Magic Moving Images


Book Description

Features images that transform into magical animations. This work is suitable for various ages.




The Magic Moving Picture Book


Book Description

The pictures in this book move! Volcanoes erupt, a house burns, 16 other startling effects. Acetate screen provided.




Magic, Stage Illusions and Scientific Diversions, Including Trick Photography


Book Description

DigiCat Publishing presents to you this special edition of "Magic, Stage Illusions and Scientific Diversions, Including Trick Photography" by Albert A. Hopkins. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




Magic Windows


Book Description

A collection of poems illustrated with drawings and circular pictures with parts that can be moved by a ribbon to reveal a new picture.




Movies Are Magic


Book Description

From classic film devotee Jennifer Churchill comes a new history of classic movies ... for kids! Featuring a heartfelt introduction by Ben Mankiewicz, Turner Classic Movies (TCM)'s primetime host. In our fast-moving, media-drenched world, classic movies connect us to the past and help us understand history, the world around us, and ourselves. From vaudeville to the invention of sound and color, this fun and informative jaunt through the history of film will turn your kids into classic movie fans in no time!




Installation and the Moving Image


Book Description

Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art. The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?"




Moving Pictures


Book Description

'HOLY WOOD IS A DIFFERENT SORT OF PLACE . . . HERE, THE MOST IMPORTANT THING IS TO BE IMPORTANT.' A new phenomenon is taking over the Discworld: moving pictures. Created by the alchemists of Ankh-Morpork, the growing 'clicks' industry moves to the sandy land of Holy Wood, attracted by the light of the sun and some strange calling no one can quite put their finger on... Also drawn to Holy Wood are aspiring young stars Victor Tugelbend, a wizarding student dropout, and Theda 'Ginger' Withel, a small-town girl with big dreams. But behind the glitz and glamour of the clicks, a sinister presence lurks. Because belief is powerful in the Discworld, and sometimes downright dangerous... The magic of movies might just unravel reality itself. 'Funny, delightfully inventive, and refuses to lie down in its genre' - Observer The Discworld novels can be read in any order but Moving Pictures is a standalone.




Magic Lantern, Panorama and Moving Picture Shows in Ireland, 1786-1909


Book Description

This book is the first volume in a two-volume set on the history of cinema in Ireland from the 18th century to the present day (the second companion volume is titled Film Exhibition and Distribution in Ireland, 1909-2010). What the book demonstrates is that prior to cinema there were already huge numbers of people in Ireland, from all classes, who regularly enjoyed proto-cinematic experiences through such entertainments as the magic lantern, or slide projector; the immersive large-scale paintings known as panoramas; and tableaux vivants, or theatrical-posed static representations of paintings, statues, and events. Without these entertainments - many developed by Irish inventors and pioneers - not only would cinema's moving-pictures have been unimaginable, but so, too, would the cinema space itself and the distribution of film. Ultimately, the book is offered as a contribution towards a deeper understanding of popular visual culture (and its intersection with science) in Ireland from the 18th-century onwards. *** "Kevin Rockett and Emer Rockett's book is a richly researched, engaging...picture of visual and optical entertainments in Ireland, ranging from the first phantasmagoria shows in the 1790s to the establishment of the first purpose-built cinemas....The authors build on recent work influenced by the idea that the site of an exhibition helped determine not only how it took place, but the meanings it produced and the experience of its audience." - Victorian Studies, Vol. 56, No. 1, Autumn 2014Ã?Â?Ã?Â?




Magic Thinks Big


Book Description

A cat sits in the doorway and tries to decide whether to go inside where he might get fed again, go outside where he might have an adventure, or stay where he is.




Secular Magic and the Moving Image


Book Description

The power of the moving image to conjure marvelous worlds has usually been to understand it in terms of 'move magic'. On film, a fascination for enchantment and wonder has transmuted older beliefs in the supernatural into secular attractions. But this study is not about the history of special effects or a history of magic. Rather, it attempts to determine the influence and status of secular magic on television within complex modes of delivery before discovering interstices with film. Historically, the overriding concern on television has been for secular magic that informs and empowers rather than a fairytale effect that deceives and mystifies. Yet, shifting notions of the real and the uncertainty associated with the contemporary world has led to television developing many different modes that have become capable of constant hybridization. The dynamic interplay between certainty and indeterminacy is the key to understanding secular magic on television and film and exploring the interstices between them. Sexton ranges from the real-time magic of street performers, such as David Blaine, Criss Angel, and Dynamo, to Penn and Teller's comedy magic, to the hypnotic acts of Derren Brown, before finally visiting the 2006 films The Illusionist and The Prestige. Each example charts how the lack of clear distinctions between reality and illusion in modes of representation and presentation disrupt older theoretical oppositions. Secular Magic and the Moving Image not only re-evaluates questions about modes and styles but raises further questions about entertainment and how the relations between the program maker and the audience resemble those between the conjuror and spectator. By re-thinking these overlapping practices and tensions and the marking of the indeterminacy of reality on media screens, it becomes possible to revise our understanding of inter-medial relations.