Mark Twain: Social Critic
Author : Philip Sheldon Foner
Publisher :
Page : 448 pages
File Size : 49,45 MB
Release : 1958
Category : Literary Criticism
ISBN :
Author : Philip Sheldon Foner
Publisher :
Page : 448 pages
File Size : 49,45 MB
Release : 1958
Category : Literary Criticism
ISBN :
Author : Louis J. Budd
Publisher : University of Missouri Press
Page : 290 pages
File Size : 25,81 MB
Release : 2001
Category : Fiction
ISBN : 9780826213686
"Much has been written about Mark Twain's social and political attitudes, but Mark Twain: Social Philosopher is the most comprehensive study of the subject that has been made. Mr. Budd's treatment is thorough and detailed, supported by illuminating analysis and plentiful documentation. He presents his material well in a forthright, readable style that moves at a springy pace agreeably free from academic heavy-footedness." --Indiana Magazine of History "Louis J. Budd performs the service of tracing the growth of Twain's social and political convictions and thus showing his relationship to the age in which he lived. . . . Based upon extensive research in newspapers of the day, the personal letters, and other little-known material, as well as intensive analysis of the most relevant works by Twain, Budd's careful and balanced study is an important contribution."--Modern Fiction Newsletter "Budd is one of those rare and highly-to-be-prized people who consistently say good things in a graceful way. Writing about Mark Twain in a fashion that would not make Mark Twain swear if he read the result is a test not often passed. Professor Budd passes it with flying colors."--Mississippi Quarterly "Well written, vital, filled with a sharpness and humor reminiscent of Twain himself, [Mark Twain: Social Philosopher] is a penetrating and sustained analysis of Twain's development as a social critic, and shows his interest in the social issues of his day. It is a model of good criticism, honest analysis, and fine writing." --American Writers in Rebellion "Anyone who wants to read Mark Twain against the changing background of his time will turn with gratitude to Mr. Budd's patient, unpretentious, and revealing book."--Virginia Quarterly Review
Author : Arthur G. Pettit
Publisher : University Press of Kentucky
Page : 240 pages
File Size : 34,90 MB
Release : 2004-12-01
Category : Literary Criticism
ISBN : 9780813191409
The South was many things to Mark Twain: boyhood home, testing ground for manhood, and the principal source of creative inspiration. Although he left the South while a young man, seldom to return, it remained for him always a haunting presence, alternately loved and loathed. Mark Twain and the South was the first book on this major yet largely ignored aspect of the private life of Samuel Clemens and one of the major themes in his writing from 1863 until his death. Arthur G. Pettit clearly demonstrates that Mark Twain's feelings on race and region moved in an intelligible direction from the white Southern point of view he was exposed to in his youth to self-censorship, disillusionment, and, ultimately, a deeply pessimistic and sardonic outlook in which the dream of racial brotherhood was forever dead. Approaching his subject as a historian with a deep appreciation for literature, he bases his study on a wide variety of Mark Twain's published and unpublished works, including his notebooks, scrapbooks, and letters. An interesting feature of this illuminating work is an examination of Clemens's relations with the only two black men he knew well in his adult years.
Author : Robert Shulman
Publisher : University of Missouri Press
Page : 348 pages
File Size : 23,73 MB
Release : 1989
Category : Literary Criticism
ISBN : 9780826207265
The changing market society of the nineteenth century had a deep impact on American writers and their works. The writers responded with important insights into the alienation brought on by the country's capitalist development. Shulman uses theorists from Tocqueville to Gramsci and the New Left historians, as well as drawing on other recent historical and critical studies, to examine major nineteenth-century American works as they illuminate and are illuminated by their society. Using works by Benjamin Franklin, Mark Twain, Herman Melville, Nathaniel Hawthorne, Charles Chesnutt, Walt Witman, Edith Wharton, and Theodore Dreiser, he shows the urgency, energy, and variety of response that capitalism elicited from a range of writers.
Author : Mark Twain
Publisher :
Page : 398 pages
File Size : 10,14 MB
Release : 1924
Category :
ISBN :
Author : Mark Twain
Publisher :
Page : 280 pages
File Size : 20,68 MB
Release : 1962
Category : American wit and humor
ISBN : 9781566195263
A collection of essays written by Samuel Clements (as Mark Twain.).
