Maps for Migrants and Ghosts


Book Description

Language as key and map to places, people, and histories lost For immigrants and migrants, the wounds of colonization, displacement, and exile remain unhealed. Crossing oceans and generations, from her childhood home in Baguio City, the Philippines, to her immigrant home in Virginia, poet Luisa A. Igloria demonstrates how even our most personal and intimate experiences are linked to the larger collective histories that came before. In this poetry collection, Igloria brings together personal and family histories, ruminates on the waxing and waning of family fortunes, and reminds us how immigration necessitates and compels transformations. Simultaneously at home and displaced in two different worlds, the speaker lives in the past and the present, and the return to her origins is fraught with disappointment, familiarity, and alienation. Language serves as a key and a map to the places and people that have been lost. This collection folds memories, encounters, portraits, and vignettes, familiar and alien, into both an individual history and a shared collective history—a grandfather’s ghost stubbornly refusing to come in out of the rain, an elderly mother casually dropping YOLO into conversation, and the speaker’s abandonment of her childhood home for a second time. The poems in this collection spring out of a deep longing for place, for the past, for the selves we used to be before we traveled to where we are now, before we became who we are now. A stunning addition to the work of immigrant and migrant women poets on their diasporas, Maps for Migrants and Ghosts reveals a dream landscape at the edge of this world that is always moving, not moving, changing, and not changing.




Cordillera Tales


Book Description




Historical Dictionary of Asian American Literature and Theater


Book Description

A Library Journal Best Reference Book of 2022 This book represents the culmination of over 150 years of literary achievement by the most diverse ethnic group in the United States. Diverse because this group of ethnic Americans includes those whose ancestral roots branch out to East Asia, Southeast Asia, South Asia, and Western Asia. Even within each of these regions, there exist vast differences in languages, cultures, religions, political systems, and colonial histories. From the earliest publication in 1887 to the latest in 2021, this dictionary celebrates the incredibly rich body of fiction, poetry, memoirs, plays, and children’s literature. Historical Dictionary of Asian American Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on genres, major terms, and authors. This book is an excellent resource for students, researchers, and anyone wanting to know more about this topic.




Hinge


Book Description

Finding joy and beauty in the face of suffering Readers enter “a stunted world,” where landmarks—a river, a house, a woman’s own body—have become unrecognizable in a place as distorted and dangerous as any of the old tales poet Molly Spencer remasters in this elegant, mournful collection. In myth and memory, through familiar stories reimagined, she constructs poetry for anyone who has ever stumbled, unwillingly, into a wilderness. In these alluring poems, myth becomes part of the arsenal used to confront the flaws and failures of our fallible bodies. Shadowing the trajectory of an elegy, this poetry collection of lament, remembrance, and solace wrestles with how we come to terms with suffering while still finding joy, meaning, and beauty. Spencer alternates between the clinical and the domestic, disorientation and reorientation, awe and awareness. With the onset of a painful chronic illness, the body and mental geography turn hostile and alien. In loss and grief, in physical and psychological landscapes, Spencer searches the relationship between a woman’s body and her house—places where she is both master and captive—and hunts for the meaning of suffering. Finally, with begrudging acceptance, we have a hypothesis for all seasons: there is suffering, there is mercy; they are not separate but are for and of one another.




Fieldglass


Book Description

"A candid exploration of sexual identity, female friendship, family dynamics, and queer experiences of love, this book is a collection of poems about obsession, addictions, and a life given over to making art"--




