Maria Callas's Lyric and Coloratura Arias


Book Description

More than 40 years after her death, the legend of Maria Callas, “La Divina Assoluta,” remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent – genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability – the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, this book envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.




Lyric and Coloratura Arias


Book Description

"More than 40 years after her death, the extraordinary voice of Maria Callas, "La Divina Assoluta," still remains unsurpassed. It has the power to divide critics, some finding it monstrous, others transcendent. Artists like Patti Smith, Linda Ronstadt and Nina Simone have cited Callas as a major influence and inspiration. She remains one of the most important female voices of the 20th century. Much has been written about Callas's sensational opera career and fraught private life, from her clashes with other artists, affair with billionaire playboy Aristotle Onassis, to her tragic death in 1977. And yet, the fascination with Callas's biography tends to overshadow her most seemingly superhuman qualities - her astounding voice and masterful technique. Callas often spoke of her voice as if it were something external, independent of her, with its own will, failings and desires. Nevertheless, she was a diva with iron discipline, taming her voice to forge roles that have become legendary. Using one of Callas's first recital recordings from 1954 as a foundation, this book envisions each song, each aria, as a lens to examine phenomena as diverse as the operatic screaming point, feminism and the voice, and music and violence"--







Maria Callas - Volume 2


Book Description

(Vocal). These two collections feature celebrated arias as interpreted by Maria Callas, arguably the most influential singer of the recorded era. In addition to a brief biography of Callas, each selection, in standard voice and piano format, is followed by notes which indicate the variants, breaths, fermatas, and all of the nuances that Callas employed to turn these arias into masterpieces of interpretation. A wonderful reference tool for vocal coaches, professional singers and voice students, these two books are also indispensible items for the libraries of all opera enthusiasts. Volume 2 contains: ANNA BOLENA: Al dolce guidami. MEDEA (Cherubini): Dei tuoi figli la madre. NABUCCO: Ben io t'invenni-Anch'io dischiuso un giorno-Salgo gia del trono aurato. NORMA: Dormono entrambi. I PURITANI: Qui la voce sua soave. LA VESTALE (Spontini): Caro oggetto il di cui nome. LA TRAVIATA: Addio, del passato.




Pulp's This Is Hardcore


Book Description

This Is Hardcore is Pulp's cry for help. A giant, sprawling, flawed masterpiece of a record, the 1998 album manages to tackle some of the most inappropriate grown-up issues of the day – fame, ageing, mortality, drugs, and pornography – and still come out crying and laughing on the other side. The subject of pornography dominates the record – from its controversial artwork to the images conjured up by songs like "Seductive Barry" and the title track – after Pulp's main man, Jarvis Cocker – who'd spent most of his teenage and adult life chasing celebrity, only to be cruelly disappointed when it finally arrived in spades – hit upon the grand notion of using pornography as a metaphor for fame. The album's commercial failure as a follow-up to the band's Britpop-defining, Different Class, also symbolizes a death knell for Britpop itself. Dark, right? Except just like Pulp themselves, Jane Savidge's book is playful and sometimes very funny indeed. Kicking off with an imaginary conversation between Jarvis Cocker and the people who run the Total Fame Solutions helpline, Savidge expertly guides us through the trials and tribulations of an album that begins with the so-called Michael Jackson Incident, when Cocker got up on stage at the 1996 Brit Awards and waggled his fully-clothed bum at the King of Pop. Pulp's This Is Hardcore may be a sleazy run through porn and mental demise, and an album that chronicles Cocker's continuing disillusionment with his newfound lot in life, but Savidge's book assesses the cultural and historical context of the album with insider knowledge and a sharp modern lens, ultimately making a case for it as one of the most important albums of the 1990s.




Maria Callas


Book Description

(Vocal). These two collections feature celebrated arias as interpreted by Maria Callas, arguably the most influential singer of the recorded era. In addition to a brief biography of Callas, each selection, in standard voice and piano format, is followed by notes which indicate the variants, breaths, fermatas, and all of the nuances that Callas employed to turn these arias into masterpieces of interpretation. A wonderful reference tool for vocal coaches, professional singers and voice students, these two books are also indispensible items for the libraries of all opera enthusiasts. Volume 1 contains: LA GIOCONDA: Suicidio. LUCIA DI LAMMERMOOR: Ardon gl'incensi. MACBETH: La luce langue. NORMA: Casta diva. LA SONNAMBULA: Ah! non credea mirarti. TOSCA: Vissi d'arte. LA TRAVIATA: Ah, forse e lui che l'anima ... Sempre libera. I VESPRI SICILIANI: Merce, dilette amiche.




Prima Donna


Book Description

Prima Donna: The Psychology of Maria Callas explores the psychological mechanisms underlying the hypnotic power of Callas's artistry and the unfolding of her tragic life story. Although precipitated by the trauma and shame that followed her abandonment by Aristotle Onassis and the rapid deterioration of her voice, Callas's midlife disintegration reflects deep psychological vulnerabilities. In this book, Wink utilizes cutting-edge advances in research on developmental psychology and narcissism to shed light on Callas's puzzling personal deterioration during the last nine years of her life. Lacking a cohesive and integrated sense of self, Callas sought affirmation and vitality from adoring audiences and older men including her husband Battista Meneghini and her long-term partner Onassis. The propensity to fuse her identity with stage roles contributed to her artistic greatness, but envy and the lack of an intrinsic sense of meaning and worth intensified her vulnerability to life's vicissitudes. Prima Donna is both a powerful study of Callas's life and a contribution to the greater body of work on the psychology of artists.







Various Artists' Red Hot + Blue


Book Description

Red Hot + Blue is a meditation on music's capacity to find us, transform us, and help us make sense of our historical moment. Blending memoir and cultural history, Garrison recalls his coming out at the height of the AIDS crisis alongside the music industry's first major response to the epidemic. In 1990, a groundbreaking effort by musical artists sought to combat the silence and stigma about the disease. The resulting tribute album to legendary composer Cole Porter was evocatively titled Red Hot + Blue, capturing both the joy and melancholy that accompany love during turbulent times. It re-imagined those iconic songs - including “Don't Fence Me In,” “Every Time We Say Goodbye,” “Night and Day” - not just to celebrate the composer but also to offer a shared vision for survival. In this book, Garrison reflects on his own life story through the lens of Porter's life and music to illuminate the emotional landscape we all navigate in the search for love. Red Hot + Blue returns us to the early 1990s to reveal how the love songs of the past can be revived to speak to new audiences in times of need. The book is the portrait of an album, a pandemic, and a young gay man's coming of age in the era of both.




Encyclopedia of Music in the 20th Century


Book Description

The Encyclopedia of Music in the 20th Century is an alphabetically arranged encyclopedia of all aspects of music in various parts of the world during the 20th century. It covers the major musical styles--concert music, jazz, pop, rock, etc., and such key genres as opera, orchestral music, be-bop, blues, country, etc. Articles on individuals provide biographical information on their life and works, and explore the contribution each has made in the field. Illustrated and fully cross-referenced, the Encyclopedia of Music in the 20th Century also provides Suggested Listening and Further Reading information. A good first point of reference for students, librarians, and music scholars--as well as for the general reader.