Maria Edgeworth's Irish Writing


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"Maria Edgeworth is often regarded as a pioneer in the development of the regional novel and the use of vernacular language. This book is the first to offer an extensive discussion of all four of Edgeworth's major Irish tales, examining her attitudes towards language and regionalism in the context of her writing about Ireland."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Castle Rackrent


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The Absentee


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On the eve of his coming of age, a young Lord begins to see the truth of his parents' lives: his mother cannot buy her way into society no matter how hard he tries, and his father is being ruined by her continued attempts. The young Lord then travels to his home in Ireland, encountering adventure on the way, and discovers that the native residents are being exploited in his father's absence.




Belinda


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Essay on Irish Bulls


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The Life and Letters of Maria Edgeworth (Complete)


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In her later years Miss Edgeworth was often asked to write a biographical preface to her novels. She refused. "As a woman," she said, "my life, wholly domestic, can offer nothing of interest to the public." Incidents indeed, in that quiet happy home existence, there were none to narrate, nothing but the ordinary joys and sorrows which attend every human life. Yet the letters of one so clear-sighted and sagacious—one whom Macaulay considered to be the second woman of her age—are valuable, not only as a record of her times, and of many who were prominent figures in them: but from the picture they naturally give of a simple, honest, generous, high-minded character, filled from youth to age with love and goodwill to her fellow-creatures, and a desire for their highest good. An admirable collection of Miss Edgeworth's letters was printed after her death by her stepmOther and lifelong friend, but only for private circulation. As all her generation has long since passed away, Mr. Edgeworth of Edgeworthstown now permits that these letters should be read beyond the limits of the family circle. An editor has had little more to do than to make a selection, and to write such a thread of biography as might unite the links of the chain. AUGUSTUS J.C. HARE. In the flats of the featureless county of Longford stands the large and handsome but unpretentious house of Edgeworthstown. The scenery here has few natural attractions, but the loving care of several generations has gradually beautified the surroundings of the house, and few homes have been more valued or more the centre round which a large family circle has gathered in unusual sympathy and love. In his Memoirs, Mr. Edgeworth tells us how his family, which had given a name to Edgeworth, now Edgeware, near London, came to settle in Ireland more than three hundred years ago. Roger Edgeworth, a monk, having taken advantage of the religious changes under Henry VIII., had married and left two sons, who, about 1583, established themselves in Ireland. Of these, Edward, the elder, became Bishop of Down and Connor, and died without children; but the younger, Francis, became the founder of the family of Edgeworthstown. Always intensely Protestant, often intensely extravagant, each generation of the Edgeworth family afterwards had its own picturesque story, till Richard Edgeworth repaired the broken fortunes of his house, partly by success as a lawyer, partly by his marriage, in 1732, with Jane Lovell, daughter of a Welsh judge. Their eldest son, Richard Lovell Edgeworth, was born in 1744, and educated in his boyhood at Drogheda School and Dublin University. Strong, handsome, clever, ingenious, and devoted to sports of every kind, he was a general favourite. But his high spirits often led him into scrapes. The most serious of these occurred during the festivities attendant on his eldest sister's marriage with Mr. Fox of Fox Hall, at which he played at being married to a young lady who was present, by one of the guests dressed up in a white cloak, with a door-key for a ring. This foolish escapade would not deserve the faintest notice, if it had not been seriously treated as an actual marriage by a writer in the Quarterly Review.




Belinda


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Leonora


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DigiCat Publishing presents to you this special edition of "Leonora" by Maria Edgeworth. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




Irish Women's Fiction


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Irish Women's Fiction examines women's novels up to and following the establishment of the Irish state, the period of the Second World War, the Second Wave feminism of the 1970s, to postmodernism in the 1990s. Heather Ingman discusses Irish women's writing across all major genres both literary and popular, including children's writing, crime fiction, and in the discussion of the writing of the Celtic Tiger era, the phenomenal success of Irish chick lit. The topic of Irish women's writing is still a neglected one, with women's novels too often sidelined, despite the international recognition gained by prize-winning novels by Anne Enright and Emma Donoghue among others. Describing the circumstances of women's writing lives, as well as the themes with which they deal, Irish Women's Fiction is written in an accessible style and is the first ever single-volume survey of Irish women's writing and writers, bringing Irish women writers back in to the canon of Irish literature.




Works


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