MANTAN THE FUNNYMAN
Author : MICHAEL H. PRICE.
Publisher :
Page : pages
File Size : 16,15 MB
Release :
Category :
ISBN : 9781644300626
Author : MICHAEL H. PRICE.
Publisher :
Page : pages
File Size : 16,15 MB
Release :
Category :
ISBN : 9781644300626
Author : Michael H. Price
Publisher :
Page : 271 pages
File Size : 34,20 MB
Release : 2006
Category : Performing Arts
ISBN : 9781887664707
Mantan Moreland would become Louisiana s richest gift to the funnyman traditions of Old Hollywood. He would happily wield his charm and charisma as second banana in a slew of films of the 1930s and 40s. Moreland found his place in the spotlight, if not quite the sun, during the waxed-and-waning years of the Great God A mighty Depression as These United States lurched back toward prosperity via warfare. Thus situated, Moreland stood his ground for more than a decade before he found himself maneuvered toward a lower station in an upheaval of Cultural Correction. Mantan Moreland was one of Old Hollywood s most energetic comedians all due respect to the enshrined houses of Marx, Fields, Keaton and Chaplin. And Moreland s story, related in the most direct terms short of his own account, shows him to have been the most resilient, defiant and resurgent of that lot, as well. That is, within the limits imposed by the spirit of the times, a forgetful mass audience, and the disloyal marketplace itself. Hopefully Mantan the Funnyman will help Mantan Moreland find his well-deserved place in the sun.
Author : Michael Price
Publisher : Createspace Independent Publishing Platform
Page : 240 pages
File Size : 17,3 MB
Release : 2016-08-18
Category :
ISBN : 9781535181198
The epic life of Mantan Moreland unfolds in Michael H. Price's vivid account of a career that ranged from the Minstrel tradition, through the circus world and Broadway, to Hollywood, through political woes and a defiant comeback. Who'd have thought that Charlie Chan's chauffeur had such an immense back-story? An expanded edition of the original volume of 2006, with newly unearthed photographs, fresh insights, and a rare 1948 interview in the artist's own emphatic words.
Author : Raymond Arsenault
Publisher : Bloomsbury Publishing USA
Page : 311 pages
File Size : 35,39 MB
Release : 2010-01-19
Category : Music
ISBN : 1608190560
Chronicles the landmark 1939 concert, offers insight into the period's racial climate, describes Eleanor Roosevelt's resignation from the DAR for barring Anderson's performances, and pays tribute to the singer's significant contributions.
Author : Salvador Jiménez Murguía
Publisher : Rowman & Littlefield
Page : 825 pages
File Size : 22,99 MB
Release : 2018-04-12
Category : Performing Arts
ISBN : 1442269065
Winner, RUSA 2019 Outstanding References Source Winner and named a Library Journal Best Reference Book of the Year 2018 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginalization. Even in the 21st century, the American film industry is not “color blind,” evidenced by films such as Babel (2006), A Better Life (2011), and 12 Years a Slave (2013). The Encyclopedia of Racism in American Film documents one facet of racism in the film industry, wherein historically underrepresented peoples are misrepresented—through a lack of roles for actors of color, stereotyping, negative associations, and an absence of rich, nuanced characters. Offering insights and analysis from over seventy scholars, critics, and activists, the volume highlights issues such as: Hollywood’s diversity crisis White Savior films Magic Negro tropes The disconnect between screen images and lived realities of African Americans, Latinos, Native Americans, and Asians A companion to the ever-growing field of race studies, this volume opens up a critical dialogue on an always timely issue. The Encyclopedia of Racism in American Film will appeal to scholars of cinema, race and ethnicity studies, and cultural history.
