Lucas Cranach the Elder


Book Description

Law and gospel and the strategies of pictorial rhetoric -- The Schneeberg altarpiece and the structure of worship -- The Wittenberg altarpiece : communal devotion and identity -- Holy visions and pious testimony: Weimar altarpiece -- Public worship to private devotion : Cranach's Reformation Madonna panels.




Lucas Cranach the Elder, 1472-1553


Book Description

Numerous color and b & w reproductions from mostly European and a few US museums, reinforce the commentary of Stepanov (St. Petersburg Institute of Art History) on Cranach the Elder as a German Renaissance master. Though not as well known as his Catholic Italian contemporaries, Protestant Cranach bequeathed a legacy of diverse works on religious and secular subjects (hunting scenes are notable) and painting techniques which influenced generations of artists. As a court artist (for Frederick the Wise, Saxony), he also designed costumes, furniture, and parade-ground arms. Includes a chronology of the works of Cranach and his notable peers, but no index. 9.5x12.5" c. Book News Inc




German Paintings of the Fifteenth Through Seventeenth Centuries


Book Description

A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.




Lucas Cranach, the Elder


Book Description

The first richly illustrated study of the working methods and materials used by one of the most inventive painters of Renaissance Germany




German Paintings in the Metropolitan Museum of Art, 1350-1600


Book Description

Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.




The Texture of Images


Book Description

Textures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.




Temptation in Eden


Book Description

This catalogue accompanies the first exhibition in Britain to be devoted to Lucas Cranach the Elder (1472-1553), one of the greatest German Renaissance painters.




Lucas Cranach the Elder


Book Description




Lucas Cranach the elder


Book Description

Lucas Cranach (1472-1553) was one of the greatest artists of the Renaissance, as shown by the diversity of his artistic interests as well as his awareness of the social and political events of this time. He developed a number of painting techniques which were afterwards used by several generations of artists. His somewhat mannered style and spending palette are easily recognized in numerous portraits of monarchs, cardinals, courtiers and their ladies, religious reformers, humanists and philosophers. A part of the Great Painters Collection, translated from the Russian by Paul Williams. 109 full color plates and numerous black and white and two-color illustrations interspersed by text. Includes a chronological table of the work of Cranach and his notable contemporaries.




The Origins of Protestant Aesthetics in Early Modern Europe


Book Description

The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.