Early Flemish Painting


Book Description

Monographs on Bosch, Van Eyck etc. are numerous. But no affordable work on the subject, the period and the common style of these painters is currently available. This book therefore allows art lovers and students to understand how the art of each of these artists is inter-related.




The Early Flemish Painters


Book Description

Excerpt from The Early Flemish Painters: Notices of Their Tibes and Works Descamps, in 1753, wrote afresh the lives of these painters. He did not, however, add much that was new. On the contrary, he confused a history which was already sufficiently obscure. He failed to discover the error of Van Mander, who made two painters out of the old Roger Van der Weyden and he changed the name of Memling to Hemmelinck, thereby laying the foundation of much subsequent controversy. Having visited Bruges and seen the pictures of the hospital, he sought to repair the neglect of history by writing a legend. Thus altered and falsified, the history of early Flemish art remained for some time, not forgotten, it is true, but still obscure. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Seventeenth-Century Flemish Garland Paintings


Book Description

Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.







Flemish Painting


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Anonymous Art at Auction


Book Description

In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.




Early Netherlandish Paintings


Book Description

An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.




Flemish Paintings of the Seventeenth Century


Book Description

"The National Gallery of Art's collection of seventeenth-century Flemish paintings is relatively small, numbering less than sixty, but exceptional in quality. At the core of the collection are twelve paintings by Sir Peter Paul Rubens and his school and seventeen paintings by Sir Anthony van Dyck, including some of their finest masterpieces. Also represented are excellent works by other important Flemish masters, among them Osias Beert the Elder, Adriaen Brouwer, Jan Brueghel the Elder, and David Teniers the Younger." "This catalogue of the Gallery's remarkable collection of Flemish paintings offers new information about each of the individual works. Stylistic characteristics of the paintings have been analyzed; historical circumstances related to their creation have been assessed; and their provenances have been reexamined. A number of the paintings have undergone conservation treatment, while the technical characteristics of other works have been thoroughly studied. This exhaustive research has indicated that the titles, dates, and even attributions of a number of works needed to be changed, and the catalogue includes a concordance of these revisions."--BOOK JACKET.




The Early Flemish Painters


Book Description




The Early Flemish Painters


Book Description