The Lure and the Truth of Painting


Book Description

Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.




The Lure of the Object


Book Description

This volume examines the force of art history's attraction to particular objects and the corresponding rhythms of attachment and detachment that animate the discipline.




Vintage Folk Art Fishing Lures and Tackle


Book Description

The significant merit and historical importance of vintage folk art fishing lures and tackle have remained largely "undiscovered" by the folk art community. This book will change that. Over 700 striking color photos and fascinating text presents vintage folk art fishing lures, predominantly from the first half of the 20th century, as small, exquisite, handcrafted treasures. Originally made only for catching fish, these lures were assembled from available materials and household supplies. Through their makers' vision and talent, miniature "sculptures" were created. Each lure is unique and personal. Detailed background, historical, and introductory sections complement photos conveying the limitless range of lure designs from primitives to elaborate folk art classics. Early folk artists including Bud Stewart, William Giles, and Burt Errett as well as contemporary artists Bob Baird, Aage Bjerring, Bill Grossman, C.B. Lewis, and C.E. Wilson are featured. First-ever detailed benchmarks to assess an individual folk art lure's quality, condition, authenticity, and value. This book is a treasure for fishermen and folk art collectors, displaying lures from both known and anonymous makers.




The Lure of the Exotic


Book Description

He believed firmly in his difference, often referring to himself as a "savage," and once he discovered his passion for art he had to create forms that were original and unique. "What does it matter that I set myself apart from other people? For most I shall be an enigina, but for a few I shall be a poet...," he wrote.".




The Lure of the Biographical


Book Description

"The lure of the biographical zooms in on the supposed relationship between the art and the personal image of artists. The book explores how visual artists use their personal history and image to make a name for themselves, and how they try to control how their artistic output is interpreted. At the same time, it investigates how other parties such as art critics, biographers, photographers, filmmakers, art historians and art dealers link artists’ lives to their work. The framework for studying the (self-)representation of artists focuses on the textual and visual means used by artists as well as others. Through three detailed case studies of the image and work of French sculptor Auguste Rodin, American painter Georgia O’Keeffe, and British painter Francis Bacon, the book demonstrates what mechanisms and strategies are at play in creating the artist’s image, from the nineteenth to the late-twentieth century, and, in addition, proposes a model for future research into questions of (self-)representation"--Back cover.







The Lure of the Exotic


Book Description

"This volume accompanies a major exhibition of Gauguin's work in New York collections held at The Metropolitan Museum of Art, New York. Surprisingly, the first major show devoted to Gauguin in New York since the Metropolitan Museum presented a retrospective of his work in 1959, it anticipates the centennial of the artist's death in 1903 and signals the nineteenth anniversary of his debut in New York collections. Four authors from the Metropolitan Museum illuminate aspects of the subject in their texts." "All works in the exhibition, as well as rich comparative material, are reproduced, Notes, a bibliography, a checklist of works in the exhibition, and an index are supplied."--BOOK JACKET.




The Lure of the Social


Book Description

The Lure of the Social is an intimate and personal exploration into the key individuals, institutions, and gatherings that make up the field of socially engaged art. In this book of encounters, the reader follows Gretchen Coombs on her journey through what could be considered the most significant shift in art world practices in the last two decades. The book navigates a spectrum: at one end, the author works closely with socially engaged artists as part of her ethnographic research; at the other, she tries to find critical distance from which to write about their art projects and the institutional structures that support their work, such as art schools and conferences. Readers are introduced to artists, their work, and the key debates and issues facing this emergent field. In the course of her study, Coombs analyzes the contradictions and paradoxes of this field of practice and gives expression to the artists working to make art relevant in times of social and political uncertainty.




The Logic of the Lure


Book Description

The attraction of a wink, a nod, a discarded snapshot—such feelings permeate our lives, yet we usually dismiss them as insubstantial or meaningless. With The Logic of the Lure, John Paul Ricco argues that it is precisely such fleeting, erotic, and even perverse experiences that will help us create a truly queer notion of ethics and aesthetics, one that recasts sociality and sexuality, place and finitude in ways suggested by the anonymity and itinerant lures of cruising. Shifting our attention from artworks to the work that art does, from subjectivity to becoming, and from static space to taking place, Ricco considers a variety of issues, including the work of Doug Ischar, Tom Burr, and Derek Jarman and the minor architecture of sex clubs, public restrooms, and alleyways.




The Lure of Italy


Book Description

American Artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I. The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James. This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art. Further insights into this new area in the study and appreciation of American art are offered in four essays by such leading art historians as William H. Gerdts, City University of New York; Erica E. Hirshler, Museum of Fine Arts, Boston; Fred S. Licht, Peggy Guggenheim Museum, Venice, and Boston University; and William L. Vance, Boston University. Individual commentaries on each of the paintings, sculpture, and watercolors have been written by the curatorial staff of the Museum of Fine Arts, Boston. The Lure of Italy accompanies a major exhibition of the same name, organized by Theodore E. Stebbins, Jr., and Erica E. Hirshler that opens at the Museum of Fine Arts, Boston, and travels to the Cleveland Museum of Art and the Museum of Fine Arts, Houston.