Living with Palladio in the Sixteenth Century


Book Description

Visiting the villas built by Andrea Palladio (1508-1580), one inevitably asks oneself how people lived there in the sixteenth century. Palladio articulated the villas as "small towns" (piccole città) that formed a unit with adjacent service buildings and farm fields. Within their walls lived a multitude of people of all ages, social backgrounds and various skills. They were the venue for significant moments of public life. In these houses, the principles of hygiene, privacy and comfort, which we consider essential today, did not apply; furniture as such, did not exist. Living with Palladio in the Sixteenth Century investigates how Palladio's houses, their floors, rooms and measurements are designed to structure the life of such a heterogeneous family of people. It analyzes their hierarchical structure with the owner (padrone) at the top and everyone involved in the everyday running of the household (famiglia minuta) at the bottom. This book fills a decisive gap in research literature on the famous Italian architect by looking at how Palladio prioritized the domestic functions of his private buildings.




Frescos Within Palladio's Architecture


Book Description

During the Renaissance, the contest to decide the order of rank among the fine arts, architecture, painting, and sculpture was an issue that also occupied the famous architect Andrea Palladio. He was convinced that architecture spoke for itself and did not require any ornamentation through painting. Nevertheless, frescos adorn the walls and ceilings of many of his villas. At the Villa Malcontenta, for example, one of Venice's best-known fresco painters of the day, Giovanni Battista Zelotti, was commissioned to design the interior. In Frescos, Antonio Foscari analyzes this fresco cycle, one that not only represents an outstanding example of trompe l'oeil based on architectural structures-and which is closely modeled on Palladio's ideals-but also sheds light on formative events within the family that commissioned Palladio. This publication contains a wealth of historical documents as well as photographs of the frescos by Matthias Schaller.




Palladian Days


Book Description

A chronicle of an influential villa by Renaissance architect Andrea Palladio that brings a sense of discovery to the Italian countryside and its larger national history. • “If a vacation in Italy this summer just isn’t going to make the cut, this book might be the next best thing.” —Chicago Tribune In 1552, in the countryside outside Venice, the great Renaissance architect Andrea Palladio built Villa Cornaro. In 1989, Sally and Carl Gable became its bemused new owners. Called by Town & Country one of the ten most influential buildings in the world, the villa is the centerpiece of the Gables’ enchanting journey into the life of a place that transformed their own. From the villa’s history and its architectural pleasures, to the lives of its former inhabitants, to the charms of the little town that surrounds it, this loving account delivers generosity, humor, and a sense of discovery. “Palladian Days is nothing short of wonderful–part adventure, mystery, history, diary, and even cookbook. The Gables’ lively account captures the excitement of their acquisition and restoration of one of the greatest houses in Italy. Beguiled by Palladio and the town of Piombino Dese, they trace the history of the Villa Cornaro and their absorption of Italian life. Bravo!” —Susan R. Stein, Gilder Curator and Vice President of Museum Programs, Monticello




The Private Palladio


Book Description

Andrea Palladio's villa architecture is still admired for its elegance and harmony, but little is known about the person behind the buildings. Experienced Palladio researcher Guido Beltramini has worked meticulously on material from historical documents about Palladio's person and life, and assembled a full picture of the architect. Palladio in Private follows his career, his rise from being the ordinary miller's son Pietro della Gondola to become the architect Andrea Palladio. Beltramini does not just explore Palladio's origins, his training as a stonemason, and his complex relationship with powerful clients and scholars, but also his private life: his jovial character, his life as a married man with five children, and not least his profound conviction that architecture can and must enrich life. The text is complemented by numerous illustrations. Guido Beltramini , born in 1961, has been director of the Centro Internazionale di Studi di Architettura Andrea Palladio in Vicenza since 1991. He has curated numerous exhibitions at venues including the Venice Biennale, the Royal Academy of Art, London, and the Canadian Centre for Architecture, Montreal.




Possible Palladian Villas


Book Description

Drawing on Palladio's original published legacy of approximately 40 designs, the authors attempt to reveal the rigorous geometric rules by which Palladio conceived these structures. Using a computer, they test each rule in every possible application.




Andrea Palladio


Book Description

"Any attempt to sum up Andrea Palladio's creative achievements is invariably distorted by the fact that some of the greatest projects of his mature years were never built. For the most part, these unfinished works were in Venice. They include the patriarchal Church of San Pietro di Castello, the reorganisation of the Rialto district at the commercial and financial heart of the city, a church that would have overlooked the Grand Canal and, lastly, the monumental complex of the monastery for the Lateran Canons, the Convento della Carità. Antonio Foscari has now restored the balance by charting the course of Andrea Palladio's remarkable life and prodigious oeuvre in a way that sheds new light on all his works while also recognising a number of previously unclassified drawings. The books culminates with an attempt, unprecedented in over four hundred years of Palladian studies, to reconstruct the project that Palladio, in the autumn of his life, held to be the supreme testimonial of his creativity: the rebuilding of the Doge's Palace in Venice."--P. [4] of cover.




Europe in the Sixteenth Century


Book Description

This bestselling, seminal book - a general survey of Europe in the era of `Rennaisance and Reformation' - was originally published in Denys Hay's famous Series, `A General History of Europe'. It looks at sixteenth-century Europe as a complex but interconnected whole, rather than as a mosaic of separate states. The authors explore its different aspects through the various political structures of the age - empires, monarchies, city-republics - and how they functioned and related to one another. A strength of the book remains the space it devotes to the growing importance of town-life in the sixteenth century, and to the economic background of political change.




The Mathematics of the Ideal Villa and Other Essays


Book Description

This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.




Home


Book Description

Walk through five centuries of homes both great and small—from the smoke-filled manor halls of the Middle Ages to today's Ralph Lauren-designed environments—on a house tour like no other, one that delightfully explicates the very idea of "home." You'll see how social and cultural changes influenced styles of decoration and furnishing, learn the connection between wall-hung religious tapestries and wall-to-wall carpeting, discover how some of our most welcome luxuries were born of architectural necessity, and much more. Most of all, Home opens a rare window into our private lives—and how we really want to live.




The Lost Michelangelos


Book Description

Translated by Lucinda Byatt This book tells the remarkable story of a rare discovery: the uncovering of two lost paintings by the great Renaissance artist Michelangelo. Like many stories of artistic loss, this one begins in a library in Italy, where Antonio Forcellino - a distinguished Michelangelo scholar and restorer - stumbled across some unpublished letters among the papers of Cardinal Ercole Gonzaga, son of Isabella d’Este and an extremely important figure in the Italian Renaissance. These letters comment on the paintings of Michelangelo in a way that is completely at odds with what was to become the dominant critical tradition of Michelangelo scholarship, an inconsistency that set Forcellino off on a journey that took him to Dubrovnik, Oxford, New York and Niagara Falls and culminated in the discovery of two magnificent paintings: Pieta with Mary and Two Angels, now in a private collection in America, and Cavalieri Crucifixion, now held by an educational institution in England. Through a combination of careful historical research, extensive restoration and meticulous radiographic analysis, Forcellino shows convincingly that these paintings can be traced back to the studio of Michelangelo. This extraordinary story, brilliantly retold, calls into question the received view of Michelangelo’s work and fills in a missing piece in our understanding of one of the greatest artists of all time.