Love's Mistress; or, the Queen's mask, etc
Author : Thomas Heywood
Publisher :
Page : 82 pages
File Size : 15,85 MB
Release : 1792
Category :
ISBN :
Author : Thomas Heywood
Publisher :
Page : 82 pages
File Size : 15,85 MB
Release : 1792
Category :
ISBN :
Author : Thomas Heywood
Publisher :
Page : 286 pages
File Size : 47,51 MB
Release : 1977
Category :
ISBN :
Author :
Publisher :
Page : 368 pages
File Size : 31,80 MB
Release : 1825
Category : English drama
ISBN :
Author : Walter Wilson Greg
Publisher :
Page : 212 pages
File Size : 31,33 MB
Release : 1902
Category : English drama
ISBN :
Author : Walter Wilson Greg
Publisher : Ardent Media
Page : 180 pages
File Size : 35,70 MB
Release :
Category :
ISBN :
Author : Thomas Heywood
Publisher :
Page : 78 pages
File Size : 25,33 MB
Release : 1792
Category : Mythology
ISBN :
Author : Thomas Heywood
Publisher :
Page : 97 pages
File Size : 49,68 MB
Release : 1886
Category :
ISBN :
Author : Thomas Heywood
Publisher :
Page : 120 pages
File Size : 10,23 MB
Release : 1824
Category :
ISBN :
Author : Oxford Bibliographical Society
Publisher :
Page : 400 pages
File Size : 30,53 MB
Release : 1927
Category : Bibliography
ISBN :
Author : Gerald Eades Bentley
Publisher : Cambridge University Press
Page : 526 pages
File Size : 46,72 MB
Release : 1967-04-02
Category : Literary Collections
ISBN : 9780521054553
The English court masque was one of the most extravagant and spectacular forms of entertainment ever produced, the most important period being between 1600 and 1640 when the writers included some of the best-known poets and dramatists of the age. This volume, first published in 1967, was the first selection of masques to be published in England in the twentieth century. It consists of fourteen masques, each specially edited with an introduction and commentary by a different scholar, including Ben Jonson, James Shirley, Samuel Daniel, Thomas Campion, Francis Beaumont, William Browne, Thomas Middleton, Thomas Nabbes and William Davenant. Professor Gerald Eades Bentley examines the masque as Jonson conceived it and the clash that took place between Jonson and his collaborator as designer, Inigo Jones. There is also a final essay on the influence of the masque on the drama of the period. A group of 48 plates has been prepared many of them reproducing designs by Inigo Jones.