Lucian's True History


Book Description




Trips to the Moon


Book Description

"Trips to the Moon" by Of Samosata Lucian was originally written in the 2nd century, though it was later translated in the late 1800s. A satire about society through the lens of the ancient Greeks, the book is just as fun and insightful to read now as it was nearly two thousand years ago when it was first penned.




The Oxford Handbook of the Second Sophistic


Book Description

The study of the Second Sophistic is a relative newcomer to the Anglophone field of classics, and much of what characterizes it temporally and culturally remains a matter of legitimate contestation. This Handbook offers a diversity of scholarly voices that attempt to define the state of this developing field. Included are chapters that offer practical guidance on the wide range of valuable textual materials that survive, many of which are useful or even core to inquiries of particularly current interest (e.g., gender studies, cultural history of the body, sociology of literary culture, history of education and intellectualism, history of religion, political theory, history of medicine, cultural linguistics, intersection of the classical traditions and early Christianity).







Lucian's True History: A Novel Written in the Second Century AD by Lucian of Samosata, a Greek-speaking Author of Assyrian Descent, and a Sat


Book Description

A True History is a novel written in the second century AD by Lucian of Samosata, a Greek-speaking author of Assyrian descent. The novel is a satire of outlandish tales that had been reported in ancient sources, particularly those that presented fantastic or mythical events as if they were true. It is Lucian's best-known work.










A Lucian for Our Times


Book Description

Lucian of Samosata, the prolific Greek-speaking satirist of the 2nd century AD, left us a wide range of works ranging from harsh invective against cult-leaders and philosophers to playful pastiche of Herodotus' Histories. Art and artists, teachers of rhetoric, inconsistent myths, parasites in rich households, authors seeking imperial patronage and the rich and powerful themselves all provide rich material for his wit and humour. In this volume the focus is not on the literary values of Lucian's works, but rather on what they show us about the intellectual, political, religious and everyday life of the Imperial period. The articles address themes such as the importance of Latin in the Greek-speaking eastern Empire, rituals of death and mourning, attitudes towards the lands beyond the empire and the role of politics in comedy and satire, both in Lucian's own time and in the 5th and 4th centuries BC. While Lucian's own distinctive personality is impossible to ignore, the picture that emerges is one of both the high intellectual life and everyday behaviour in this vibrant period in the history of the Mediterranean region.




Dialogues of the Gods


Book Description

By the time of Lucian, popular religion had ceased to hold much influence over the hearts of the cultured classes. Philosophy was the new God, but there were efforts in some circles to divert men's minds from the philosophical sects and restore a sort of unorthodox faith in the old religion. Against this artificial revival of mythological faith, Lucian pitted the influence of his tremendous satirical powers. In the "Dialogues of the Gods," he pulls the curtain aside-exposing the Gods as they engage in private disputes, domestic brawls, and love affairs, with their jealousies and scandals, their paltry strifes and petty motives. The lesson is simple: Can one worship beings with such weaknesses, such foibles, and such scandalous and immoral lives? This new translation by Baudelaire Jones breathes fresh life into ancient deities such as Zeus, Hera, Hermes, Aphrodite, Poseidon, and Athena, revealing complex, contradictory, sex-obsessed creatures that modern mortals can surely relate to.




Lucian's Dialogues


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.