Mahabharata Book Twelve (Volume 3)


Book Description

The Book of Liberation is perhaps the most enigmatic philosophical text from ancient India. Presented as the teachings of Bhishma as he lies dying on the battlefield, after the epic war between the Pándavas and Káuravas, it was composed by unknown authors in the last centuries BCE, during the early period of world-renunciation, when peripatetic sages meditated under trees and practiced austerities in forest groves, and wandering sophists debated in the towns and cities. There has been no time like it before or since: such freedom of thought and expression is unparalleled in the history of the world. The freedom enjoyed by these ancient thinkers was not an end in itself. Above all this animated work is the record of philosophers seeking liberation (moksha) from a world they believed unsatisfactory. The speculation herein is but a means to an end, for its authors believed they could attain freedom from the world by knowing philosophical truths.




The Clay Sanskrit Library: Mahabharata


Book Description

Epic: Maha·bhárata The Maha·bhárata tells the tale of the epic battle between the Pándavas and the Káuravas for the thrown. It begins with the famous game of dice between the Pándavas and the Káuravas, which sets the scene for the war that will lie at the center of the Maha·bhárata epic. But even after the war is ostensibly over when the heroic but flawed king of the Káuravas is dishonor­ably defeated in battle by his arch enemy, the extended family is still wracked in conflict leaving survivors, victors and vanquished struggling to comprehend their loss. Perhaps the most enigmatic philosophical text from ancient India, the final book in the set, “The Book of Liberation” is presented as the teachings of Bhishma as he lies dying on the bat­tlefield in the aftermath of war. Included in this set: Maha·bhárata Book II: The Great Hall Translated by Paul Wilmot. 588 pages / 978-0-8147-9406-7 Maha·bhárata Book III: The Forest Volume 4 Translated by William Johnson. 374 pages / 978-0-8147-4278-5 Maha·bhárata Book IV: Viráta Translated by Kathleen Garbutt. 516 pages / 978-0-8147-3183-3 Maha·bhárata Book V: Preparations for War Volume 1 Translated by Kathleen Garbutt. Foreword by Gurcharan Das. 720 pages / 978-0-8147-3191-8 Maha·bhárata Book V: Preparations for War Volume 2 Translated by Kathleen Garbutt. 760 pages / 978-0-8147-3202-1 Maha·bhárata Book VI: Bhishma Translated by Alex Cherniak. Foreword by Ranajit Guha. Volume 1 (Including the “Bhagavad Gita” in Context) 615 pages / 978-0-8147-1696-0 Maha·bhárata Book VI: Bhishma Volume 2 Translated by Alex Cherniak. 550 pages / 978-0-8147-1705-9 Maha·bhárata Book VII: Drona Volume 1 Translated by Vaughan Pilikian. 473 pages / 978-0-8147-6723-8 Maha·bhárata Book VII: Drona Volume 2 Translated by Vaughan Pilikian. 470 pages / 978-0-8147-6776-4 Maha·bhárata Book VIII: Karna Volume 1 Translated by Adam Bowles 604 pages / 978-0-8147-9981-9 Maha·bhárata Book VIII: Karna Volume 2 Translated by Adam Bowles. 684 pages / 978-0-8147-9995-6 Maha·bhárata Book IX: Shalya Volume 1 Translated by Justin Meiland. 371 pages / 978-0-8147-5706-2 Maha·bhárata Book IX: Shalya Volume 2 Translated by Justin Meiland. 470 pages / 978-0-8147-5737-6 Maha·bhárata Books X & XI: “Dead of the Night” and “The Women” Translated by Kate Crosby. 350 pages / 978-0-8147-1727-1 Maha·bhárata Book XII: Peace (Part 2: The Book of Liberation) Volume 3 Translated by Alex Wynne. 540 pages / 978-0-8147-9453-1




The Mahabharata of Krishna


Book Description

The present book is a translation of original Mahabharata written by Vyasa in sanskrit prose. This translation has been carried out in the form of prose in the English language.




The Mahabharata of Krishna-Dwaipayana Vyasa Adi Parva


Book Description

The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Adi Parva by Kisari Mohan Ganguli SECTION I Om! Having bowed down to Narayana and Nara, the most exalted male being, and also to the goddess Saraswati, must the word Jaya be uttered. Ugrasrava, the son of Lomaharshana, surnamed Sauti, well-versed in the Puranas, bending with humility, one day approached the great sages of rigid vows, sitting at their ease, who had attended the twelve years' sacrifice of Saunaka, surnamed Kulapati, in the forest of Naimisha. Those ascetics, wishing to hear his wonderful narrations, presently began to address him who had thus arrived at that recluse abode of the inhabitants of the forest of Naimisha. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.




