Lyrical Thoughts of a Poet


Book Description

Melvin Brown writes about his life experience of joy, sorrow, and pain in his first publication, Lyrical Thoughts of a Poet. Mr. Brown lives in Huntsville, Alabama and currently writes to encourage, inspire, and motivate others to make it through life’s difficult times. As you read each poem in this book, allow yourself to imagine a time in your life when you needed such inspiration. If that time is now, then you will undoubtedly enjoy, Lyrical Thoughts of a Poet. Another second, another minute Another morning with you in it. Another hour, another day, Another obstacle in your way. Another month, another week, Another person to hear you speak. Another decade, another year, Another birthday to bring you cheer. -Melvin Brown




The Poetry of Rock


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The Rattle Bag


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A collection of more than 400 hundred poems from all around the world.




Lima :: Limón


Book Description

In her striking second collection, Natalie Scenters-Zapico sets her unflinching gaze once again on the borders of things. Lima :: Limón illuminates both the sweet and the sour of the immigrant experience, of life as a woman in the U.S. and Mexico, and of the politics of the present day. Drawing inspiration from the music of her childhood, her lyrical poems focus on the often-tested resilience of women. Scenters-Zapico writes heartbreakingly about domestic violence and its toxic duality of macho versus hembra, of masculinity versus femininity, and throws into harsh relief the all-too-normalized pain that women endure. Her sharp verse and intense anecdotes brand her poems into the reader; images like the Virgin Mary crying glass tears and a border fence that leaves never-healing scars intertwine as she stares down femicide and gang violence alike. Unflinching, Scenters-Zapico highlights the hardships and stigma immigrants face on both sides of the border, her desire to create change shining through in every line. Lima :: Limón is grounding and urgent, a collection that speaks out against violence and works toward healing.




Ottoman Lyric Poetry


Book Description

The Ottoman Empire was one of the most significant forces in world history and yet little attention is paid to its rich cultural life. For the people of the Ottoman Empire, lyrical poetry was the most prized literary activity. People from all walks of life aspired to be poets. Ottoman poetry was highly complex and sophisticated and was used to express all manner of things, from feelings of love to a plea for employment. This collection offers free verse translations of 75 lyric poems from the mid-fourteenth to the early twentieth centuries, along with the Ottoman Turkish texts and, new to this expanded edition, photographs of printed, lithographed, and hand-written Ottoman script versions of several of the texts--a bonus for those studying Ottoman Turkish. Biographies of the poets and background information on Ottoman history and literature complete the volume.




Poetry's Touch


Book Description

To whom does a poem speak? Do poems really communicate with those they address? Is reading poems like overhearing? Like intimate conversation? Like performing a script? William Waters pursues these questions by closely reading a selection of poems that say "you" to a human being: to the reader, to the beloved, or to the dead. In any account of reading lyric poetry, Waters argues, there will be places where the participant roles of speaker, intended hearer, and bystander melt together or away; these are moments of wonder.Looking both at poetry's "you" and at how readers encounter it, Waters asserts that poetic address shows literature pressing for a close relation with those into whose hands it may fall. What is at stake for us as readers and critics is our ability to acknowledge the claims made on us by the works of art with which we engage. In second-person poems, in a poem's touch, we may come to see why poetry matters to us, and how we, in turn, come to feel answerable to it. Poetry's Touch takes as a central thread the poetry of Rainer Maria Rilke, a writer whose work is unusually self-conscious about poetic address. The book also draws examples from a gamut of European and American poems, ranging from archaic Greek inscriptions to Keats, Dickinson, and Ashbery.




Citizen


Book Description

* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.




The Hatred of Poetry


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"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--




Sa'di in Love


Book Description

'In the breath that I die, for you I'll be longing/ Wishing to turn into the dust of your belonging' - Sa'di, Expressions of Love. With poetry which speaks across the ages, Sa'di (1210-1281) is a vital classical poet and a towering figure of the medieval Persian canon. Comparable in skill and stature to other Persian poets such as Ferdowsi, Hafez, Rumi and Omar Khayyam, Sa'di's verses--best known through his 'Bustan' and 'Golestan' address universal themes of passion, love and the human condition in works which are both psychologically perceptive and beautifully crafted. His mystical writings, contemporaneous with Rumi, reveal a degree of depth, wisdom and insight which have placed Sa'di in the pantheon of world literature. In this essential new translation of Sa'di's work, leading expert on Iranian studies Homa Katouzian seeks to bring the poet's lyrics to a new readership. The book provides the Persian text and Katouzian's English translation side-by-side, creating an indispensible tool for students and enthusiasts of Iranian history, literature and culture.




Lyric Shame


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Gillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.