Divan of Jahan Malek Khatun


Book Description

DIVAN OF JAHAN MALEK KHATUN Persia's Great Female Sufi Poet Translation & Introduction Paul Smith Daughter of the king of one of Shiraz's most turbulent times (14th century) Masud Shah; pupil and lifelong friend of the world's greatest mystical, lyric poet, Hafiz of Shiraz; the object of crazed desire by (among others) Persia's greatest satirist, the obscene, outrageous, visionary poet Obeyd Zakani; lover, then wife of womanizer Amin al-Din a minister of one of Persia's most loved, debauched and tragic rulers Abu Ishak; imprisoned for twenty years while her daughter mysteriously died; open-minded and scandalous... the beautiful, petite princess who abdicated her royalty twice; one of Persia's greatest classical lyric Sufi poets... whose Divan is four times the size of Hafiz's, Jahan Malek Khatun. Correct rhyme-structure is kept and beauty and meaning of these often mystical, poems... including ghazals, ruba'is, qit'as, elegies for her daughter and a famous tarji-band (strophe poem). Largest ever translation. Long introduction is on her Life, Times & Poetry and there is a unique Preface by herself, a chapter on the forms of poetry she used. Selected bibliography. Large Format Paperback "7 x 10" 329 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Ghalib, Jami, Khayyam, Rudaki, Yunus Emre, Lalla Ded, Mu'in, Seemab, Jigar, Abu Nuwas, Ibn al-Farid, Iqbal and others, as well as poetry, fiction, plays, biographies, children's books, twelve screenplays. www.newhumanitybooks.com




The Mirror of My Heart: A Thousand Years of Persian Poetry by Women


Book Description

One of the very first Persian poets was a woman (Rabe’eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society’s social extremes. Many were princesses, a good number were hired entertainers of one kind or another, and they were active in many different countries – Iran of course, but also India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. Not surprisingly, a lot of their poetry sounds like that of their male counterparts, but a lot doesn’t; there are distinctively bawdy and flirtatious poems by medieval women poets, poems from virtually every era in which the poet complains about her husband (sometimes light-heartedly, sometimes with poignant seriousness), touching poems on the death of a child, and many epigrams centered on little details that bring a life from hundreds of years ago vividly before our eyes. This new bilingual edition of The Mirror of My Heart – the poems in Persian and English on facing pages – is a unique and captivating collection introduced and translated by Dick Davis, an acclaimed scholar and translator of Persian literature as well as a gifted poet in his own right. In his introduction he provides fascinating background detail on Persian poetry written by women through the ages, including common themes and motifs and a brief overview of Iranian history showing how women poets have been affected by the changing dynasties. From Rabe’eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, each of the eighty-four poets in this volume is introduced in a short biographical note, while explanatory notes give further insight into the poems themselves.




Irreverent Persia


Book Description

Poetry expressing criticism of social, political and cultural life is a vital integral part of Persian literary history. Its principal genres - invective, satire and burlesque - have been very popular with authors in every age. Despite the rich uninterrupted tradition, such texts have been little studied and rarely translated. Their irreverent tones range from subtle irony to crude direct insults, at times involving the use of outrageous and obscene terms. This anthology includes both major and minor poets from the origins of Persian poetry (10th century) up to the age of Jâmi (15th century), traditionally considered the last great classical Persian poet. In addition to their historical and linguistic interest, many of these poems deserve to be read for their technical and aesthetic accomplishments, setting them among the masterpieces of Persian literature.




A Two-Colored Brocade


Book Description

Two-Colored Brocade: The Imagery of Persian Poetry







The Will to Change: Poems 1968-1970


Book Description

"The Will to Change is an extraordinary book of poems...It has the urgency of a prisoner's journal: patient, laconic, eloquent, as if determined thoughts were set down in stolen moments." —David Kalstone in The New York Times Book Review "The Will to Change must be read whole: for its tough distrust of completion and for its cool declaratives which fix us with a stare more unsettling than the most hysterical questions...It includes moments when poverty and heroism explode grammer with their own dignified unsyntactical demands...The poems are about departures, about the pain of breaking away from lovers and from an old sense of self. They discover the point where loneliness and politics touch, where the exercise of the radical courage takes its inevitable toll."—David Kalstone in The New York Times Book Review







Muslim Saints and Mystics


Book Description

This is a major work of Islamic mysticism by the great thirteenth-century Persian poet, Farid al-Din Attar. Translated by A J Arberry, Attar's work and thought is set in perspective in a substantial introduction.




Metaphor and Imagery in Persian Poetry


Book Description

This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ’s original use of candle metaphors, the translation of Khayyām’s metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma




Hafez


Book Description

Poetry. Middle Eastern Studies. Translated from the Farsi by Geoffrey Squires. Thought by many to be untranslatable, the great 14th century Persian poet Hafez, who has been celebrated by figures as different as Goethe, Emerson, and Bunting, has at last found the voice in English that he deserves. Geoffrey Squires, who lived in Iran for three years, gives powerful insight into that culture with these translations of the work of one of its iconic figures. Based on 248 ghazals (just over half the Divan), this is one of the most comprehensive translations ever to appear and also one of the most varied, revealing aspects of the work courtly, lyrical, satirical, mystical that will surprise and delight many. Squires brings a poet's ear to the task, capturing the energy, wit and beauty of the original which after all this time still speaks to us. He also breaks new ground in terms of translation strategy, using short interstitial prose pieces to punctuate and point the text. Detailed background notes are provided, and there is an extensive bibliography in Farsi, English and French. "Geoffrey Squires' translations of Hafez are not only beautiful (and they are) but innovate a new approach to the translation and presentation of poets from the distant and exotic past. In finding fresh means to show Hafez in context, Squires composes a work both faithful to Hafez and with a narrative power that opens a true dialogue between present and past. His Hafez in that sense sets a new standard for our time and for years to come." Jerome Rothenberg "In their careful, musical, painterly pointing of difference in similarity, stress inside equanimity and singularity breaking the continuum, Geoff Squires' Hafez translations weave a shimmering, moire fabric from the old and the new, the strange and the deceptively familiar. Squires is the best of hosts, too, offering small, genial and always useful interventions, tiny palate-cleansers of data or abstract form, which arrive before you knew you needed them. If Paul Blackburn had improvised a verbal riff on Astrophil and Stella, and Brian Coffey had written it down, they might have come close to, but would never equal, the marvelous sensual minimalism of Hafez and Squires." Peter Manson "Geoffrey Squires is a poet of note. What strikes me is his capacity to put into words what is fluid or elusive, writing characterized by the innerness of its language. This explains why he has an affinity with Hafez. His long absorption in the world of Iran has led him to the masterpieces of its literature. Analyzing Hafez in the light of his predecessors such as 'Ayn al Qozat, he explores among other themes the mystic gulf between belief and faith. A richly mature work, this translation brings a new lustre to the jewel that is Hafez." Charles- Henri de Fouchecour"