Living with Indonesian Art


Book Description

Frits Liefkes (1930-2010) lived with Indonesian art. His house in The Hague was full of it. Bought almost entirely at auctions and from art dealers in the Netherlands during a period of four decades, on his death he bequeathed his collection to Rijksmuseum Volkenkunde in Leiden. This book presents some of his most beautiful and interesting objects. Reflecting his special interests, golden jewellery and wonderful textiles are particularly well represented in a collection that portrays the skilled craftsmanship of Indonesian artisans.




Indonesian Arts and Crafts


Book Description

An overview of the traditional and modern crafts of Indonesia--a vitally important facet of Indonesian life




Contemporary Indonesian Art


Book Description

Indonesian art entered the global contemporary art world of independent curators, art fairs, and biennales in the 1990s. By the mid-2000s, Indonesian works were well-established on the Asian secondary art market, achieving record-breaking prices at auction houses in Singapore and Hong Kong. This comprehensive overview introduces Indonesian contemporary art in a fresh and stimulating manner, demonstrating how contemporary art breaks from colonial and post-colonial power structures, and grapples with issues of identity and nation-building in Indonesia. Across different media, in performance and installation, it amalgamates ethnic, cultural, and religious references in its visuals, and confidently brings together the traditional (batik, woodcut, dance, Javanese shadow puppet theater) with the contemporary (comics and manga, graffiti, advertising, pop culture). Spielmann's Contemporary Indonesian Art surveys the key artists, curators, institutions, and collectors in the local art scene and looks at the significance of Indonesian art in the Asian context. Through this book, originally published in German, Spielmann stakes a claim for the global relevance of Indonesian art.







Sip!


Book Description

Indonesia is one of the coutnries where exciting art is still waiting to be discovered. Over the past ten years, a growing number of group exhibitions and survey shows have presented Indonesian art. What has been sorely lacking is a book about the country's best-known artists. "Sip!--Indonesian Art Today" introduces readers to 16 established and young artists, presenting each of them with recent works. Farah Wardani, director of the Indonesian Visual Art Archive, Yogyakarta, has compiled brief texts shedding light on the artist's conceptions. Biographical information, exhibition histories, bibliographies, and portraits of the artists complement the illustrations. The curator Enin Supriyanto, a leading expert on the Indonesian art scene, has contributed an essay examinging the most recent developments in Indonesian art, tying them back to the art history of the past forty years and mapping them to the transformations in Indonesian society and politics during the same period. A timeline extending from the 1970s to the present additionally visualizes the most important moments in art, in Indonesia and abroad, making the book an indispensable compendium for collectors and curators, students of art and everyone who is interested.




Jamu: The Ancient Indonesian Art of Herbal Healing


Book Description

Indonesian jamu—part of an integrated system of inner and outer health and beauty, encompassing powders, pills, ointments, lotions, massage and ancient folklore—is unknown to most Westerners. How, when, where and why were these treatments developed? And, what is so special about them? Through the pages of this book you’ll learn about the closed world of ancient Javanese palaces where Indonesian jamu was perfected. You meet the healers and jamu makers whose skills have been passed from generation to generation and learn about their cures. Advice is offered on where to find these age-old remedies, including formulae that can be made safely at home. The information here is for people who wish to find out more about Indonesian health and beauty, draw their own conclusions and even try jamu for themselves. An integrated system of inner and outer health and beauty, Indonesian jamu has a 1,200-year-old history, yet little is known about it outside this diverse island nation. The first book to comprehensively explore the background, materials and application of this holistic approach, Jamu: The Ancient Indonesian Art of Herbal Healing is the culmination of ten years of research and more than 100 interviews with practitioners and producers—from housewives in kitchen apothecaries to CEOs of multinational corporations. Its publication coincides with the increasing availability in the West of modern preparations of these time-honored herbal remedies. [Encompassing medicine, massage, cosmetics and folklore, jamu is as applicable to today’s lifestyles as it was in the rarefied world of the ancient Javanese palaces where it was perfected.] Complemented by explanatory photographs shot on location, Jamu is the first definitive reference to this exotic yet practical healthcare system.




Indonesian Eye


Book Description

A complete survey of Indonesian contemporary art. Indonesian Eye presents the most exciting works by emerging Indonesian artists in the most exhaustive way and comprehensively discusses their distinguishing characteristics differentiated from other contemporary art in Asia and the Western world. As an illustrated study, the book features seventy five up and coming artists and five essays to explain vibrant and dynamic art scene in Indonesia as an undiscovered jewel of Asian contemporary arts. Four pages will be given to each artist to allow the audience to experience more diverse spectrum of young artists' works never introduced before outside Indonesia. Each artist's section will have a brief descriptive text on the artist and his/her work and detailed captions.







Beyond the Dutch


Book Description

"Beyond the Dutch" gives a colourful picture of that struggle. Leading artists, curators and historians from Indonesia and the Netherlands have pored over a series of questions posed by the history of art in the Dutch East Indies/Indonesia. What was and still is Dutch about Indonesian art? What relationship does it have with Western techniques and views on art? How does contemporary art in Indonesia and the Netherlands allow for the links between the two countries? And how do we actually perceive Indonesian art? The book takes three cross-sections through fine art in the Dutch East Indies/Indonesia: the colonial period around 1900, decolonisation and independence around 1950, and the current, post-colonial period around 2000. Only by taking a detailed look at these three pivotal moments can a clear picture be obtained of the turbulent development of art in Indonesia.




Also-space, from Hot to Something Else


Book Description

Although contemporary art in Indonesia is completely integrated within the global art discourse, the fundamental context of Indonesian artists is in fact quite different from that of the contemporary Western artistic practicein which notions of individuality and autonomy play a key role. Indonesian initiatives tend to include more of an awareness of local networks, and a contextual (as opposed to purely conceptual) way of thinking and acting. This softcover book, Also-Space, From Hot to Something Else, focuses mainly on a Jakarta-based artists initiative called ruangrupa, andto a lesser degreeon a number of other Indonesian artists and initiatives, as case studies of how Indonesian artists organize and manifest themselves individually and collectively. Reinaart Vanhoe (b. 1972, Belgium) lives in both Rotterdam (Holland) and Jakarta (Indonesia); his practice consists of research-based activities that Vanhoe translates into books, exhibitions,