Maria Spilsbury (1776?820)


Book Description

Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody and religious writing. The art that emerges is distinctly Protestant and evangelical, offering a vivid illustration of the mood of patriotic, Protestant fervour that characterized the quarter century succeeding the French revolution. This focus may be situated in the general context of increasing interest in the religious faith of historical actors - men and women - in the eighteenth century, and in the related contexts of growing acknowledgement of a religious aspect to "enlightenment" art, as well as investigations into Protestant culture in Ireland. The book is extensively illustrated and contains a list of all of Spilsbury's known works.




Maria Spilsbury (1776-1820)


Book Description

Looking beyond the purely decorative interpretations of the past, this volume closely examines the art of Maria Spilsbury Taylor, a painter of portraits, genre and biblical themes, who lived and worked in London and Ireland during the Georgian period, and who was patronized by the Prince Regent. A new, religious interpretation is offered here in the light of her Moravian and evangelical background and the patriotic, Protestant ethos of the time.




Maria Spilsbury (1776?820)


Book Description

Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody and religious writing. The art that emerges is distinctly Protestant and evangelical, offering a vivid illustration of the mood of patriotic, Protestant fervour that characterized the quarter century succeeding the French revolution. This focus may be situated in the general context of increasing interest in the religious faith of historical actors - men and women - in the eighteenth century, and in the related contexts of growing acknowledgement of a religious aspect to "enlightenment" art, as well as investigations into Protestant culture in Ireland. The book is extensively illustrated and contains a list of all of Spilsbury's known works.




Converting Britannia


Book Description

A compelling study of Anglican Evangelicalism in the Age of Wilberforce revealing its potency as a political machine whose reach extended into every area of the British establishment and its nascent Empire.




The Collected Letters of Mary Blachford Tighe


Book Description

This annotated edition provides a revelatory glimpse into the life and mind of Ireland’s premier Romantic-era woman poet, Mary Blachford Tighe (1772-1810), author of Psyche, Verses, and Selena. Although Tighe’s family burned most of her personal papers, 166 letters by and to her survived the flames, and are printed here for the first time. They offer rich insights into her thoughts and feelings about her writing, marriage, friendships, family, anxieties, aspirations, spirituality, politics, travels, and day-to-day activities, with beauty, poignance and wit. The letters written between 1786 and 1801 reveal stunning details about her complex relationship with her voyeuristic husband, about the years she spent in England developing her craft as a writer and acquiring her reputation as a much-admired beauty, and about the lived realities that ground the proto-feminist aesthetics of Psyche, the lyrics in Verses, and the narratives in Selena. The letters from 1802 through 1809 contain exceptional information about her reading habits and scholarly studies, resistance to publication, and friendships with other writers. The Collected Letters of Mary Blachford Tighe presents a rich archive of material that open up significant avenues for scholarship on Tighe: they document how actively she participated in her culture, shed autobiographical light on some of the least-known periods in her life, and illuminate her development as a poet and novelist.




Tracing the Jerusalem Code


Book Description

With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Volume 3 analyses the impact of Jerusalem on Scandinavian Christianity from the middle of the 18. century in a broad context. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)




The Ashgate Research Companion to World Methodism


Book Description

As a religious and social phenomenon Methodism engages with a number of disciplines including history, sociology, gender studies and theology. Methodist energy and vitality have intrigued, and continue to fascinate scholars. This Companion brings together a team of respected international scholars writing on key themes in World Methodism to produce an authoritative and state-of-the-art review of current scholarship, mapping the territory for future research. Leading scholars examine a range of themes including: the origins and genesis of Methodism; the role and significance of John Wesley; Methodism’s emergence within the international and transatlantic evangelical revival of the Eighteenth-Century; the evolution and growth of Methodism as a separate denomination in Britain; its expansion and influence in the early years of the United States of America; Methodists’ roles in a range of philanthropic and social movements including the abolition of slavery, education and temperance; the character of Methodism as both conservative and radical; its growth in other cultures and societies; the role of women as leaders in Methodism, both acknowledged and resisted; the worldwide spread of Methodism and its enculturation in America, Asia and Africa; the development of distinctive Methodist theologies in the last three centuries; its role as a progenitor of the Holiness and Pentecostal movements, and the engagement of Methodists with other denominations and faiths across the world. This major companion presents an invaluable resource for scholars worldwide; particularly those in the UK, North America, Asia and Latin America.




The Writings of James Barry and the Genre of History Painting, 1775–1809


Book Description

Examining the literary career of the eighteenth-century Irish painter James Barry, 1741-1806 through an interdisciplinary methodology, The Writings of James Barry and the Genre of History Painting, 1775-1809 is the first full-length study of the artist’s writings. Liam Lenihan critically assesses the artist’s own aesthetic philosophy about painting and printmaking, and reveals the extent to which Barry wrestles with the significant stylistic transformations of the pre-eminent artistic genre of his age: history painting. Lenihan’s book delves into the connections between Barry’s writings and art, and the cultural and political issues that dominated the public sphere in London during the American and French Revolutions.




The Cambridge Companion to British Romanticism and Religion


Book Description

The first survey of the connections between literature, religion, and intellectual life in the British Romantic period.