The Grandissimes


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Nationalism and the Color Line in George W. Cable, Mark Twain, and William Faulkner


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Nationalism and the Color Line in George W. Cable, Mark Twain, and William Faulkner is a strikingly original study of works by three postbellum novelists with strong ties to the Deep South and Mississippi Valley. In it, Barbara Ladd argues that writers like Cable, Twain, and Faulkner cannot be read exclusively within the context of a nationalistically defined "American" literature, but must also be understood in light of the cultural legacy that French and Spanish colonialism bestowed on the Deep South and the Mississippi River Valley, specifically with respect to the very different ways these colonialist cultures conceptualized race, color, and nationality.Ladd probes the work of these writers for discontinuities, for moments of narrative incoherence, from which she charts the ideological winds that blew through the United States in the nineteenth and early twentieth centuries. In Cable's The Grandissimes, written at the beginning of the Redemption era, the discontinuities are strategic whispers to the reader about the reality of racial division and violence that lay beneath the white reconciliation romance. Twain's Pudd'nhead Wilson and Those Extraordinary Twins also inscribes racial discord, although with the added dimension of experimentation with form. And in Absalom, Absalom! and Light in August, narrative incoherence becomes central as Faulkner explores the impact of radical racism on the ways that whiteness was constructed in the early twentieth century. Neither "race" nor "nation," Ladd shows, is stable in the work of these writers, but is always contested and shifting.Ladd's book raises provocative questions about the relationships between race, region, and nationalism in literary study. With its innovative approach and rich New Historicist method, it is an important contribution to scholarship in several fields.




Twins of Genius


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Creole Slave Songs


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A Companion to Mark Twain


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This broad-ranging companion brings together respected American and European critics and a number of up-and-coming scholars to provide an overview of Twain, his background, his writings, and his place in American literary history. One of the most broad-ranging volumes to appear on Mark Twain in recent years Brings together respected Twain critics and a number of younger scholars in the field to provide an overview of this central figure in American literature Places special emphasis on the ways in which Twain's works remain both relevant and important for a twenty-first century audience A concluding essay evaluates the changing landscape of Twain criticism




Huck Finn's America


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Examines Mark Twain's writing of Huckleberry Finn, calling into question commonly held interpretations of the work on the subjects of youth, youth culture, and race relations, based on research into the social preoccupations of the era in which it was written.




A Companion to American Literature


Book Description

A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.




Strange Talk


Book Description

Late-nineteenth-century America was crazy about dialect: vernacular varieties of American English entertained mass audiences in "local color" stories, in realist novels, and in poems and plays. But dialect was also at the heart of anxious debates about the moral degeneration of urban life, the ethnic impact of foreign immigration, the black presence in white society, and the female influence on masculine authority. Celebrations of the rustic raciness in American vernacular were undercut by fears that dialect was a force of cultural dissolution with the power to contaminate the dominant language. In this volume, Gavin Jones explores the aesthetic politics of this neglected "cult of the vernacular" in little-known regionalists such as George Washington Cable, in the canonical work of Mark Twain, Henry James, Herman Melville, and Stephen Crane, and in the ethnic writing of Abraham Cahan and Paul Laurence Dunbar. He reveals the origins of a trend that deepened in subsequent literature: the use of minority dialect to formulate a political response to racial oppression, and to enrich diverse depictions of a multicultural nation.