London Brotherhood II


Book Description

Book Two: A smoking hot interracial mafia romance pregnancy themed sequel SIERRA ST. JAMES Ollie is dead. My survival counts on my trust in a dead man. But if life with Ollie is truly over, I must do whatever it takes to protect my unborn daughter. And I’ll fight anyone who gets in my way... OLLIE COOK I wake up on the brink of death. I must return to Sierra, no matter what. And when I find her, I’ll make sure to protect her. Nothing like this will ever happen again... And if it does, I’ll unleash hell on the bastards who dare to touch my family... This is Book Two in a 7 Book completed series by International Bestselling Romance Author, Jamila Jasper. This addictive interracial mafia romance series continues the story of a man in the London mafia falling in love with an AfroBritish brown-skinned woman in a BWWM saga of interconnected, high-heat stories, not for the faint-hearted. Mafia romance lovers, take a peek inside to dive into the NO cheating, guaranteed HEA romance story. Each story is available on audiobook and paperback. Book I: London Brotherhood I Book II: London Brotherhood II Book III: London Brotherhood III Book IV: Navy SEAL Brotherhood IV Book V: The Moscow Brotherhood V Book VI: The German Biker Gang Brotherhood VI Book VII: The Parisian Billionaire Brotherhood VII




The Parisian Billionaire Brotherhood VII


Book Description

Book Seven: A French billionaire falls for a black woman who wants nothing to do with arrogant alphas like him... JEAN-LUC AUMONT I'm supposed to be keeping a low profile. What better place than the Caribbean? A thick, brown-skinned beauty catches my eye. My needs are stronger than my fear of being caught. She's every alpha's dream girl... I must have her... On the beach... In my bed... Everywhere. I need her to be mine. ASHANTI JOHNSON I'll never be with another rich guy. I thought I'd broken my curse when I met Jean-Luc. I couldn't have been more wrong. But how can any rational girl say no to a Frenchman? He's fluent in the language of romance and the high-heat between us is enough to engulf me in flames. I can't resist the billionaire alpha... no matter how hard I try. This is Final Book in a 7 Book completed series by International Bestselling Romance Author, Jamila Jasper. This story can be read as a standalone. This addictive interracial mafia romance series continues the BWWM saga of interconnected, high-heat stories, not for the faint-hearted. This is a sizzling hot dark billionaire/mafia romance between a black woman and a white man from France, take a peek inside to dive into the NO cheating, guaranteed HEA romance story. Each story is available on audiobook and paperback. Book I: London Brotherhood I Book II: London Brotherhood II Book III: London Brotherhood III Book IV: Navy SEAL Brotherhood IV Book V: The Moscow Brotherhood V Book VI: The German Biker Gang Brotherhood VI Book VII: The Parisian Billionaire Brotherhood VII




The Punch Brotherhood


Book Description

"The Punch Brotherhood takes the reader inside this Victorian institution, bringing to life the tightly-knit community of writers, artists, and proprietors who gathered around the Punch Table, and the tumultuous, uninhibited conversations, spiced with jokes and gossip."--Book flap.




The Pre-Raphaelite Art of the Victorian Novel


Book Description

A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.




Palestine in the Victorian Age


Book Description

Narratives of the modern history of Palestine/Israel often begin with the collapse of the Ottoman Empire and Britain's arrival in 1917. However, this work argues that the contest over Palestine has its roots deep in the 19th century, with Victorians who first cast the Holy Land as an area to be possessed by empire, then began to devise schemes for its settler colonization. The product of historical research among almost forgotten guidebooks, archives and newspaper clippings, this book presents a previously unwritten chapter of Britain's colonial desire, and reveals how indigenous Palestinians began to react against, or accommodate themselves to, the West's fascination with their ancestral land. From the travellers who tried to overturn Jerusalem's holiest sites, to an uprising sparked by a church bell and a missionary's tragic actions, to one Palestinian's eventful visit to the heart of the British Empire, Palestine in the Victorian Age reveals how the events of the nineteenth century have cast a long shadow over the politics of Palestine/Israel ever since.




Russia in Britain, 1880-1940


Book Description

Russia in Britain explores the extent of British fascination with Russian and Soviet culture from the 1880s up to the Soviet Union's entry into the Second World War.