The Mahabharata, Volume 7


Book Description

The second-longest poem in world literature, this is an epic tale, replete with legends, romances, theology, and metaphysical doctrine written in Sanskrit. One of the foundational elements of Hindu culture, this work in its entirety consists of 75,000 stanzas in eighteen books, and this volume marks the resumption of its first complete modern English translation.--From book jacket.




The Mahabharatha


Book Description

Eleven year old Samhita Arni s beautifully illustrated version of the Mahabharatha is a bold and fresh re-telling of the great epic.




The Mahabharata, Volume 1


Book Description

Sanskrit classical epic translated into English.




Disorienting Dharma


Book Description

This book explores the relationship between ethics, aesthetics, and religion in classical Indian literature and literary theory by focusing on one of the most celebrated and enigmatic texts to emerge from the Sanskrit epic tradition, the Mahabharata. This text, which is widely acknowledged to be one of the most important sources for the study of South Asian religious, social, and political thought, is a foundational text of the Hindu tradition(s) and considered to be a major transmitter of dharma (moral, social, and religious duty), perhaps the single most important concept in the history of Indian religions. However, in spite of two centuries of Euro-American scholarship on the epic, basic questions concerning precisely how the epic is communicating its ideas about dharma and precisely what it is saying about it are still being explored. Disorienting Dharma brings to bear a variety of interpretive lenses (Sanskrit literary theory, reader-response theory, and narrative ethics) to examine these issues. One of the first book-length studies to explore the subject from the lens of Indian aesthetics, it argues that such a perspective yields startling new insights into the nature of the depiction of dharma in the epic through bringing to light one of the principle narrative tensions of the epic: the vexed relationship between dharma and suffering. In addition, it seeks to make the Mahabharata interesting and accessible to a wider audience by demonstrating how reading the Mahabharata, perhaps the most harrowing story in world literature, is a fascinating, disorienting, and ultimately transformative experience.




The Mahabharata


Book Description

The Mahabharata is one of the greatest stories ever told. Though the basic plot is widely known, there is much more to the epic than the dispute between Kouravas and Pandavas that led to the battle in Kurukshetra. It has innumerable sub-plots that accommodate fascinating meanderings and digressions, and it has rarely been translated in full, given its formidable length of 80,000 shlokas or couplets. This magnificent 10-volume unabridged translation of the epic is based on the Critical Edition compiled at the Bhandarkar Oriental Research Institute. * The final volume ends the instructions of the Anushasana Parva. The horse sacrifice is held, and Dhritarashtra, Gandhari, Kunti, Vidura and Sanjaya leave for the forest. Krishna and Balarama die as the Yadavas fight among themselves. The Pandavas leave on the great journey with the famous companion—Dharma disguised as a dog. Refusing to abandon the dog, Yudhishthira goes to heaven in his physical body and sees all the Kurus and the Pandavas are already there. * Every conceivable human emotion figures in the Mahabharata, the reason why the epic continues to hold sway over our imagination. In this lucid, nuanced and confident translation, Bibek Debroy makes the Mahabharata marvellously accessible to contemporary readers.




Mahabharata Book Three (Volume 4)


Book Description

“Slender lady, I came out with you to gather fruit. I got a pain in my head and fell asleep in your lap. Then I saw a terrible darkness and a mighty person. If you know, then tell me - was it my dream? Or was what I saw real?” So speaks Satyavat, newly rescued from the god of death by Savitri, his faithful wife, at the heart of one of the best loved stories in Indian literature. This, and other well known narratives, including a version of Rama's story, bring the Forest Book of the great Sanskrit epic, the Maha·bhárata, to its compelling conclusion. Woven into the main narrative of the Pandavas’ exile, these disparate episodes indicate the range and poetic power of the Maha·bhárata as a whole—a power that has the potential to speak to common human concerns across cultures and centuries. “The Forest” is Book Three of the Maha·bhárata, “The Great Book of India.” This final quarter of the account of the Pándavas’ twelve-year exile in the forest contains four stirring stories that are among the best known in Indian literature. From a hero overcoming great odds, to a virtuous wife who rescues her family, and Indra tricking Karna, and Yudhi·shthira’s victory in the verbal contest with the tree spirit, these stories speak to common human concerns across cultures and centuries. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org