The Flesh Between Us


Book Description

Eroticism cut from classical mythology, ritual, and intimacy In The Flesh Between Us the speaker explores our connections to each other, whether they be lovely or painful, static or constantly shifting, or, above all, unavoidable and necessary. Intensely and unapologetically homoerotic in content and theme, The Flesh Between Us sensuously conducts the meetings between strangers, between lovers, between friends and family, between eater and eaten, between the soul and the body that contains it. Pushing the boundaries of what has been traditionally acceptable for gay and erotic content and themes, the poems adapt persona, Greek mythology, Judaism, and classic poetic forms to interrogate the speaker’s relationship to god and faith, to love and sex, to mother and father. Stark and mythical, the imagery draws from the language of animals and nature. Episodes of kink tangle with creatures of forests and lore. In this tumult, the lines of poetry keep a sense of boundary and distance by the seeming incompatibility of their subjects: daybreak and dissection, human and insect, worship and reality. The touch of irreconcilable bodies, in Adkisson’s language, intimates the precise moment of love. The idea of love moves viscerally through rib, lung, throat, and mouth. The poems show how flesh opens in so many ways, in prayers, in bleeds, in ruts. The flesh, opened, begins to swell. If there is guilt in this, Adkisson’s poems refuse the placid satisfaction of confession. Whatever attachments the reader dares to draw must be made with blade or tongue. The reader must commit to the potential violence narrated by these poems.




The Southern Poetry Anthology, Volume IX: Virginia


Book Description

Home of the first settlement in the United States and known as Old Dominion and The Mother of Presidents, the state of Virginia’s artistic output proves among the most fecund in the nation, evidenced in this ninth volume of The Southern Poetry Anthology. This collection includes well-known, established, and celebrated poets such as Charles Wright, Claudia Emerson, Gregory Orr, Ellen Bryant Voigt, R. T. Smith, Forrest Gander, and Rita Dove, and the editors have dedicated equal focus on newer, diverse poets who continue to broaden and enrich the literary legacy of this beautiful state.




Hot, Sour, Salty, Sweet: Essays and Interviews


Book Description

“Seasoned with a dash of [Su’s] meticulously crafted poetry and even a recipe, this collection celebrates words, culture, food, and the human act of making that binds them all together. A literary gourmand’s delight.” —Kirkus Reviews “Su’s soulful reflections call attention to the complex connections between place, cuisine, literature, and taste, and revealing interviews with Su . . . open a window onto her creative process . . . This provides much to savor.” —Publishers Weekly In this enchanting collection of essays and interviews, poet Adrienne Su reflects on her journey as a creative writer and avid home cook, beginning at a neighbor's dinner table in 1980s Atlanta—lingering over poems, poets, and connections between food and literature—and ending in her 2023 kitchen in central Pennsylvania. In Hot, Sour, Salty, Sweet, Adrienne Su contemplates her own use of food as a recurring metaphor, influential teachers and peers, the push and pull between cooking and writing, changing expectations around English usage, and craft questions such as: Why does some subject matter refuse to cooperate in the creative process, even when it appears close to home? How does one write a good poem about being happy? Why write in rhyme when it's time-consuming and mostly out of style? What is a poem's responsibility to the literal truth? Su's essays are driven by the tensions between worlds that overlap and collide: social conventions of the northern and southern United States; notions of what's American and what's Asian American; the demands of the page and the demands of the home; the solitariness of writing and the meaningful connection a poem can create between writer and reader. In interviews, often with fellow poets, she discusses a range of topics, from her early days in the Nuyorican poetry-slam scene to the solace of poetry and cooking during Covid-19 lockdown. While Su’s previous books are all collections of poetry, she has been publishing individual essays for many years. Hot, Sour, Salty, Sweet gathers the best of them into one volume for the first time.




Ghosts of Gold Mountain


Book Description

Guangdong -- Gold Mountain -- Central Pacific -- Foothills -- The High Sierra -- The Summit -- The Strike -- Truckee -- The Golden Spike -- Beyond Promontory.




The Power of Maps


Book Description

This volume ventures into terrain where even the most sophisticated map fails to lead--through the mapmaker's bias. Denis Wood shows how maps are not impartial reference objects, but rather instruments of communication, persuasion, and power. Like paintings, they express a point of view. By connecting us to a reality that could not exist in the absence of maps--a world of property lines and voting rights, taxation districts and enterprise zones--they embody and project the interests of their creators. Sampling the scope of maps available today, illustrations include Peter Gould's AIDS map, Tom Van Sant's map of the earth, U.S. Geological Survey maps, and a child's drawing of the world. THE POWER OF MAPS was published in conjunction with an exhibition at the Cooper Hewitt Museum, the Smithsonian Institution's National Museum of Design.