Made in Oceania


Book Description

Both anthropologists and conservation scientists are fascinated by Oceanic barkcloth, or tapa, as it is known by its generic Polynesian term. Historic tapa designs are often living cultural heritage, but today’s objects also combine content, form and tradition in new ways and are intimately connected with the social and cultural identity of individuals, groups, and even nations. With tapa being completely alien to European traditions, conservation scientists are challenged by the material and its restoration and preservation. Questions of adequate presentation in exhibitions touch upon both disciplines, particularly when cultural requirements of the source communities come into play. This volume brings together presentations given at an interdisciplinary symposium on the social and cultural meanings, conservation and presentation of Oceanic tapa, organised and hosted by the Rautenstrauch-Joest-Museum of World Cultures and the Institute of Conservation Sciences, Cologne, in 2014. By presenting new, international, cutting-edge research from both disciplines, Made in Oceania offers unique insights into current museum practice, and connects historical research with recent social and cultural developments in the Pacific.







Made in Oceania


Book Description

This collection recognizes cultural heritage as a ground for creativity and experimentation with social forms and pinpoints both the conflicting values at play and their potentially subversive power in Hawaii, Tahiti, Pohnpei, Fiji, Solomon Islands, Vanuatu, Papua New Guinea, and Australia.




The Happy Isles of Oceania


Book Description

The author of The Great Railway Bazaar explores the South Pacific by kayak: “This exhilarating epic ranks with [his] best travel books” (Publishers Weekly). In one of his most exotic and adventuresome journeys, travel writer Paul Theroux embarks on an eighteen-month tour of the South Pacific, exploring fifty-one islands by collapsible kayak. Beginning in New Zealand's rain forests and ultimately coming to shore thousands of miles away in Hawaii, Theroux paddles alone over isolated atolls, through dirty harbors and shark-filled waters, and along treacherous coastlines. Along the way, Theroux meets the king of Tonga, encounters street gangs in Auckland, and investigates a cargo cult in Vanuatu. From Australia to Tahiti, Fiji, Easter Island, and beyond, this exhilarating tropical epic is full of disarming observations and high adventure.




Belonging in Oceania


Book Description

Ethnographic case studies explore what it means to “belong” in Oceania, as contributors consider ongoing formations of place, self and community in connection with travelling, internal and international migration. The chapters apply the multi-dimensional concepts of movement, place-making and cultural identifications to explain contemporary life in Oceanic societies. The volume closes by suggesting that constructions of multiple belongings—and, with these, the relevant forms of mobility, place-making and identifications—are being recontextualized and modified by emerging discourses of climate change and sea-level rise.




Island Rivers


Book Description

Anthropologists have written a great deal about the coastal adaptations and seafaring traditions of Pacific Islanders, but have had much less to say about the significance of rivers for Pacific island culture, livelihood and identity. The authors of this collection seek to fill that gap in the ethnographic record by drawing attention to the deep historical attachments of island communities to rivers, and the ways in which those attachments are changing in response to various forms of economic development and social change. In addition to making a unique contribution to Pacific island ethnography, the authors of this volume speak to a global set of issues of immense importance to a world in which water scarcity, conflict, pollution and the degradation of riparian environments afflict growing numbers of people. Several authors take a political ecology approach to their topic, but the emphasis here is less on hydro-politics than on the cultural meaning of rivers to the communities we describe. How has the cultural significance of rivers shifted as a result of colonisation, development and nation-building? How do people whose identities are fundamentally rooted in their relationship to a particular river renegotiate that relationship when the river is dammed to generate hydro-power or polluted by mining activities? How do blockages in the flow of rivers and underground springs interrupt the intergenerational transmission of local ecological knowledge and hence the ability of local communities to construct collective identities rooted in a sense of place?




A Power in the World


Book Description

Few people today know that in the nineteenth century, Hawai‘i was not only an internationally recognized independent nation but played a crucial role in the entire Pacific region and left an important legacy throughout Oceania. As the first non-Western state to gain full recognition as a coequal of the Western powers, yet at the same time grounded in indigenous tradition and identity, the Hawaiian Kingdom occupied a unique position in the late nineteenth-century world order. From this position, Hawai‘i’s leaders were able to promote the building of independent states based on their country’s model throughout the Pacific, envisioning the region to become politically unified. Such a pan-Oceanian polity would be able to withstand foreign colonialism and become, in the words of one of the idea’s pioneers, “a Power in the World.” After being developed over three decades among both native and non-native intellectuals close to the Hawaiian court, King Kalākaua’s government started implementing this vision in 1887 by concluding a treaty of confederation with Sāmoa, a first step toward a larger Hawaiian-led pan-Oceanian federation. Political unrest and Western imperialist interference in both Hawai‘i and Sāmoa prevented the project from advancing further at the time, and a long interlude of colonialism and occupation has obscured its legacy for over a century. Nonetheless it remains an inspiring historical precedent for movements toward greater political and economic integration in the Pacific Islands region today. Lorenz Gonschor examines two intertwined historical processes: The development of a Hawai‘i-based pan-Oceanian policy and underlying ideology, which in turn provided the rationale for the second process, the spread of the Hawaiian Kingdom’s constitutional model to other Pacific archipelagos. He argues that the legacy of this visionary policy is today re-emerging in the form of two interconnected movements—namely a growing movement in Hawai‘i to reclaim its legacy as Oceania’s historically leading nation-state on one hand, and an increasingly assertive Oceanian regionalism emanating mainly from Fiji and other postcolonial states in the Southwestern Pacific on the other. As a historical reference for both, nineteenth-century Hawaiian policy serves as an inspiration and guideline for envisioning de-colonial futures for the Pacific region.




Ancestors, Artefacts, Empire


Book Description

Using extraordinary Indigenous Australian art and artifacts preserved in museums across Great Britain and Ireland, the authors present a global history that entwines ancestral pasts with epochs of empire and colony leading to the contemporary moment.




The People of the Sea


Book Description

Countering the dominant paradigms of recent Pacific Islands' historiography, which tend to limit understanding of the sea's importance, this volume emphasizes the flux in the maritime environment and how it instilled an expectation and openness toward outside influences and the rapidity with which cultural change could occur in relations between various Islander groups." "Students and scholars of Pacific history and environmental and cultural studies will welcome this re-evaluation of the sea's influence in Oceanic history."--BOOK JACKET.




The Art of Tonga


Book Description

Tongan art, with its elegant sculpture, headrests, body adornment, clubs, containers, tools and fibre work, has made an outstanding contribution to the culture of Oceania. In The Art of Tonga, Keith St. Cartmail's achievement is to draw together all the strands of this island kingdom's material culture into a single volume--surprisingly no other work has done this to date. The author begins by outlining the history of Tonga, then comprehensively details all aspects of Tongan art, ancient and modern. He clearly documents the significance and widespread influence of this beautiful art work through West Polynesia, and argues that despite recent neglect, and in spite of being mutilated and destroyed by missionaries, and dispersed by collectors to all corners of the earth, Tongan art is nonetheless alive and well. Authoritative and accessible, The Art of Tonga is lavishly illustrated with superb and important examples of Tongan art from throughout its history. It is essential reading for anyone with an interest in the magnificent cultures of Oceania.