Manuscripts in Midland Libraries


Book Description

`The Index of Middle English Prose when completed will be a monumental achievement.' REVIEW OF ENGLISH STUDIES




Manuscripts in the Library of Pembroke College, Cambridge and the Fitzwilliam Museum


Book Description

`The Index of Middle English Prose when completed will be a monumental achievement' REVIEW OF ENGLISH STUDIES Two very different collections are surveyed in this volume. The manuscripts of Pembroke College, Cambridge are typical of a medieval foundation. Its core of books is a working library of that period, representing the interests andneeds of its Fellows, very often given or bequeathed by them to the College. The collection was substantially enlarged in 1599 through the gift by William Smart of Ipswich of a large number of manuscripts which until the Reformation had belonged to the Abbey of Bury St Edmunds. By contrast the emphasis of the Fitzwilliam Museum collection is to a great extent art historical. At its heart are the manuscripts bequeathed by Lord Fitzwilliam in 1816. These were supplemented throughout the 19th century by a series of gifts and bequests, culminating in 1904 in the largest bequest to date, from Frank McClean, of some 203 manuscripts. In spite of the different character of the two collections, both contain a range of Middle English prose items, among them Chaucer's Boece, a complete Wycliffite sermon cycle and several Paston letters [all from Pembroke], the Anlaby Cartulary, the "Canutus" pestilence tract, the Brut, Lydgate's Serpent of Division and Nicholas Love's Mirror of the Blessed Life of Jesus Christ (from the Fitzwilliam). KARI ANNE RAND is Professor of Older English Literature at the University of Oslo.




Our Beating Hearts


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Charles Goodnight


Book Description

Charles Goodnight was a pioneer of the early range cattle industry—an opinionated and profane but energetic and well-liked rancher. Goodnight’s story is now re-examined by William T. Hagan in this brief, authoritative account that considers the role of ranching in general—and Goodnight in particular—in the development of the Texas Panhandle. The first major reassessment of his life in seventy years, Charles Goodnight: Father of the Texas Panhandle traces its subject’s life from hardscrabble farmer to cattle baron, giving close attention to lesser-known aspects of his last thirty years. Goodnight came up in the days when much of Texas was free range and open to occupancy by any cattleman brave enough to stake a claim. Hagan shows how Goodnight learned the cattle business and became one of the most famous ranchers of the Southwest. Hagan also presents a clearer picture than ever before of Goodnight’s business arrangements and investments, including the financial setbacks of his later life. As entertaining as it is informative, Hagan’s account takes readers back to the Palo Duro Canyon and the Staked Plains to share insights into the cattleman’s life—riding the range, fighting grass fires, driving cattle to the nearest railhead—the very stuff of cowboy legend and lore. This fascinating biography enriches our understanding of a Texas icon.







Harley manuscript geographies


Book Description

This study brings new methodologies of literary geography to bear upon the unique contents of a codex known as British Library MS Harley 2253. The Harley manuscript was produced upon England’s Welsh March, by a scribe whose generation died in the Black Death. It contains a diverse set of writings: love-lyrics and devotional literature, political songs and fabliaux, saints’ lives, courtesy texts, bible stories and travelogues. These works alternate between languages (Middle English, Anglo-Norman and Latin) but operate in conversation with one another. The introduction explores how this fragmentary miscellany keeps being sutured into 'whole'-ness by commentary upon it. Individual chapters examine different genres and social groupings and demonstrate that there are many Harley landscapes still waiting to be discovered. It will be of great value to those studying literary history, medieval studies, cultural geography, gender studies, Jewish studies and book history.




English Renaissance Manuscript Culture


Book Description

English Renaissance Manuscript Culture: The Paper Revolution traces the development of a new type of scribal culture in England that emerged early in the fourteenth century. The main medieval writing surfaces of parchment and wax tablets were augmented by a writing medium that was both lasting and cheap enough to be expendable. Writing was transformed from a near monopoly of professional scribes employed by the upper class to a practice ordinary citizens could afford. Personal correspondence, business records, notebooks on all sorts of subjects, creative writing, and much more flourished at social levels where they had previously been excluded by the high cost of parchment. Steven W. May places literary manuscripts and in particular poetic anthologies in this larger scribal context, showing how its innovative features affected both authorship and readership. As this amateur scribal culture developed, the medieval professional culture expanded as well. Classes of documents formerly restricted to parchment often shifted over to paper, while entirely new classes of documents were added to the records of church and state as these institutions took advantage of relatively inexpensive paper. Paper stimulated original composition by making it possible to draft, revise, and rewrite works in this new, affordable medium. Amateur scribes were soon producing an enormous volume of manuscript works of all kinds--works they could afford to circulate in multiple copies. England's ever-increasing literate population developed an informal network that transmitted all kinds of texts from single sheets to book-length documents efficiently throughout the kingdom. The operation of restrictive coteries had little if any role in the mass circulation of manuscripts through this network. However, paper was cheap enough that manuscripts could also be readily disposed of (unlike expensive parchment). More than 90% of the output from this scribal tradition has been lost, a fact that tends to distort our understanding and interpretation of what has survived. May illustrates these conclusions with close analysis of representative manuscripts.







Medieval Texts in Context


Book Description

This collection of essays by leading experts in manuscript studies sheds new light on ways to approach medieval texts in their manuscript context. Each contribution provides groundbreaking insight into the field of medieval textual culture, demonstrating the various interconnections between medieval material and literary traditions. The contributors’ work aids reconstruction of the period’s writing practices, as contextual factors surrounding the texts provide clues to the ‘manuscript experience’. Topics such as scribal practice and textual providence, glosses, rubrics, page lay-out, and even page ruling, are addressed in a manner illustrative and suggestive of textual practice of the time, while the volume further considers the interface between the manuscript and early textual communities. Looking at medieval inventories of books no longer extant, and addressing questions such as ownership, reading practices and textual production, Medieval Texts in Context addresses the fundamental interpretative issue of how scribe-editors worked with an eye to their intended audience. An understanding of the world inhabited by the scribal community is made use of to illuminate the rationale behind the manufacture of devotional texts. The combination of approaches to the medieval vernacular manuscript presented in this volume is unique, marking a major, innovative contribution to manuscript studies.