"The Uses of Excess in Visual and Material Culture, 1600?010 "


Book Description

Directing unprecedented attention to how the idea of ?excess? has been used by both producers and consumers of visual and material culture, this collection examines the discursive construction of excess in relation to art, material goods and people in various global contexts. The contributors illuminate how excess has been perceived, quantified and constructed, revealing in the process how beliefs about excess have changed over time and how they have remained consistent. The collection as a whole underscores the fact that the concept of excess must always be considered critically, whether in scholarship or in lived experience. Although the idea of excess has often been used to shame and degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning, transgression and empowerment, particularly by women and queer subjects. This volume examines a range of material, including diamonds, ceramics, paintings, dollhouses, caricatures, interior design and theatrical performances. Each case study sheds new light on how excess was used in a specific cultural context, including canonical sites of study such as the Netherlands in the eighteenth century, Victorian Britain and Paris in the 1920s, and under-studied contexts such as Canada and Sweden.




The Uses of Excess in Visual and Material Culture, 1600–2010


Book Description

Although the idea of excess has often been used to degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning and empowerment, particularly by women and queer subjects. This volume examines a range of material - including ceramics, paintings, caricatures, interior design and theatrical performances - in various global contexts. Each case study sheds new light on how excess has been perceived and constructed, revealing how beliefs about excess have changed over time.




The King of Inventors


Book Description

In this major biography, Catherine Peters explores the complicated life of Wilkie Collins, the greatest of the Victorian "Sensation" novelists and author of the famous Woman in White and The Moonstone. An intimate of Dickens and of the Pre-Raphaelites Holman Hunt and Millais, Collins was called the "king of inventors" by his publisher. On the surface, he was charming, unpretentious, and extremely good company, beloved by men and women. Beneath this façade, however, he was a complex and haunted man, addicted to laudanum, and his powerful, often violent novels revealed a dark side of Victorian life. He supported two common-law wives and their children, and as Peters shows, he provoked scandal by refusing to cloak his complicated love affairs in the customary hypocritical pretense of the period. Having discovered a hitherto unknown autobiography by Wilkie Collins's mother, Peters draws on this document and on thousands of Collins's unpublished letters to create this provocative picture of his life and times. She describes in detail the saga of his exhausting struggle for better copyright protection for authors, especially for English authors in the United States. She has also studied the manuscripts of his novels, plays, and stories, including those which he did not complete, finding that some of his neglected novels turn out to be much more interesting than most readers realize today. This edition of the book has been supplemented to include an appendix describing Collins's "Tahitian" novel. Written when he was twenty, the manuscript of this work, Ioláni, was thought to have disappeared, but it has recently been rediscovered and sold to a private collector. For any Collins enthusiast, or for anyone interested in the literary history of the Victorian period, The King of Inventors provides a vivid account of Collins's unusual personal life in the context of his literary and artistic friendships and of newly revealed facts about the two women with whom he shared his "double life." Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Writing the Pre-Raphaelites


Book Description

This vibrant collection of essays claims that a complex network of texts by critics, biographers and diarists established the credibility and influence of the Pre-Raphaelite movement. Throughout the twentieth century, Modernist taste failed to acknowledge the achievement of oppositional groupings such as the Pre-Raphaelites. The essays collected here, however, reveal that the British group anticipated later avant-gardes by using the written word to configure for itself a radical artistic identity. Public and critics alike were scandalized by the radicalism of Pre-Raphaelite painting, its unflinching portrayal of historical figures and of contemporary life, and its irreverent attitude to artistic convention. Pre-Raphaelitism's innovations were not confined to style: new forms of artistic identity and behaviour were explored. As the contributors interrogate the texts through which Pre-Raphaelitism was constructed, they demonstrate that the movement's wide influence as a cultural phenomenon derived from the interplay between exhibited works and critical discourse. Applying a range of sophisticated methodologies from the fields of literary studies, art history, and cultural studies, these interdisciplinary essays uncover the neglected role of texts in the success of the Pre-Raphaelite rebellion and argue in favor of a new centrality for this movement in the history of nineteenth-century European culture.