Mad about the Fifties


Book Description

Presents a humorous look at the decade of the 1950s. Contains satires and parodies of television, film, and popular culture, including Star Trek, Batman, Spy vs. spy, and more.




Mad about the Fifties


Book Description

Compiles the best of MAD magazine's first decade, complete with cult classics, parodies, and reproductions of early covers




The Sincerest Form of Parody


Book Description

The best and funniest material from the bandwagon-jumping MAD imitators, with work by Jack Davis, Will Elder, Dick Ayers, Bill Everett, Jack Kirby and many more, plus expert commentary. Casual comics readers are probably familiar with the later satirical magazines that continued to be published in the '60s and '70s, such as Cracked and Sick, but the comics collected in this volume were imitations of the MAD comic book, not the magazine, and virtually unknown among all but the most die-hard collectors. For the first time, Fantagraphics is collecting the best of these comics in an unprecedented collection!




The Fifties


Book Description

This vivid New York Times bestseller about 1950s America from a Pulitzer Prize–winning journalist is “an engrossing sail across a pivotal decade” (Time). Joe McCarthy. Marilyn Monroe. The H-bomb. Ozzie and Harriet. Elvis. Civil rights. It’s undeniable: The fifties were a defining decade for America, complete with sweeping cultural change and political upheaval. This decade is also the focus of David Halberstam’s triumphant The Fifties, which stands as an enduring classic and was an instant New York Times bestseller upon its publication. More than a survey of the decade, it is a masterfully woven examination of far-reaching change, from the unexpected popularity of Holiday Inn to the marketing savvy behind McDonald’s expansion. A meditation on the staggering influence of image and rhetoric, The Fifties is vintage Halberstam, who was hailed by the Denver Post as “a lively, graceful writer who makes you . . . understand how much of our time was born in those years.” This ebook features an extended biography of David Halberstam.




MAD about the Sixties


Book Description

An illustrated compilation of humor published in the 1960s in the popular magazine includes movie parodies, political satire, memorable "MAD" covers, and classic features




Young, White, and Miserable


Book Description

The experts' fifties : women, men, and male social scientists -- Family legacies -- Sexual puzzles -- The other fifties : beats, bad girls, and rock and roll -- Alone in the fifties : Anne Parsons and the feminine mystique.




In Our Mad and Furious City


Book Description

Long-listed for the 2018 Man Booker Prize Short-listed for the 2018 Gordon Burn Prize Short-listed for the 2018 Goldsmiths Prize Inspired by the real-life murder of a British army soldier by religious fanatics, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation. While Selvon, Ardan, and Yusuf organize their lives around soccer, girls, and grime, Caroline and Nelson struggle to overcome pasts that haunt them. Each voice is uniquely insightful, impassioned, and unforgettable, and when stitched together, they trace a brutal and vibrant tapestry of today’s London. In a forty-eight-hour surge of extremism and violence, their lives are inexorably drawn together in the lead-up to an explosive, tragic climax. In Our Mad and Furious City documents the stark disparities and bubbling fury coursing beneath the prosperous surface of a city uniquely on the brink. Written in the distinctive vernaculars of contemporary London, the novel challenges the ways in which we coexist now—and, more important, the ways in which we often fail to do so.




Confessions of a Maddog


Book Description

Once upon a time there was an innocent lad from West Texas who wrote a novel and fell in with a rabble of Texas writers as they were bridging the literary gap between J. Frank Dobie and his paisanos and the current bumper crop of Texas writers who seem to be everywhere writing about everything. This rowdy rabble of gap bridgers bonded in a sort of literary and social club they called Maddog Inc. (Motto: Doing indefinable services to mankind.) But our hero managed to live through it all anyway. This is his story. Jay Milner was part of a generation of Texas writers whose heyday lasted from the late 1950s through the 1970s. The group comprised Billie Lee Brammer, Edwin "Bud" Shrake, Gary Cartwright, Dan Jenkins, Larry L. King, Pete Gent, and (peripherally) Larry McMurtry and Willie Morris, among others. From the musical scene there were the "picker poets" such as Willie Nelson, Jerry Jeff Walker, Guy Clark, Billy Joe Shaver, and Waylon Jennings. Some of the primary works coming from this generation of writers include Brammer's The Gay Place, Shrake's Strange Peaches, Cartwright's Confessions of a Washed-up Sportswriter, King's The Whorehouse Papers and None But a Blockhead, Jan Reid's The Improbable Rise of Redneck Rock, and Willie Nelson's album Phases and Stages.




MAD about the '90s


Book Description

"This MADcap compendium rehashes the best send-ups, takeoffs, and put-ons from the era that brought us the internet, the Gulf War, Bill Clinton (and Mnica), Kurt Cobain, and Nirvana."--Back cover.




Revisiting and Revising the Fifties in Contemporary US Popular Culture


Book Description

In this book, Eleonora Ravizza analyzes how contemporary American popular culture has represented and reproduced the fifties. By investigating the cultural work of films and TV series from the last two decades, the book uncovers the inherent limitations of a ‘revisionist’ take on the fifties. Ravizza argues that, due to the visual nature of the fifties—crystallized in American consciousness through the widespread influence of television—most contemporary attempts to rework and rewrite the regressive gender, queer, and racial politics fall short of such a revisionist reevaluation. ​