Man into Wolf


Book Description

First published in 1951, Man into Wolf attempts to suggest the possibility of historical, or rather prehistorical, evolutionist derivation of all crimes of violence, from the individual attack on life known as murder or manslaughter to the collective organized killing which we call war. The author has tried to show that the evidence from prehistory can be made intelligible on the theory of Jung’s archetypes surviving in the collective conscience and revealing themselves all over the world in legends, myths and rites. He discusses, in the notes on the lecture, every possible aspect of the subject ranging from the perverseness of the Marquis de Sade to the Grecian Bacchantes, and from the Green Men and the agricultural ceremonies to a case study of John George Haigh. This book will be of interest to students of anthropology, gender studies, and psychology.




Man Into Wolf


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Man Into Wolf


Book Description







Robert Eisler and the Magic of the Combinatory Mind


Book Description

Robert Eisler, the polymathic Jewish Austrian scholar and Holocaust survivor, faded into obscurity after his death in 1949. A contemporary and associate of Walter Benjamin, Aby Warburg, and Gershom Scholem, Eisler spent his early years in fin-de-siècle Vienna and trained as an art historian and economist. In this book, the first in English devoted to Eisler’s life and thought, Brian Collins takes us through the development of Eisler’s ideas about the philosophy of values, comparative mythology, Christianity, psychoanalysis, monetary policy, and anthropology. Collins also explores the bizarre and sometimes tragic events that defined Eisler’s life, including his arrest for art theft in 1907, his controversial reconstruction of a physical description of Jesus, and the fifteen months he spent in Dachau and Buchenwald, the inspiration for his final book, Man into Wolf: An Anthropological Interpretation of Sadism, Masochism, and Lycanthropy.




Witchcraft


Book Description

In this new edition Charles Alva Hoyt updates his research and offers fresh interpretations of the fascinating history of witches. Among his "Second Thoughts" are cautious examinations of the possible implications of the space-time continuum of Einstein's special theory of relativity and the "Many Worlds" interpretation of quantum mechanics to the observed phenomena of witchcraft. Hoyt, a descendant of Susanna Martin who was hanged as a witch for walking through a Salem rain without getting her feet wet, carefully sketches the background and history of this least understood of supernatural phenomena as it has evolved from antiquity to the present. He identifies seven distinct schools of witchcraft--orthodox, skeptic, anthropological, psychological, pharmacological, transcendental, and occult--and thoroughly analyzes each of them. He explores witchcraft's increased influence resulting from the New Testament's personification of evil as Satan. Especially enlightening are the ways that the nonwitch world has perceived and treated witches. Witches were often victims at the lower end of the social order, scapegoats for the misfortunes of neighbors, town officials, and family members. Many of them suffered decapitation, hanging, burning and torture, dismemberment, and removal of skin with red-hot pincers for their alleged witchcraft. Dietrich Flade, Rector of the University of Trier, for example, was burned on 18 September 1589 after having been "mercifully and Christianly strangled." He had been found guilty of causing "plagues of hailstones and snails."




Lycanthropy in German Literature


Book Description

Lycanthropy in German Literature argues that as a symbol of both power and parasitism, the human wolf of the Germanic Middle Ages is iconic to the representation of the persecution of undesirables in the German cultural imagination from the early modern age to the post-war literary scene.




The Dread of Difference


Book Description

“The Dread of Difference is a classic. Few film studies texts have been so widely read and so influential. It’s rarely on the shelf at my university library, so continuously does it circulate. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. Informative and enlightening, this updated classic is an essential reference for fans and students of horror movies.”—Stephen Prince, editor of The Horror Film and author of Digital Visual Effects in Cinema: The Seduction of Reality “An impressive array of distinguished scholars . . . gazes deeply into the darkness and then forms a Dionysian chorus reaffirming that sexuality and the monstrous are indeed mated in many horror films.”—Choice “An extremely useful introduction to recent thinking about gender issues within this genre.”—Film Theory




Painful pleasures


Book Description

This timely volume ventures into the subject of sadomasochism in varied aspects of medieval life. Saint’s Lives and mystical treatises provide evidence of failed sadism and empowering masochism. Literary culture in the form of epics and courtly tales preserve stories of eroticised power. These exciting chapters join together to form a picture of medieval culture that is kinky in its practice and deeply psychological at its core.




The Body of Frankenstein's Monster


Book Description

Frankenstein. Werewolves. Dracula. These images aren't just imaginary creatures -- they're also powerful symbols of the body. The body can be thought of as a machine made up of parts like Frankenstein's monster, or as a creature ruled by animalistic urges, or as an entity that's vulnerable to infection from a diseased fiend. In "The Body of Frankenstein's Monster," Cecil Helman, M.D., expands our view of our bodies by exploring its cultural and artistic representations.