Madder Love


Book Description

Dreams, desire, darkened streets and the sudden miracles that appear there, the deep places of the mind. Two groups made these the heart of a radical project of liberation: queers and surrealism. Madder Love is an anthology of cutting-edge writing that bridges the space between surrealism and queer writing. Features the work of Will Aitken, Stephen Beachy, Jeffery Beam, Stephen Boyer, Tom Cardamone, Sven Davisson, Peter Dubé, Craig L. Gidney, Nicholas Hayes, Trebor Healey, Kevin Killian, Shaun Levin and Rob Stephenson.




One Madder Woman


Book Description

A memorable and clandestine love story between two visionary artists in 19th-century Paris. "These madmen -- and one madder woman -- paint as if suffering seizures! One cannot make heads or tails of the work without taking ten paces back." In One Madder Woman, Dede Crane vividly recreates the life of Berthe Morisot, the sole female member of the renowned group of artists known as the Impressionists. Inspired by true events, One Madder Woman charts her complicated relationship with her sister and rival, Edma, and her tumultuous love affair with Édouard Manet, the charismatic enfant terrible of the Paris Salon, against a backdrop of upheaval and war in mid-19th-century Paris. One Madder Woman illuminates the stories behind familiar masterpieces, and sketches a life teeming with obstacles defied and conquered by the genius of Morisot. At a time when art was a space completely dominated by men, Morisot upends all expectations of what a "proper woman" should be and manages to carve out her own place in the art world. Crane's rich prose and lyrical expression bring this revolutionary artistic period to life, in vivid and glorious colour.




What's Next?


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Eastern Love


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Love Triumphant


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Noctes Ambrosianae


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Color


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Napoleon


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Levinas and the Other in Narratives of Facial Disfigurement


Book Description

Offering readings of a range of fictional and biographical texts, including work by Richard Selzer, Nathaniel Hawthorne, Gaston Leroux, Willa Cather, Natalie Kusz, and Lucy Grealy, this book examines reactions to facially disfigured people on the basis of Emmanuel Levinas’ ethics of the face. Drawing on Levinas’ concern with the holistic dimension of the face as an encounter with the other’s "whole person" and the sense of moral obligation that this instils in us—a sense that disfigurement disrupts by drawing our attention to the disfigurement as a "spectacle" and threatening to limit our view of that individual—the author explores how we react to the facially disfigured and how we ought to react.