Madness and Reason


Book Description

Originally published in 1985, this book provides a philosophical analysis of the concepts of madness and moral responsibility. It challenges the view that because they are victims of mental illness, the insane should not be blamed for actions resulting from their condition. The author urges a return to the neglected equation between madness and a want of reason, arguing that the impulse to excuse the criminally insane must be grounded in an appeal to their irrationality and unreasonableness. Through meticulous examination of the psychological states and behaviour patterns of major mental abnormalities, such as schizophrenia and depression, the author develops a notion of exculpating unreason. This is an interdisciplinary book which encompasses analytical philosophy, abnormal psychology and law.




Madness and Civilization


Book Description

Michel Foucault examines the archeology of madness in the West from 1500 to 1800 - from the late Middle Ages, when insanity was still considered part of everyday life and fools and lunatics walked the streets freely, to the time when such people began to be considered a threat, asylums were first built, and walls were erected between the "insane" and the rest of humanity.




Madness in Civilization


Book Description

Originally published: London: Thames & Hudson Ltd, 2015.




By Reason of Insanity


Book Description

Stevens takes readers on a harrowing descent into the mind of a mass murderer in this eerily realistic serial-killer novel. At the center of this gripping epic novel of mass murder, pursuit, and psychological terror is Thomas Bishop, a psychotic young killer who believes he is the son of Caryl Chessman, who was executed for rape in California amid intense controversy. Subjected to unmerciful physical and mental torture from an early age, Bishop kills his mother at the age of ten and is placed in an institution for the criminally insane. He grows to manhood knowing the outside world only through a television screen. At twenty-five, he succeeds in a brilliant escape and change of identity and begins to move across the country, murdering women in particularly gruesome ways. Pursued by reporters, police, and the mob, Bishop manages to elude them all, and the search for him becomes the greatest manhunt in US history.The chilling denouement will hold readers spellbound until the shattering, unforgettable conclusion.




A Philosophy of Madness


Book Description

The philosophy of psychosis and the psychosis of philosophy: a philosopher draws on his experience of madness. In this book, philosopher and linguist Wouter Kusters examines the philosophy of psychosis—and the psychosis of philosophy. By analyzing the experience of psychosis in philosophical terms, Kusters not only emancipates the experience of the psychotic from medical classification, he also emancipates the philosopher from the narrowness of textbooks and academia, allowing philosophers to engage in real-life praxis, philosophy in vivo. Philosophy and madness—Kusters's preferred, non-medicalized term—coexist, one mirroring the other. Kusters draws on his own experience of madness—two episodes of psychosis, twenty years apart—as well as other first-person narratives of psychosis. Speculating about the maddening effect of certain words and thought, he argues, and demonstrates, that the steady flow of philosophical deliberation may sweep one into a full-blown acute psychotic episode. Indeed, a certain kind of philosophizing may result in confusion, paradoxes, unworldly insights, and circular frozenness reminiscent of madness. Psychosis presents itself to the psychotic as an inescapable truth and reality. Kusters evokes the mad person's philosophical or existential amazement at reality, thinking, time, and space, drawing on classic autobiographical accounts of psychoses by Antonin Artaud, Daniel Schreber, and others, as well as the work of phenomenological psychiatrists and psychologists and such phenomenologists as Edmund Husserl and Maurice Merleau-Ponty. He considers the philosophical mystic and the mystical philosopher, tracing the mad undercurrent in the Husserlian philosophy of time; visits the cloud castles of mystical madness, encountering LSD devotees, philosophers, theologians, and nihilists; and, falling to earth, finds anxiety, emptiness, delusions, and hallucinations. Madness and philosophy proceed and converge toward a single vanishing point.




Art and Madness


Book Description

Coming of age on Park Avenue in the 1950s, Anne Roiphe had an adolescence entrenched in privilege, petticoats, and social rules. Young women at the time were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes, and became one of the girls draped across the sofa at parties with George Plimpton, Norman Mailer, and William Styron, sometimes with her young child in tow. For a time she was satisfied to play the muse, but at the age of twenty-seven, divorced and finally freed of the notion that any sacrifice was worth making for art, she began to write. Here, in her clear-sighted, perceptive, and unabashed memoir, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.




Marx, Capital and the Madness of Economic Reason


Book Description

Prologue -- The visualisation of capital as value in motion -- Capital, the book -- Money as the representation of value -- Anti-value: the theory of devaluation -- Prices without values -- The question of technology -- The space and time of value -- The production of value regimes -- The madness of economic reason -- Coda




History of Madness


Book Description

This translation of The History of Madness in the Classical Age is the first English edition of the original, complete French text and includes important material that until now was unavailable.




Hegel's Theory of Madness


Book Description

This book shows how an understanding of the nature and role of insanity in Hegel's writing provides intriguing new points of access to many of the central themes of his larger philosophic project. Berthold-Bond situates Hegel's theory of madness within the history of psychiatric practice during the great reform period at the turn of the eighteenth century, and shows how Hegel developed a middle path between the stridently opposed camps of "empirical" and "romantic" medicine, and of "somatic" and "psychical" practitioners. A key point of the book is to show that Hegel does not conceive of madness and health as strictly opposing states, but as kindred phenomena sharing many of the same underlying mental structures and strategies, so that the ontologies of insanity and rationality involve a mutually illuminating, mirroring relation. Hegel's theory is tested against the critiques of the institution of psychiatry and the very concept of madness by such influential twentieth-century authors as Michel Foucault and Thomas Szasz, and defended as offering a genuinely reconciling position in the contemporary debate between the "social labeling" and "medical" models of mental illness.




Madness in Cold War America


Book Description

This book tells the story of how madness came to play a prominent part in America’s political and cultural debates. It argues that metaphors of madness rise to unprecedented popularity amidst the domestic struggles of the early Cold War and become a pre-eminent way of understanding the relationship between politics and culture in the United States. In linking the individual psyche to society, psychopathology contributes to issues central to post-World War II society: a dramatic extension of state power, the fate of the individual in bureaucratic society, the political function of emotions, and the limits to admissible dissent. Such vocabulary may accuse opponents of being crazy. Yet at stake is a fundamental error of judgment, for which madness provides welcome metaphors across US diplomacy and psychiatry, social movements and criticism, literature and film. In the process, major parties and whole historical eras, literary movements and social groups are declared insane. Reacting against violence at home and war abroad, countercultural authors oppose a sane madness to irrational reason—romanticizing the wisdom of the schizophrenic and paranoia’s superior insight. As the Sixties give way to a plurality of lifestyles an alternative vision arrives: of a madness now become so widespread and ordinary that it may, finally, escape pathology.