The Consecration of the Writer, 1750-1830


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The Consecration of the Writer is the definitive study of the first stages of a phenomenon that has profoundly affected world literature: the process by which modern writers ceased to speak as representatives of some religious or political power and instead seized the mantle of spiritual authority in their own right, speaking directly to and in the name of humanity. ø Paul Bänichou identifies three great moments in this process: the advent of the Enlightenment faith in philosophy and the rise of its literary concomitant, the man of letters; the literary creations of the counterrevolution and their surprising involvement in the elevation of the status of poetry; and, finally, the fusion of these tendencies in the early phases of romanticism in France. ø Bänichou deepens our understanding of romanticism by showing that it was a revision of the Enlightenment faith rather than a reaction against it. The extraordinary depth of Bänichou?s research, the originality of his conclusions, and the importance of his methodological reflections make this study an essential reference in the contemporary return to literary history.




Memoirs of Madame Recamier


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Mother of the Church


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Sofia Petrovna Svechina (1782–1857), better known as Madame Sophie Swetchine, was the hostess of a famous nineteenth-century Parisian salon. A Russian émigré, Svechina moved to France with her husband in 1816. She had recently converted to Roman Catholicism, and the salon she opened acquired a distinctly religious character. It quickly became one of the most popular salons in Paris and was a meeting place for the French intellectual Catholic elite and members of the Liberal Catholic movement. As a salonniére, Svechina developed close friendships with some of the most noted public figures in the Liberal Catholic movement. Her involvement with her guests went deeper than the typical salonniére's. She was a mentor, spiritual counselor, and intellectual advisor to many distinguished Parisian men and women, and her influence extended beyond the walls of her salon into the public world of politics and ideas. In this fascinating biography, Tatyana Bakhmetyeva seeks to understand the creative process that informed Svechina's life and examines her subject in the context of nineteenth-century thought and letters. It will appeal to educated readers interested in European and Russian history, the history of Catholicism, and women's history.







Madame de Stael


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The influence of the salons of Paris on the thought and culture of the eighteenth century would be difficult to overstate. They were both intellectual powerhouses and also assemblies where the latest and most extreme fashion was displayed. 'Young gallants...wearing silk waistcoats embroidered with Chinese pagodas, making love to ladies reclining negligently against the cushions...or accepting small cups of chocolate from the hands of Negro pages', thus Harold Nicolson describes the drawings of the time in his book "The Age of Reason". These meeting places for the vanguard of society were presided over by a succession of brilliantly clever women, the salonieres, and the most brilliant and clever of all of them was Madame de Stael. Although she died at the age of 51 she filled her life to the brim, and enjoyed a hugely influential role among the great names of the day. Born Germaine Necker, in Paris on 22 April 1766, her father was a powerful banker and her mother a Swiss pastor's daughter who never got over her good fortune in marrying a rich man. In 1786 Germaine was married to a secretary in the Swedish embassy called de Stael, but although she thought him 'a perfect gentleman' she also found him dull and clumsy. She began to take lovers - the Vicomte de Narbonne and possibly Talleyrand - and then Benjamin Constant, in whom she at last met her intellectual equal. In 1806 her novel "Delphine" was published. It was an instant success and praised by Goethe and Byron, among others. Her salon thronged with glittering visitors including The Tsar, Talleyrand,and Wellington. Maria Fairweather gives an entrancing account of this vanished world, so merciless to outsiders, but for those of the inner circle incomparably glamorous and exciting.







The Publisher


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