Author : Frank Holder
Publisher : TrineDay
Page : 771 pages
File Size : 34,39 MB
Release : 2019-11-04
Category : Social Science
ISBN : 1634242637
On This Day in Comedy is not just an encyclopedia, but a celebration of comedy. In humorous prose the book takes readers through the often-neglected subcultures of comedy in America, acknowledging the inclusiveness of the performers as well as shows and films that made this art form so vital to comics of all backgrounds. It's artistically criminal that a search for Native American or Asian comedy information yields a virtually blank slate. Look for Middle Eastern comics and you'll be provided information on the region's comic book revolution, and search results for Latin comedy are confined to a series of outdated articles. This encyclopedia will offer rare and in some cases never-before-seen photos and obscure facts, making it an indispensable comedy essential.
Author : Tom Weaver
Publisher : McFarland
Page : 732 pages
File Size : 49,91 MB
Release : 2003-02-19
Category : Performing Arts
ISBN : 9780786482153
This whopping big McFarland Classic brings together 43 interviews with horror and science fiction movie writers, producers, directors and the men and women who saved the planet from aliens, behemoths, robots, zombies, and other sinister, stumbling threats--in the movies, at least. The interviewees reminisce about some of their great (and not so great!) films and tell their stories. This classic volume represents the union of two previous volumes: 1994's Attack of the Monster Movie Makers ("anecdotes are frank and revealing"--Video Watchdog); and 1995's They Fought in the Creature Features ("a fun book for all SF film enthusiasts"--Interzone). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences howl and squeal (though fear has long been replaced with sweet nostalgia).
Author : S. Torriano Berry
Publisher : Rowman & Littlefield
Page : 568 pages
File Size : 12,77 MB
Release : 2015-05-07
Category : Performing Arts
ISBN : 1442247029
As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of African American images being displayed on an ever-expanding silver screen. This wide range of stories, topics, views, and genres will finally give the world a glimpse of African American life that has long been ignored and has yet to be seen. This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1400 cross-referenced entries on actors, actresses, movies, producers, organizations, awards, and terminology, this book provides a better understanding of the role African Americans played in film history. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema.
Author : S. Torriano Berry
Publisher : Scarecrow Press
Page : 452 pages
File Size : 34,63 MB
Release : 2009-09-02
Category : Performing Arts
ISBN : 0810870347
On 4 July, 1910, in 100-degree heat at an outdoor boxing ring near Reno, Nevada, film cameras recorded-and thousands of fans witnessed-former heavyweight champion Jim Jeffries' reluctant return from retirement to fight Jack Johnson, a black man. After 14 grueling rounds, Johnson knocked out Jeffries and for the first time in history, there was a black heavyweight champion of the world. At least 10 people lost their lives because of Johnson's victory and hundreds more were injured due to white retaliation and wild celebrations in the streets. Public screenings received instantaneous protests and hundreds of cities barred the film from being shown. Congress even passed a law making it a federal offense to transport moving pictures of prizefights across state lines, and thus the most powerful portrayal of a black man ever recorded on film was made virtually invisible. This is but one of the hundreds of films covered in The A to Z of African American Cinema, which includes everything from The Birth of a Nation to Crash. In addition to the films, brief biographies of African American actors and actresses such as Sidney Poitier, James Earl Jones, Halle Berry, Eddie Murphy, Whoopi Goldberg, Denzel Washington, and Jamie Foxx can be found in this reference. Through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology, this book provides a better understanding of the role African Americans played in film history.
Author : Jonathan Maberry
Publisher : St. Martin's Griffin
Page : 432 pages
File Size : 14,89 MB
Release : 2009-03-03
Category : Fiction
ISBN : 1429991623
When you have to kill the same terrorist twice in one week there's either something wrong with your world or something wrong with your skills... and there's nothing wrong with Joe Ledger's skills. And that's both a good, and a bad thing. It's good because he's a Baltimore detective that has just been secretly recruited by the government to lead a new taskforce created to deal with the problems that Homeland Security can't handle. This rapid response group is called the Department of Military Sciences or the DMS for short. It's bad because his first mission is to help stop a group of terrorists from releasing a dreadful bio-weapon that can turn ordinary people into zombies. The fate of the world hangs in the balance....