Louisiana Brides


Book Description

Three young women's hearts are rooted in the bayou.




Louisiana


Book Description

Louisiana: Crossroads of the Atlantic World offers an exceptional collaboration between American, Canadian, and European historians who explore the many ways and means of colonial Louisiana's relations with the rest of the Atlantic world.




The Brides of la Baleine


Book Description

The story of 88 young girls and women who volunteered to leave France in 1720 and go to the Colony of Louisiana as brides for the soldiers and settlers who lived there.




Buying a Bride


Book Description

There have always been mail-order brides in America. In this book Zug starts with the so-called "Tobacco Wives" of the Jamestown colony and moves forward to today's modern same-sex mail-order grooms to explore the advantages and disadvantages of mail-order marriage. It's a history of deception, physical abuse, and failed unions. It's also the story of how mail-order marriage can offer women surprising and empowering opportunities.










Old Louisiana


Book Description

A fascinating volume, Old Louisiana chronicles much of the state's history. Vignettes depict the early French settlers, the later Spanish rulers, and the rise and collapse of the great plantation era. Bringing to light old diaries, letters, and other rare sources, Saxon creates a sensitive and realistic portrait of this charming, colorful state and its people. The reader meets daring pioneers, hot-tempered duellists, aristocratic planters, rough-hewn river men, and Creole beauties. Both of these classic works include E. H. Suydam's haunting, detailed illus-trations, which bring Saxon's prose to life. Lyle Saxon (1891-1946) is renowned as one of Louisiana's foremost authors. He was the central figure in the state's literary community during the 1920s and 1930s, and was well-known as a raconteur and bon vivant. He divided his time between his house in New Orleans and a cottage on the Melrose Plantation near Nachitoches. Among his other works are Father Mississippi, Lafitte the Pirate, Children of Strangers, and Joe Gilmore and His Friends . He collaborated with Edward Dreyer and Robert Tallant on the perennial favorite Gumbo Ya-Ya . During the 1930s he headed the Louisiana WPA Writers Project, which produced the WPA Guide to Louisiana and the WPA Guide to New Orleans.




French and Spanish Records of Louisiana


Book Description

Representing years of extensive research, this authoritative and comprehensive guide to the records generated in the Louisiana Territory during the French and Spanish colonial periods is a major reference work. Henry Putney Beers has painstakingly traced all types of documents, including land, military, and ecclesiastical records; registers of births, marriages, and burials; and private papers. Far more than a mere bibliographical listing, the book provides a complete history and description of these records and their past as well as current locations. When microfilms or other copies of particular bodies of documents exist, Beers describes the circumstances of reproduction and lists the locations of the copies.In the first part of the book, Beers presents a concise account of history and government in Louisiana, concentrating on the formation of a record-keeping bureaucracy. His detailed discussion includes information on available archival reproductions, documentary publications, and the nature and size of holdings in pertinent manuscript collections. Beers's examination of parish, land, and ecclesiastical records will serve as a vital resource. In the remainder of the book, he provides a similarly comprehensive treatment of the records of what are now Mississippi, Alabama, Missouri, and Arkansas.Beers traces repositories for these documents far beyond regional confines, locating some in Europe, Canada, and Cuba. For the early migrants to the region -- the Acadians, for example -- he describes source materials at the migrants' points of origin. He also provides information on documents that have been lost or destroyed, an important service that will save researchers much time.French and Spanish Records of Louisiana will prove to be of enormous value to a wide range of people: professional historians, local history buffs, genealogists, lawyers, archivists, and librarians.




Masterless Mistresses


Book Description

During French colonial rule in Louisiana, nuns from the French Company of Saint Ursula came to New Orleans, where they educated women and girls of European, Indian, and African descent, enslaved and free, in literacy, numeracy, and the Catholic faith. Although religious women had gained acceptance and authority in seventeenth-century France, the New World was less welcoming. Emily Clark explores the transformations required of the Ursulines as their distinctive female piety collided with slave society, Spanish colonial rule, and Protestant hostility. The Ursulines gained prominence in New Orleans through the social services they provided--schooling, an orphanage, and refuge for abused and widowed women--which also allowed them a self-sustaining level of corporate wealth. Clark traces the conflicts the Ursulines encountered through Spanish colonial rule (1767-1803) and after the Louisiana Purchase, as Protestants poured into Louisiana and were dismayed to find a powerful community of self-supporting women and a church congregation dominated by African Americans. The unmarried nuns contravened both the patriarchal order of the slaveholding American South and the Protestant construction of femininity that supported it. By incorporating their story into the history of early America, Masterless Mistresses exposes the limits of the republican model of national unity.




Concert Life in Nineteenth-Century New Orleans


Book Description

During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.