The World of Madeleine Castaing


Book Description

This monograph will provide an illustrative survey of Madeleine Castaing's work, exploring in depth the elements of her style, and examining how she crafted interiors so emotive that visitors were compelled to observe that they had stepped into a Balzac novel or a Proustian recollection.




Madeleine's World


Book Description

The perceptive and beguiling tale of a young girl's development as only her father can see it Chosen as one of the 50 Best Nonfiction Books of the Past 25 Years by Slate Like most biographies, Brian Hall's charming account of his daughter Madeleine begins at her birth. But unlike most biographies, it concludes with her third birthday. Along the way, it describes Madeleine's intriguing transition from infant solipsism through toddler self-absorption to a small person's sociability. Drawing on the same subtle humor and eye for detail that imbued I Should Be Extremely Happy in Your Company, his acclaimed novel of the Lewis and Clark expedition, Hall gives us a look at Madeleine's milestones: her first laugh, first words, first tantrum, and brings it all to life from the inside out. By speculating on his daughter's perceptions and experience as she grows, Hall gives us candid and informed insights into the evolution of language, attachments and separations, and a youngster's curiosity and fear. What emerges is a portrait of growing consciousness in action, a universal voyage whose every revelation and frustration is captured with stunning detail and intimacy.




Simply Madeleine


Book Description

Pianist Madeleine Fortes story is one of obstacles and successes, of extraordinary talent, and of a long and fascinating life of international study and performance. Born in Vichy-controlled French Algeria during World War II, she began learning to play the piano at an early age and was soon performing publicly. She made her debut in Vichy at thirteen while studying with Alfred Cortot and Wilhelm Kempff. As a young woman, she went to boarding school in Algiers and Paris, continuing her musical studies. She married young, and the marriage fell apart not long after the birth of her first son, Yann. As she continued to travel, studying and performing, she struggled to establish herself as a professional artist. She studied with Rosina Lhvinne and Martin Canin in New York, married again, and became a professor of music at Boise State University. Her second marriage brought another son, Olen, and lasted fourteen years. After her second divorce, she moved to Connecticut, where she met Allen Forte, her third husband. They collaborated on several artistic projects and performed all over the world. Praise for Madeleine Fortes Performances and Recordings At a time when national styles have all but dissolved into a generalized international goulash, Fortes gorgeous tone and sensuous line evoke classic French pianism her Maurice Ravel holds its own against interpretations by many of her more celebrated peers, from the chaste simplicity of the Sonatine to the virtuosic Gaspard de la Nuit, in which no prisoners are taken and no notes are dropped. The New Yorker Madeleine Forte is another master of the French School She plays Debussy in a manner that would do her old master Cortot proud, with a clear-eyed vigor, pearlescent tone, and attention to detail that does not belie the emotional content of the music but only makes it more coherent. Fanfare




Fascism: A Warning


Book Description

#1 New York Times Bestseller A personal and urgent examination of Fascism in the twentieth century and how its legacy shapes today’s world, written by one of the most admired public servants in American history, the first woman to serve as U.S. secretary of state A Fascist, observed Madeleine Albright, “is someone who claims to speak for a whole nation or group, is utterly unconcerned with the rights of others, and is willing to use violence and whatever other means are necessary to achieve the goals he or she might have.” The twentieth century was defined by the clash between democracy and Fascism, a struggle that created uncertainty about the survival of human freedom and left millions dead. Given the horrors of that experience, one might expect the world to reject the spiritual successors to Hitler and Mussolini should they arise in our era. Fascism: A Warning is drawn from Madeleine Albright's experiences as a child in war-torn Europe and her distinguished career as a diplomat to question that assumption. Fascism, as she shows, not only endured through the twentieth century but now presents a more virulent threat to peace and justice than at any time since the end of World War II. The momentum toward democracy that swept the world when the Berlin Wall fell has gone into reverse. The United States, which historically championed the free world, is led by a president who exacerbates division and heaps scorn on democratic institutions. In many countries, economic, technological, and cultural factors are weakening the political center and empowering the extremes of right and left. Contemporary leaders such as Vladimir Putin and Kim Jong-un are employing many of the tactics used by Fascists in the 1920s and 30s. Fascism: A Warning is a book for our times that is relevant to all times. Written by someone who not only studied history but helped to shape it, this call to arms teaches us the lessons we must understand and the questions we must answer if we are to save ourselves from repeating the tragic errors of the past.




Madeleine's World


Book Description

This book is a biography of Brian Hall's daughter, Madeleine. It begins with her birth and ends on her 3rd birthday. Along the way, it describes the transition from infant solipsism to toddler self-absorption to a small person's sociability. It records monumental achievements and devastating disillusionments. The biography is a map of an expanding world in which dragons still roam but terra incognito is pushed inexorably back. Although this is the record of an individual life, anyone interested in children will find themselves swept up in this fundamental and universal voyage, as Hall charts the rising arc of a new consciousness.




The Literary World


Book Description




Reading Cavell's The World Viewed


Book Description

In their thoughtful study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film. Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism filmed called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cannot know what movies mean, or what they are. Rotham and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has forsaken its original calling. read in a way that acknowledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film. Reading Cavell's The World Viewed will prove invaluable to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative an fruitful.




Other Worlds


Book Description

Christopher White points to ways that both spiritual practices and scientific speculation about multiverses and invisible dimensions are efforts to peer into the hidden elements and even existential meaning of the universe. Creatively appropriated, these ideas can restore a spiritual sense that the world is greater than anything our eyes can see.




Free Will and Epistemology


Book Description

In the first in-depth study of the transcendental argument for decades, Free Will and Epistemology defends a modern version of the famous transcendental argument for free will: that we could not be justified in undermining a strong notion of free will, as a strong notion of free will is required for any such process of undermining to be itself epistemically justified. By arguing for a conception of internalism that goes back to the early days of the internalist-externalist debates, it draws on work by Richard Foley, William Alston and Alvin Plantinga to explain the importance of epistemic deontology and its role in the transcendental argument. It expands on the principle that 'ought' implies 'can' and presents a strong case for a form of self-determination. With references to cases in the neuroscientific and cognitive-psychological literature, Free Will and Epistemology provides an original contribution to work on epistemic justification and the free will debate.




The Living Age


Book Description