Mamá's Panza


Book Description

A body-positive picture book about a young boy's love for his mother and his mother's belly. Everyone has a panza—it can be big and round, soft and small, or somewhere in between. But a young boy’s favorite panza of all is Mamá’s. Her panza is capable of remarkable things, and she loves it as an important part of herself. Her panza was also his first home. Even before he was born, it cradled and held him. When he’s feeling shy and needs a place to hide or when he wants somewhere to rest during a bedtime story, Mamá’s panza is always there. With affirming text by Isabel Quintero and vivid art by Iliana Galvez, Mamá’s Panza is a young boy’s love letter to his mother, along with a celebration of our bodies and our bellies.




La panza de mamá


Book Description

Un libro infantil sobre el amor que le tiene un niño a su madre y a la barriga de su madre y que a la vez es una celebración del cuerpo. Todo el mundo tiene una panza: puede ser grande y redonda, blanda y pequeña o algo intermedio. Pero la panza favorita de un pequeño niño es la de su mamá. Su panza es capaz de cosas extraordinarias y ella la ama como una parte importante de sí misma. La panza de su mamá también fue su primer hogar. Antes de que naciera, lo acurrucó y lo sostuvo. Cuando él se siente tímido y necesita un lugar para refugiarse o cuando quiere un lugar para descansar durante mientras escucha un cuento antes de dormir, la panza de mamá siempre está ahí. Con texto empoderador de Isabel Quintero y arte vivaz de Iliana Galvez, La panza de mamá es una carta de amor de un niño a su madre, además de una celebración de nuestros cuerpos y nuestras panzas. A body-positive picture book about a young boy's love for his mother and his mother's belly. Everyone has a panza—it can be big and round, soft and small, or somewhere in between. But a young boy’s favorite panza of all is Mamá’s. Her panza is capable of remarkable things, and she loves it as an important part of herself. Her panza was also his first home. Even before he was born, it cradled and held him. When he’s feeling shy and needs a place to hide or when he wants somewhere to rest during a bedtime story, Mamá’s panza is always there. With affirming text by Isabel Quintero and vivid art by Iliana Galvez, Mamá’s Panza is a young boy’s love letter to his mother, along with a celebration of our bodies and our bellies.




La Panza de Mamá


Book Description

A boy expresses his love for his mother and her belly.




Miquiztli


Book Description




Mama's Belly


Book Description

A little girl expresses curiosity and excitement for the coming birth of her baby sister while her parents tenderly reassure her of love's ability to expand with their growing family in this ode to motherhood and celebration of sibling love. Full color.




Kaqchikel Chronicles


Book Description

The collection of documents known as the Kaqchikel Chronicles consists of rare highland Maya texts, which trace Kaqchikel Maya history from their legendary departure from Tollan/Tula through their migrations, wars, the Spanish invasion, and the first century of Spanish colonial rule. The texts represent a variety of genres, including formal narrative, continuous year-count annals, contribution records, genealogies, and land disputes. While the Kaqchikel Chronicles have been known to scholars for many years, this volume is the first and only translation of the texts in their entirety. The book includes two collections of documents, one known as the Annals of the Kaqchikels and the other as the Xpantzay Cartulary. The translation has been prepared by leading Mesoamericanists in collaboration with Kaqchikel-speaking linguistic scholars. It features interlinear glossing, which allows readers to follow the translators in the process of rendering colonial Kaqchikel into modern English. Extensive footnoting within the text restores the depth and texture of cultural context to the Chronicles. To put the translations in context, Judith Maxwell and Robert Hill have written a full scholarly introduction that provides the first modern linguistic discussion of the phonological, morphological, syntactic, and pragmatic structure of sixteenth-century Kaqchikel. The translators also tell a lively story of how these texts, which derive from pre-contact indigenous pictographic and cartographic histories, came to be converted into their present form.




Houston Dining on the Cheap


Book Description




Water Music


Book Description

Daniel and Dylan are the top swimmers in the world; Alex and Al?, the top tennis players. They play for God, country, family, and the need to escape their troubled pasts. In their quest to be the best, they also harbor a secret: Each is in love with his rival. The four hit it off at the Summer Olympics in New York and reconnect on an island vacation that gives new meaning to doubles, round-robin, and preliminary heats. By then, the shifting professional fortunes of each couple have begun to signal a change in their personal relationships as well, one that will lead to new alliances and betrayal and engulf them in tragedy. Told from their alternating viewpoints, WATER MUSIC is about power, jealousy, dominance, and submission. It's about how the past informs the present and the future and how the choices made by nations, our families, and ourselves color our lives. Ultimately, it's the story of how we come to accept those choices and learn to live with loss through love.




Mi Vida Loca, My Crazy Life


Book Description

This book is about what life was like in the twentieth century as experienced by one who was born in a small farming and ranching community during the Great Depression and grew up with, lived among, played with, and worked with people of Hispanic descent like himself, and then in a small New Mexico city among people whose descendants came mostly from Europe, Asia, Central and South America, and the Indigenous People who were here first. Almost his entire life and career were spent living among, and/or working with, and for the people of the Navajo, Zuni, Acoma, Laguna, Apache, Hoopa and Yurok Tribes and served in an Administrative capacity with the Department of the Interior, Bureau of Indian Affairs. From a small boy herding sheep in the foothills of the San Pedro Mountains of Northern New Mexico to a country boy living in the city, to a young man serving his country during the Korean Conflict (sometimes referred to as The Forgotten War and Frozen Chosin), to working for his Country in a Branch of the Federal Government that provides human services and assistance to the Indigenous Peoples of this country, to raising a family of eight children, and the adventures he and his family had along the way while living and working in various Indian Reservations located throughout New Mexico, Arizona and California. This was a journey of Learning, Living, and Loving that taught the author and his family the true meaning of the word love; love of God, love of self, love for one and other, and love for others. It has been a life mostly happy, sometimes sad, sometimes funny, sometimes full of grief and tears, but always full of love and thankfulness to our Creator who is the source of our strength and who makes everything possible. Everything that’s written herein has been gleaned from the life and experiences of the author during his eighty-five (and counting) years on this planet, conversations with his parents and his numerous aunts, uncles, cousins, friends, co-workers, and other native New Mexicans who have lived and experienced the kind of lives written about in this book. For accuracy and veracity, he has referenced the works of other New Mexico authors and on-line services such as Wikipedia. He has tried to be as true and accurate as possible in his account and asks for the readers forgiveness for any information which may be found to be erroneously and unintentionally presented.