Live Forever: Elizabeth Peyton


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American artist Elizabeth Peyton has been credited with breathing new life into the ancient art of portraiture. Her highly stylized, idealized oil paintings, drawings, and watercolors are driven by the emotional, adoring eye of an unrequited lover.




Elizabeth Peyton


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Love Forever


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Texts by Laura Hoptman, Akira Tatehata, Lynn Zelevansky




Elizabeth Peyton


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Wyeth


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In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate landscape featuring a woman lying in a field, that he called "Christina's World." The woman in the painting, Christina Olson, lived in Cushing, Maine, where Wyeth and his wife kept a summer house. She suffered from polio, and was paralyzed from the waist down; Wyeth was moved to portray her when he saw her one day crawling through the field towards her house. "Christina's World" was to become one of the most well-loved and most scorned works of the twentieth century, igniting heated arguments about parochialism, sentimentality, kitsch and elitism that have continued to dog the art world and Wyeth's own reputation, even after the artist's death in 2009. An essay by MoMA curator Laura Hoptman revisits the genesis of the painting, discussing Wyeth's curious focus, over the course of his career, on a deliberately delimited range of subjects and exploring the mystery that continues to surround the enigmatic painting.




54th Carnegie International


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Essays by Gary Garrels, Laura Hoptman, Midori Matsui, Cuauhtemoc Medina, Francesco Bonami, Elizabeth Smith, Jean-Pierre Mercier, Branka Stipancic, and Elizabeth Thomas. Foreword by Richard Armstrong.




Unmonumental


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Unmonumental: The Object in the 21st Century is a groundbreaking thematic survey of sculptural work by thirty of today's leading artists.




Elizabeth Peyton


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Rethinking Contemporary Art and Multicultural Education


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For over a decade, Contemporary Art and Multicultural Education has served as the guide to multicultural art education, connecting everyday experience, social critique, and creative expression with classroom learning. The much-anticipated Rethinking Contemporary Art and Multicultural Education continues to provide an accessible and practical tool for teachers, while offering new art, essays, and content to account for transitions and changes in both the fields of art and education. A beautifully-illustrated collaboration of over one hundred artists, writers, curators, and educators from in and around the contemporary art world, this volume offers thoughtful and innovative materials that challenge the normative practices of arts education and traditional art history. Rethinking Contemporary Art and Multicultural Education builds upon the pedagogy of the original to present new possibilities and modes of understanding art, culture, and their relationships to students and ourselves. The fully revised second edition provides new theoretical and practical resources for educators and students everywhere, including: Educators' perspectives on contemporary art, multicultural education, and teaching in today’s classroom Full-color reproductions and writings on over 50 contemporary artists and their works, plus an additional 150 black-and-white images throughout Lesson plans for using art to explore topical issues such as activism and democracy, conflict: local and global, and history and historicism A companion website offering over 250 color reproductions of artwork from the book, a glossary of terms, and links to the New Museum and G: Class websites---www.routledge.com/textbooks/9780415960854.




Elizabeth Peyton: Angel


Book Description

Peyton’s new work unveils a holy world of cultural luminaries Elizabeth Peyton’s art is one of glances and gestures that become indistinguishable from her in the moment she paints them. The works are an expression of specificity, but also of Peyton’s extraordinary ability to identify with her subjects.There is a feeling that becomes cumulative in her art, unadulterated and almost destabilizing, built up through the many brush marks that characterize her surfaces. Through the depth of these images, constructed one stroke at a time, the emotional substrate of our reality is revealed. —Lucas Zwirner, “The Profession of the Painter,” in Angel Angel, Peyton’s debut monograph from David Zwirner Books, explores the artist’s extraordinary ability to identify with her subject matter, from Ang in the Mountains and Mani Rimdu to the subjects of Elvis Angel (Elvis' Eyes) and Titanic (Jack & Rose). These are paintings that dwell in the permeability of light and space, reveling in what Petyon calls “painting and art as a space to capture energy that can take you someplace else.” Published on the occasion of her exhibition Angel at David Zwirner London in 2023, this volume includes full color plates of eighteen new works, Peyton’s own photographs connected by “the feeling of love, faith, and nature moving through all of them,” and a text by Lucas Zwirner.