Lost Bluegrass


Book Description

The Bluegrass region has come to define what makes Kentucky a place unlike any other. What began as the homeland of native tribes developed into ideal farmland for early settlers. Development continued as the region evolved into the premier breeding grounds for world-famous thoroughbreds, helping to bring the Bluegrass international recognition as the epicenter of American horseracing and equestrian culture. Yet development of the region has never stopped. The rolling hills, limestone fences and legendary horse farms that once defined the landscape continue to vanish as suburban sprawl stretches into the far reaches of the Bluegrass. Join author Ronnie Dreistadt as he tracks the history of the Bluegrass, whats been lost and the ongoing efforts to save what remains.




Bluegrass


Book Description

The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written.




Bluegrass


Book Description

Created by legendary Bill Monroe of Kentucky and made famous by his Blue Grass Boys, bluegrass has been sweeping musicians and audiences off their feet since 1939. This lively and authoritative guide covers: all the important sounds from traditional Monroe-style bluegrass, jazz-flavoured northern 'newgrass', and Nashville-influenced country grass to the distinctive sounds of Japanese and European bands; famous groups, instrumentalists, and vocalists; women blue grassers; with insider anecdotes, resource listings, the lowdown on bluegrass festivals, and more than 500 recommendations for listening.




Bluegrass Breakdown


Book Description

Bluegrass music is an original characterization, simply called a 'representation, ' of traditional Appalachian music in its social form.




How the West Was Lost


Book Description

'How the West Was Lost' tracks the overlapping conquest, colonization, and consolidation of the trans-Appalachian frontier. Not a story of paradise lost, this is a book about possibilities lost. It focuses on the common ground between Indians and backcountry settlers which was not found.




Bluegrass Confederate


Book Description

Diaries by Kentucky Rebels are a rarity; the soldiers, cut off from their homes and families in the Union Bluegrass, were themselves atypical. In this massive and eloquent journal, Captain Edward O. Guerrant evocatively portrays his unusual wartime experiences attached to the headquarters of Confederate generals Humphrey Marshall, William Preston, George Cosby, and, most notably, John Hunt Morgan. Able to see the inner workings of campaigns in the little-known Appalachian region of eastern Kentucky, southwestern Virginia, and east Tennessee, where some of the most vicious small-scale fighting occurred, Guerrant made scrupulous daily entries remarking upon virtually everything around him.




Bluegrass, Newgrass, Old-Time, and Americana Music


Book Description

A colorful and comprehensive history of bluegrass and old-time Appalachian music from its legendary roots to today’s Grammy-winning stars. With simple instrumentation—banjo, guitar, and base—a great variety of musical traditions converged to create the “old-timey” music of Appalachia. Over time, that mountain sound evolved into numerous genres and subgenres that continue to thrive today. Now musician and roots music historian Craig Harris takes readers on an anecdotal journey through this distinctly American music. From the Grand Ole Opry and the historic Bristol Sessions to contemporary festivals and the reemergence of Bluegrass in popular culture, Harris combines extensive research and never-before-seen photographs with more than ninety exclusive interviews. Bluegrass, Newgrass, Old-Time, and Americana Music is chock full of anecdotes about Bill Monroe, Flatt & Scruggs, Del McCoury, Doc Watson, Alison Kraus, the Nitty Gritty Dirt Band, and more.




Rural Roots of Bluegrass


Book Description

Wayne Erbsen's newest book takes a deep look at bluegrass music to uncover its true roots: ballads of early pioneers, Scots-Irish fiddle tunes, black spirituals, plantations melodies, blues, murder ballads, sentimental parlor songs from Tin Pan Alley, North Carolina banjo styles and gospel songs. the book is richly illustrated with over 100 vintage photos and includes lyrics, musical notation, chords, history and playing tips to 94 songs. There are also nearly 80 pages of history and profiles portraying important musicians including the Monroe Brothers, Carter Family, Bradley Kincaid, Riley Puckett, Charlie Poole, Wade & J.E. Mainer, Vernon Dalhart, Carolina Tar Heels, G.B. Grayson and Henry Whitter, Fiddlin' Arthur Smith, Ernest V. Stoneman, Blue Sky Boys, Fiddlin' John Carson, Coon Creek Girls, Earl Scruggs, Eck Robertson, Callahan Brothers, Samantha Bumgarner, Bill Monroe Zeke & Wiley Morris, Jimmie Rodgers and Stringbean. Optional CD by Wayne Erbsen and Laura Boosinger is available containing fourteen songs from the book.




Racing for America


Book Description

On October 20, 1923, at New York's Belmont Park, Kentucky Derby champion Zev toed the starting line alongside Papyrus, winner of England's greatest horse race, the Epsom Derby. The $100,000 purse for the novel intercontinental showdown was the largest in the history of America's oldest sport and writers across the country were calling it the "Race of the Century." A victory for the American colt in this blockbuster event would change how the nation viewed horse racing forever. In this book, James C. Nicholson exposes the central role of politics, money, and ballyhoo in the Jazz Age resurgence of the sport of kings. Though the Zev-Papyrus face-off was one of the most hyped sporting events of the early twentieth century, Nicholson reveals that it soon faded from American popular memory when it became known that Zev's owner, oil tycoon Harry F. Sinclair, was involved in an infamous scandal to defraud the United States of millions of barrels of publicly owned oil. As a result, Zev became an apt mascot for a nation struggling to reconcile its traditional values with the modern complexities of the Roaring Twenties, and his tainted legacy ultimately proved to be incompatible with tenets of national mythology that celebrate America as a place where hard work and fair play lead to prosperity.




Merle Haggard's Okie from Muskogee


Book Description

Every now and then, a song inspires a cultural conversation that ends up looking like a brawl. Merle Haggard's Okie from Muskogee, released in 1969, is a prime example of that important role of popular music. Okie immediately helped to frame an ongoing discussion about region and class, pride and politics, culture and counterculture. But the conversation around the song, useful as it was, drowned out the song itself, not to mention the other songs on the live album-named for Okie and performed in Muskogee-that Haggard has carefully chosen to frame what has turned out to be his most famous song. What are the internal clues for gleaning the intended meaning of Okie? What is the pay-off of the anti-fandom that Okie sparked (and continues to spark) in some quarters? How has the song come to be a shorthand for expressing all manner of anti-working class attitudes? What was Haggard's artistic path to that stage in Oklahoma, and how did he come to shape the industry so profoundly at the moment when urban country singers were playing a major role on the American social and political landscape?