The Absence of Mark Manders


Book Description

For this extensive series of European exhibitions of Mark Mander's work to date, he has arranged his installations around a central space, which, combined with works from 1990 to 2007, enable the presentation of a comprehensive overview of his existing oeuvre.




Mark Manders


Book Description

At once a personal narrative and an encyclopedic gathering of material, Dutch artist Mark Manders' "Self-Portrait" began its life as a building in 1986. Since then, Manders has exhibited fragments of the project, an array of created and found objects, furniture, sculpture and drawings, keeping it in constant flux, changing its order with each showing.




Mark Manders


Book Description

This artist-designed publication documents "Isolated Rooms," a 2003 exhibition by Mark Manders at the Art Institute of Chicago and the Renaissance Society at the University of Chicago. These installations marked the American museum debut for the 35-year-old Dutch artist, who has been exhibiting in Europe since the early 1990s. For "Isolated Rooms" Manders created fifteen new major pieces in a variety of media, including handmade and found objects, drawings, and sculptures. Manders used both traditional gallery settings and non-traditional spaces, such as a stairwell, an exterior wall of the museum, and a non-functioning bathroom. The book comprises two parts: Isolated Rooms Reference Book surveys the artist's oeuvre to date and features essays by James Rondeau and Dieter Roelstraet; the second fully documents the Chicago exhibitions and includes a checklist with discussions of each exhibited piece. Distributed for the Art Institute of Chicago




Mark Manders


Book Description

Published in conjunction with exhibition at the Irish museum of Modern art. Artist acclaimed for his sculptural installations, and artist books. Includes his major piece 'Parallel Occurrence'.




Mark Manders


Book Description

Mark Manders was awarded the Van Lanschot Kempen Art Prize 2018, which is given annually to a mid-career artist in the Benelux. This volume recognises this achievement in the form of an extended English edition of ?Les études d?ombres? (2012), published in French and commissioned by Carré d?Art in Nîmes. Since 1986, Manders has continuously worked and expanded on the notion of his ?Self-Portrait as a Building?, producing artworks that resemble a fictional building, with divisions between various rooms and levels, but the exact dimensions and shape of which can never be determined. As such, his oeuvre forms a larger ?Gesamtkunstwerk? that fascinates our imagination.




Sculpture in Rotterdam


Book Description




Leadership for the Disillusioned


Book Description

We expect our leaders to be superhuman, to provide all the answers and never fail. Amanda Sinclair offers an alternative and more realistic approach to leadership based on personal growth, drawing on Eastern philosophies.




Skin Fruit


Book Description

Text by Lisa Phillips, Massimiliano Gioni. Conversation with Jeff Koons.




Mark Manders


Book Description

For his third solo exhibition in the Netherlands, Mark Manders created a special environment in De Vleeshal, Middelburg, wherein he refers to his well-known series, 'Self-Portrait as a Building', begun in 1986. This diminutive publication documents the exhibition in its entirety through black-and-white photographs depicting installation views, the creative process, and the associated artworks, materials and objects.




Sterling Ruby - WIDW.


Book Description

Xavier Hufkens is pleased to present a two-venue exhibition of new paintings and collages by Los Angeles-based artist Sterling Ruby.0Ruby?s DRFTRS and WIDW series are two ever-evolving bodies of work that bear witness to the artist?s intense relationship with materials and his interest in issues such as sociocultural evolution, popular culture, and violence. 0The WIDW paintings (an acronym for ?window?), are executed in acrylic, oil paint, and collaged fragments of cardboard and textile on canvas. In their composite nature, they closely relate to the DRFTRS works on paper. But the materials used in this series reflect yet another form of archaeology: the excavation of the artist?s studio.00Exhibition: Xavier Hufkens Gallery, Brussels, Belgium (07.09.-20.10.2018).