Making Men Ridiculous


Book Description

Barbed and vivid details in Juvenal's satiric poetry reveal a highly complex critique of the breakdown of traditional Roman values




Making Men Ridiculous


Book Description

Writing during the reign of emperors Trajan and Hadrian, Juvenal drew on Roman legend and the history of preceding imperial dynasties as a means of scrutinizing cultural upheavals in the Rome of his day. Tacky foreigners, the nouveaux riches, women who don’t know their place, bloodthirsty—even crazy—emperors and their (often worse) wives confront the reader at every turn, along with bad poets, corrupt aristocrats, gladiators, whores, false philosophers, sad-sack men in the street, and slaves. Juvenal’s poetry set the tone, and often the topics, for satirists throughout the centuries of European literature. In his sixteen verse satires, Juvenal presents speakers who decry the breakdown in traditional Roman values and the status of Roman men as they are confronted by upstart foreigners, devious and deviant women, class traitors, the power of the imperial household, and even the body itself. The satirist castigates vice and immorality even as he revels in describing them. This book locates Juvenal’s targets among the matrices of birth, wealth, class, gender, and ethnicity and walks carefully through a number of his most arresting vignettes in order to show not only what, but how, he satirizes. Moreover, the analysis shows that Juvenal’s portraits sometimes escape his grasp, and, as often as not, he ends up undermining the voice with which he speaks and the values he claims to hold dear. Individual chapters look at the satirist himself, rebellious bodies, disgraced aristocrats, uppity (even murderous) wives, and the necessary but corrupting power of money. The conclusion considers the endurance of both the targets and the rhetoric behind them in the modern world. Making Men Ridiculous will interest scholars and advanced students of ancient satire, later European satire, imperial Roman culture and literature, and class, gender, and sexuality in the ancient world.




Complex Inferiorities


Book Description

The deliberate adoption of a 'weaker' voice by a speaker not obliged to do so is a widespread phenomenon in Latin literature. This volume traces this strategy across a range of genres, periods, and authors, exploring how it establishes, perpetuates, and challenges hierarchies and values in very different literary and cultural-political contexts.




He's Making You Crazy


Book Description

"If there's one thing I know, it's crazy. A lot of people have called me crazy. Crazy Kristen! For a while there, it was practically my name. Women all over the world get called crazy every day. But we weren't born crazy—we were made crazy." Unpacking the ups and downs of Kristen's laugh-out-loud funny, sometimes cringe-worthy dating history, He's Making You Crazy will hold your hand through deep self-reflection—while giving you that push to put on your detective's hat and hack your man's email account if you need to. From trapping your boyfriend in ridiculous lies to gathering all your crush's security question answers on the first date, Kristen shares her no-holds-barred, hysterically funny, and hard-earned advice on men, love, and modern dating. He's Making You Crazy will give you the motivation you need to get out of an unhealthy relationship (the one that's making you crazy!), the wisdom to step up and admit when you're the one in the wrong, and the courage to keep your heart open through it all.




Women Are Crazy, Men Are Stupid


Book Description

THE REVEALiNG, RiP-ROARiNGLY FUNNY GUiDE TO MAKiNG EVERY RELATiONSHiP SMARTER, SANER, AND HAPPiER. Since the dawn of time, when the first smitten caveboy tried to woo the object of his affections by shoving her into the mud, men have demonstrated that when it comes to women, they are profoundly stupid. And when it comes to men, women -- no matter how intelligent or mature -- are completely crazy. Based on this simple yet groundbreaking insight, comedy writers and real-life couple Howard J. Morris and Jenny Lee have devised a relationship guide that is refreshingly honest, completely hilarious, and surprisingly practical. Using their own crazy/stupid romance as an example of these forces in action, they set out to explain why women ask questions that they absolutely do not want answered -- and why men persist in answering them. What are men really thinking -- or crucially, not thinking? Why do women view even the most mundane events through an emotional prism? Why do guys suck at being romantic? And why does every conversation with a woman lead back to whether or not she's fat? Using wit, hard-earned wisdom, and a highly entertaining he said/she said format, the authors explore the surprising method to his dumbness and the valid reasons behind her insanity, while providing real solutions to perennial relationship problems. By teaching men how and why they're stupid around women and showing women how to "control the crazy" for everybody's sake, Women Are Crazy, Men Are Stupid helps couples to reach the place where giving isn't giving in, needing isn't needy, and where the sexes can break the dysfunctional patterns and find a way to live lovingly, happily ever after.




What Do We Need Men For?


Book Description

As seen on the cover of New York Magazine, America's longest running advice columnist goes on the road to speak to women about hideous men and whether we need them. "Carroll's lively prose careens in constant pursuit of pleasure...indefatigably funny and full of life." –Lindsay Zoladz, The Ringer “Darkly humorous and deadly serious.” –Sibbie O'Sullivan, Washington Post “A compulsively interesting feminist memoir.” –Virginia Heffernan, Slate "Somehow hilarious, in the way that only E. Jean could have written it" –Leigh Haber, Oprah Magazine “Roving, curious, compassionate, whimsical.” –Megan Garber, The Atlantic When E. Jean Carroll—possibly the liveliest woman in the world and author of the “Ask E. Jean” advice column in Elle Magazine, realized that her eight million readers and question-writers all seemed to have one thing in common—problems caused by men—she hit the road. Crisscrossing the country with her blue-haired poodle, Lewis Carroll, E. Jean stopped in every town named after a woman between Eden, Vermont and Tallulah, Louisiana to ask women the crucial question: What Do We Need Men For? E. Jean gave her rollicking road trip a sly, stylish turn when she deepened the story, creating a list called “The Most Hideous Men of My Life,” and began to reflect on her own sometimes very dark history with the opposite sex. What advice would she have given to her past selves—as Miss Cheerleader USA and Miss Indiana University? Or as the fearless journalist, television host, and eventual advice columnist she became? E. Jean intertwines the stories of the fascinating people she meets on her road trip with her “horrible history with the male sex” (including mafia bosses, media titans, boyfriends, husbands, a serial killer, and a president), creating a decidedly dark yet hopeful, hilarious, and thrilling narrative. Her answer to the question What Do We Need Men For? will shock men and delight women.




Juvenal: Satire 6


Book Description

The first commentary to adopt an integrated approach to Satire 6 by drawing together a multiplicity of different perspectives.




Man Made


Book Description

Seeking to learn that masculinity is not defined by the size of his muscles but by the size of his heart, Stein confronts his effete nature by doing a 24-hour shift with LA firefighters, going hunting, rebuilding a house, enduring three days of basic training with the Marine Corps, and going into the ring with UFC Hall of Famer Randy Couture.




Afternoon Men


Book Description

Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time. In Afternoon Men, the earliest and perhaps most acid of Powell’s novels, we meet the museum clerk William Atwater, a young man stymied in both his professional and romantic endeavors. Immersed in Atwater’s coterie of acquaintances—a similarly unsatisfied cast of rootless, cocktail-swilling London sophisticates—we learn of the conflict between his humdrum work life and louche social scene, of his unrequited love, and, during a trip to the country, of the absurd contrivances of proper manners. A satire that verges on nihilism and a story touched with sexism and equal doses self-loathing and self-medication, AfternoonMen has a grim edge to it. But its dialogue sparks and its scenes grip, and for aficionados of Powell, this first installment in his literary canon will be a welcome window onto the mind of a great artist learning his craft.