher :
Page : 280 pages
File Size : 22,39 MB
Release : 1945
Category :
ISBN :
Author : Renée de Fontarce McCormick
Publisher :
Page : 328 pages
File Size : 34,98 MB
Release : 1944
Category : French fiction
ISBN :
'... A novel in the form of a memoir, not autobiographical, since it centers on someone other than the author, not fiction, since what it tells really happened, not biography, since it is not confined in a rigid framework of fact.' [From a contemporary review in 'Time' magazine (U.S. ed.)].
Author : British museum. Dept. of printed books
Publisher :
Page : 512 pages
File Size : 33,41 MB
Release : 1931
Category :
ISBN :
Author : British Museum. Dept. of Printed Books
Publisher :
Page : 1288 pages
File Size : 15,55 MB
Release : 1967
Category : English imprints
ISBN :
Author :
Publisher :
Page : 832 pages
File Size : 50,41 MB
Release : 1942
Category : American literature
ISBN :
Author : Library of Congress
Publisher :
Page : 712 pages
File Size : 17,65 MB
Release : 1974
Category : Catalogs, Union
ISBN :
Author :
Publisher :
Page : 712 pages
File Size : 46,91 MB
Release : 1968
Category : Union catalogs
ISBN :
Author : University of California, Berkeley. Library
Publisher :
Page : 1006 pages
File Size : 29,22 MB
Release : 1963
Category : Library catalogs
ISBN :
Author :
Publisher :
Page : 758 pages
File Size : 33,33 MB
Release : 1946
Category : United States
ISBN :
Author : Kriss Ravetto
Publisher : U of Minnesota Press
Page : 310 pages
File Size : 38,59 MB
Release : 2001
Category : Performing Arts
ISBN : 9780816637430
In works by filmmakers from Bertolucci to Spielberg, debauched images of nazi and fascist eroticism, symbols of violence and immorality, often bear an uncanny resemblance to the images and symbols once used by the fascists themselves to demarcate racial, sexual, and political others. This book exposes the "madness" inherent in such a course, which attests to the impossibility of disengaging visual and rhetorical constructions from political, ideological, and moral codes. Kriss Ravetto argues that contemporary discourses using such devices actually continue unacknowledged rhetorical, moral, and visual analogies of the past. Against postwar fictional and historical accounts of World War II in which generic images of evil characterize the nazi and the fascist, Ravetto sets the more complex approach of such filmmakers as Pier Paolo Pasolini, Liliana Cavani, and Lina Wertmuller. Her book asks us to think deeply about what it means to say that we have conquered fascism, when the aesthetics of fascism still describe and determine how we look at political figures and global events. Book jacket.