London Civic Theatre


Book Description

Publisher Description




Civic Performance


Book Description

Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London. This collection engages with modern interest in the spectacle and historical performances of pageantry and entertainments, including royal entries, progresses, coronation ceremonies, Lord Mayor's Shows, and processions. Through a discussion of the extant texts, visual records, archival material, and emerging projects in the digital humanities, the chapters elucidate the forms in which the period itself recorded its public rituals, pageantry, and ephemeral entertainments. The diversity of approaches contained in these chapters reflects the collaborative nature of pageantry and civic entertainments, as well as the broad socio-cultural resonances of this form of drama, and in doing so offers a study that is multi-faceted and wide-ranging, much like civic performance itself. Ideal for scholars of Early Modern global politics, economics, and culture; literary and performance studies; print culture; and the digital humanities, Civic Performance casts a new lens on street pageantry and entertainments in the historically and culturally significant locus of Early Modern London.




Shrek the Musical (Songbook)


Book Description

(Piano/Vocal/Guitar Songbook). Features 18 piano/vocal selections from this Broadway hit that won both Tony and Drama Desk awards. Includes a plot synopsis, sensational color photos, and these tunes: The Ballad of Farquaad * Big Bright Beautiful World * Build a Wall * Don't Let Me Go * Donkey Pot Pie * Finale (This Is Our Story) * Freak Flag * I Know It's Today * I Think I Got You Beat * Make a Move * More to the Story * Morning Person * Story of My Life * This Is How a Dream Comes True * Travel Song * What's Up, Duloc? * When Words Fail * Who I'd Be.




Towards a Civic Theatre


Book Description

It's easy to blame the difficulties theatre now faces on the longest shutdown of stages since the mid-seventeenth century. But these problems began some time before a global pandemic. Decades of free market ideas, ten years of austerity, and the slow encroachment of private space have all worked together to create an industry struggling to define its purpose. The virus was a symptom, not the cause. In Towards A Civic Theatre, director Dan Hutton argues that a theatre which isn't civic in outlook is not worth fighting for. Full of ideas and provocations from a range of theatre practitioners, and drawing on examples from inside and outside of the performing arts, it makes the case for a new kind of theatre fit for purpose in an already tumultuous twenty-first century. It is a toolkit, a guide, an offer to audiences and a call to arms for artistic leaders of tomorrow.




London Road


Book Description

The extraordinary work of verbatim musical theatre about the impact of the Ipswich prostitute murders.




Mean Girls


Book Description

Typescript, dated Rehearsal Draft April 7, 2018. Without music. Unmarked typescript of a musical that opened April 8, 2018, at the August Wilson Theatre, New York, N.Y., directed by Casy Nicholaw.




1956 and All that


Book Description

The first serious challenge to the mythology that surrounds the revolution in British theatre sparked off by Osborne's play Look Back in Anger.




Wicked


Book Description

Each title in The Applause Libretto Library Series presents a Broadway musical with fresh packaging in a 6 x 9 trade paperback format. Each Complete Book and Lyrics is approved by the writers and attractively designed with color photo inserts from the Broadway production. All titles include introduction and foreword by renowned Broadway musical experts. Long before Dorothy dropped in, two other girls meet in the Land of Oz. One, born with emerald green skin, is smart, fiery, and misunderstood. The other is beautiful, ambitious, and very popular. The story of how these two unlikely friends end up as the Wicked Witch of the West and Glinda the Good Witch makes for the most spellbinding new musical in years.




Medieval London


Book Description

Caroline M. Barron is the world's leading authority on the history of medieval London. For half a century she has investigated London's role as medieval England's political, cultural, and commercial capital, together with the urban landscape and the social, occupational, and religious cultures that shaped the lives of its inhabitants. This collection of eighteen papers focuses on four themes: crown and city; parish, church, and religious culture; the people of medieval London; and the city's intellectual and cultural world. They represent essential reading on the history of one of the world's greatest cities by its foremost scholar.




A Horror and a Beauty: The World of Peter Ackroyd's London Novels


Book Description

Peter Ackroyd is one of the foremost contemporary British “London writers”. He focuses on the capital, its history, development and identity, both in his fiction and non-fiction. The London of his novels is thus a highly idiosyncratic construct which reflects and derives from its author’s ideas about the actual city’s nature as well as his concept of the English literary sensibility in general as he outlines them in his lectures and historical and literary studies. It is an exceptionally heterogeneous city of enormous diversity and richness of human experience, moods and emotion, of actions and events, and also of the tools through which these are (re)presented and reenacted. According to Ackroyd, this heterogeneity mostly originates outside the sites and domains of the established or mainstream cultural production and social norms and conventions, particularly in occult practices, subversive acts and the plotting of radical individuals or groups, criminal and fraudulent activities of various kinds, dubious scientific experiments, and the popular dramatic forms of ritual and entertainment whose permanent encounters with and contesting of the officially approved and prescribed forms instigate the city’s vitalising energy for dynamic change and spiritual renewal. This book presents the world of Ackroyd’s London novels as a distinct chronotope determined by specific spatial and temporal properties and their mutual interconnectedness. Although such a concept of urban space in its essence defies categorisation, the book is thematically organised around six defining aspects of the city as Ackroyd identifies them: the relationship between its past and present, its uncanny manifestations, its felonious tendencies, its inhabitants’ psychogeographic and antiquarian strategies, its theatricality, and its inherently literary character.