Author : Shelley Fisher Fishkin
Publisher : Oxford University Press
Page : 405 pages
File Size : 16,1 MB
Release : 1994-05-05
Category : Literary Criticism
ISBN : 0190282312
Published in 1884, Huck Finn has become one of the most widely taught novels in American curricula. But where did Huckleberry Finn come from, and what made it so distinctive? Shelley Fisher Fishkin suggests that in Huckleberry Finn, more than in any other work, Mark Twain let African-American voices, language, and rhetorical traditions play a major role in the creation of his art. In Was Huck Black?, Fishkin combines close readings of published and unpublished writing by Twain with intensive biographical and historical research and insights gleaned from linguistics, literary theory, and folklore to shed new light on the role African-American speech played in the genesis of Huckleberry Finn. Given that book's importance in American culture, her analysis illuminates, as well, how the voices of African-Americans have shaped our sense of what is distinctively "American" about American literature. Fishkin shows that Mark Twain was surrounded, throughout his life, by richly talented African-American speakers whose rhetorical gifts Twain admired candidly and profusely. A black child named Jimmy whom Twain called "the most artless, sociable and exhaustless talker I ever came across" helped Twain understand the potential of a vernacular narrator in the years before he began writing Huckleberry Finn, and served as a model for the voice with which Twain would transform American literature. A slave named Jerry whom Twain referred to as an "impudent and satirical and delightful young black man" taught Twain about "signifying"--satire in an African-American vein--when Twain was a teenager (later Twain would recall that he thought him "the greatest man in the United States" at the time). Other African-American voices left their mark on Twain's imagination as well--but their role in the creation of his art has never been recognized. Was Huck Black? adds a new dimension to current debates over multiculturalism and the canon. American literary historians have told a largely segregated story: white writers come from white literary ancestors, black writers from black ones. The truth is more complicated and more interesting. While African-American culture shaped Huckleberry Finn, that novel, in turn, helped shape African-American writing in the twentieth century. As Ralph Ellison commented in an interview with Fishkin, Twain "made it possible for many of us to find our own voices." Was Huck Black? dramatizes the crucial role of black voices in Twain's art, and takes the first steps beyond traditional cultural boundaries to unveil an American literary heritage that is infinitely richer and more complex than we had thought.
Author : Andrew Levy
Publisher : Simon and Schuster
Page : 368 pages
File Size : 50,6 MB
Release : 2015
Category : Biography & Autobiography
ISBN : 1439186960
Examines Mark Twain's writing of Huckleberry Finn, calling into question commonly held interpretations of the work on the subjects of youth, youth culture, and race relations, based on research into the social preoccupations of the era in which it was written.
Author : Mark Twain
Publisher : Createspace Independent Publishing Platform
Page : 24 pages
File Size : 35,36 MB
Release : 2016-01-06
Category :
ISBN : 9781523289370
Running for Governor is a short essay by Mark Twain. Samuel Langhorne Clemens (November 30, 1835 - April 21, 1910), better known by his pen name Mark Twain, was an American author and humorist. He wrote The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1885), the latter often called "The Great American Novel." Twain grew up in Hannibal, Missouri, which provided the setting for Huckleberry Finn and Tom Sawyer. After an apprenticeship with a printer, he worked as a typesetter and contributed articles to the newspaper of his older brother, Orion Clemens. He later became a riverboat pilot on the Mississippi River before heading west to join Orion in Nevada. He referred humorously to his singular lack of success at mining, turning to journalism for the Virginia City Territorial Enterprise. In 1865, his humorous story, "The Celebrated Jumping Frog of Calaveras County," was published, based on a story he heard at Angels Hotel in Angels Camp, California, where he had spent some time as a miner. The short story brought international attention, and was even translated into classic Greek. His wit and satire, in prose and in speech, earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty. Though Twain earned a great deal of money from his writings and lectures, he invested in ventures that lost a great deal of money, notably the Paige Compositor, a mechanical typesetter, which failed because of its complexity and imprecision. In the wake of these financial setbacks, he filed for protection from his creditors via bankruptcy, and with the help of Henry Huttleston Rogers eventually overcame his financial troubles. Twain chose to pay all his pre-bankruptcy creditors in full, though he had no legal responsibility to do so. Twain was born shortly after a visit by Halley's Comet, and he predicted that he would "go out with it," too. He died the day after the comet returned. He was lauded as the "greatest American humorist of his age," and William Faulkner called Twain "the father of American literature." Twain began his career writing light, humorous verse, but evolved into a chronicler of the vanities, hypocrisies and murderous acts of mankind. At mid-career, with Huckleberry Finn, he combined rich humor, sturdy narrative and social criticism. Twain was a master at rendering colloquial speech and helped to create and popularize a distinctive American literature built on American themes and language. Many of Twain's works have been suppressed at times for various reasons. Adventures of Huckleberry Finn has been repeatedly restricted in American high schools, not least for its frequent use of the word "nigger," which was in common usage in the pre-Civil War period in which the novel was set. A complete bibliography of his works is nearly impossible to compile because of the vast number of pieces written by Twain (often in obscure newspapers) and his use of several different pen names. Additionally, a large portion of his speeches and lectures have been lost or were not written down; thus, the collection of Twain's works is an ongoing process. Researchers rediscovered published material by Twain as recently as 1995 and 2015.
Author : Sydney J. Krause
Publisher : JHU Press
Page : 313 pages
File Size : 25,86 MB
Release : 2019-12-01
Category : Literary Criticism
ISBN : 1421434571
Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.