Lover De Plus


Book Description

The tangled skein of love and relations are featured in this second volume of poetry by Saraj "Saraj verbalizes through her poetry the turmoil of love in a dream that is her reality." Rufus Tiefing Stevenson CEO, JAH KENTE INTERNATIONAL, INC. Curator, The Tiefing Collection "Sarajs mastery of words and images comes not only from an insightful mind but a heart open to the human condition. Her imagery draws deeply from nature, using it to paint pictures of profound emotion." Ann Elizabeth Houston Actress and teacher "Sarah's poetry has most usually moved me to tears. It is haunting in its depth, spiritual in its insight, and loving in its profound pain." Dr. Kresten Jespersen Librarian




Grammars and Descriptions


Book Description

To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.




Love Wins


Book Description

During the summer of 2011, armed with a camera and a map, award-winning Canadian filmmaker and photographer Afzal Huda set out to chronicle the Separation Wall in Palestine. His aim was to magnify the ugly face of the Wall and depict the contradictions and hardships endured by human beings living under a military occupation. He was intent on showing the world what it was like to live in an open air prison and how Palestinians have developed ways to cope with the Wall's existence. Afzal spent three weeks doing just that: visiting all the Palestinian areas along the Wall and interviewing people young and old from all walks of life. But instead of the overwhelming reality of misery and suffering he had witnessed with his own eyes, his camera caught images of a contrasting nature: photos of people and faces of compassion, perseverance and hope rarely seen in mainstream media’s usual portrayal of Palestinians. The resulting book—conceived and beautifully designed by Waleed Abu-Ghazaleh—is a powerful photo journal that depicts the humanity of a resilient people. It is divided into four parts, each starting with a short introduction in English, Spanish, German, French, and Chinese followed by brief statistics taken from United Nation sources. It includes: • Images of the Wall as a physical barrier: how it dissects towns and farmland • Images of Palestinians living under its shadow: checkpoints, gates and the resultant poverty • Images of solidarity: support from international artists and visitors as well as local inhabitants • Images of perseverance and hope




Writing Love


Book Description

In this compelling new addition to Sandra M. Gilbert's Ad Feminam: Women and Literature series, Katharine Ann Jensen examines the cultural form of the love letter and its intersection with the novel in the works of seventeenth- and eighteenth-century French women writers. Traditionally, French literary history has focused on eighteenth-century male writers Rousseau and Laclos as the master artists of the epistolary novel. That emphasis on one century, one gender, and one epistolary form--the novel--obscures the history of women's writing in France. In the seventeenth century, the love letter was viewed as a feminine literary form in which a woman's passionate and emotional "nature" found its logical expression. Such emotional writing was criticized for its structural and grammatical imperfections, rendering it--in the eyes of men--invalid as true "literary" material. However, men often wrote under female pseudonyms, composing letters of seduction and betrayal that were published as true accounts. Jensen contends that men disguised their words as women's words because writing as women allowed them to experiment with narrative fiction at a time when men's writing was rigidly defined by classical rhetoric. She further argues that men were able to moderate women's linguistic strengths by limiting their epistolary expertise to a social, rather than literary, practice, thereby maintaining literature as an almost exclusively male province. Jensen argues for a tradition of women's writing by examining both the love letters and novels of such writers as Desjardins, Ferrand, Graffigny, Riccoboni, and Lespinasse. In her novel Les Désordres de l'amour, Desjardins (Madame de Villedieu) creates an ambitious, letter-writing heroine. Through an analysis of the textual similarities between the heroine's letters and Desjardins's personal love letters to her unfaithful lover, Jensen concludes that Desjardins rewrites her own unfortunate epistolary relationship. Jensen draws similar conclusions from an examination of the personal letters of Ferrand in relation to her novel Histoire des amours de Cléante et de Bélise. In order to chart the legacy of seventeenth-century feminine epistolarity, Jensen goes on to consider the works of eighteenth-century French women writers. Like Desjardins's novel, Graffigny's Lettres d'une Péruvienne and Riccoboni's Lettres de Mistress Fanni Butlerd present letter-writing heroines who overturn the conventions of seduction and betrayal in order to claim their independence and desire to write. This desire correlates to Graffigny's and Riccoboni's own writing ambitions, thereby asserting the ability of women to write self-consciously, rather than emotionally, and to create narrative fiction rather than cyclical letters of love and suffering. Jensen demonstrates that these assertions constitute a significant break with seventeenth-century ideas about feminine letter writing that inextricably bind women to a supposedly natural language of sexual and literary disempowerment. This important and insightful book will prove a valuable addition to the libraries of scholars in French seventeenth- and eighteenth-century studies, feminist studies, epistolary fiction, and novel and narrative studies.




Beasts of Love


Book Description

In Le Bestiare d'amour and the Response, a medieval chancellor's erotic bestiary to a woman is countered by the woman's passionate protest against the cleric's misogynistic presuppositions. Beer presents a close, linear reading of the two literary texts.




A Mother's Love


Book Description

Chronicles the emergence of an idealized mother figure whose reforming zeal sought to make French society more just. This book contends that this attempt during the eighteenth century to rewrite social relations in terms of greater social equality represents an important but overlooked strand of Enlightenment thought.




The Art of Meditation and the French Renaissance Love Lyric


Book Description

The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love. At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution.




The Book of The Love-Smitten Heart


Book Description

Available only in Middle French and German translation until now, this volume constitutes the first full-length , French-English bilingual edition of Rene of Anjou's Livre du cuers d'amours espris, including all sixteen of the celebrated color plates, a critical introduction, notes on the translation, and a comprehensive bibliography. The book tells the tale of desire and adventure as Heart -- part of Rene torn from his body by Love -- travels a complex allegorical landscape in quest of the lady Mercy, who is being held prisoner by a band of miscreants led by Refusal and Shame. Rene begs the reader to help him determine which of three entities is responsible for his torment: Fortune led him to the lady whom he loves; once he arrived, Love, in the guise of his lady's gaze, struck his heart; and Destiny insists that he reflect upon her alone. In addition to being a compelling courtly page-turner, The Book of the Love-Smitten Heart represents the rare instance in which a medieval love story is told simultaneously in three frameworks: autobiographical letter, dream vision, and quest romance. This structure makes clear the multiple logics within which the author's psychology is reflected in the story, and illustrates how the symbol of the heart, as it travels through these shifting frameworks, dramatizes vital relations linking self, desire, and writing.




Love, Power, and Gender in Seventeenth-Century French Fairy Tales


Book Description

Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses’ scripts for love emphasize the importance of gender in determining the “right” way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.




Thoughts on Love and Life


Book Description